Michelle Dunaway

Winter Morning

Provenance Acquired by the gallery directly from the artist Artist Statement “The 19th century painter Anders Zorn was a big influence for me on this work. I was looking at his 'Dance in Gopsmor Cottage' while painting, and trying to limit myself to brushes no small than an 8. I am quite satisfied with the light effect I achieved. As you can see I really boosted up the highlight on those stockings! It was a case where the sun had streamed in through an east light window (unwelcome at the time), rendering the model's legs impossibly bright. I've used a very thick impasto and even some cadmium lemon to try and convey the impression of light I was seeing. While executing this painting it occurred to me that this was the kind of unusual lighting...

Provenance On consignment to the gallery FRAMED: 28.125 x 24.125" x 1.625" UNFRAMED:20" x 16"

Provenance On consignment to the gallery from a private collector in Newport Beach, California. Artist Statement "The location is in a small town within the province of Yunnan in So...

Provenance Acquired by the gallery directly from the artist Artist Statement “This tender loving care is a necessary maintenance chore for these Native Iroquois women. It enhances the longevity of these delicate water craft. Their hulls of birch bark are thin and easily punctured. Heated resin is used to patch problem areas. Bark patches can be sewn, using Spruce roots, and resined over larger holes. These roots are also used to lash around gunnel, bow & stern. These canoes are extremely light weight, easily maneuverable, and capable of carrying heavy loads. I have one and it can be lifted with one hand and is a joy to paddle.” —John Buxton...

Provenance Acquired by the gallery directly from the artist. Description Mian Situ portrays his wife, Gloria, as a woman of beauty, dignity, culture and grace. She seems to magical...

Provenance Acquired by the gallery directly from the artist Description Charged with uplifting energy, this beautiful oil painting by Mian Situ is brilliantly executed and appears t...

Number 382 in the Schoonover raisonné. Signed and dated 1909. Beautifully reframed in custom 23 karat gold leaf frame.

A monumental Italian landscape oil painting. "Apuan Mountains" of Italy (The Italian Alps) Shepherds in the mountains with the village of Seravezza below. Painted by Andreas Marko...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is includ...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is includ...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is includ...

Attributed by Nikolay Alekseyevich Kasatkin (1859 - 1930). In this touching artwork, the artist perfectly conveyed the character of the old woman, who has seen a lot in her life. The hands, tired out and riddled with veins, lie helplessly on the knees. Her slouched body tells us about the load of years lived. The painter skillfully conveys a sense of wisdom, kindness, and humility through her wrinkled face and detached gaze. The painting exudes warmth with a subtle touch of sadness and reflection on a life lived. Thanks to moderately contrasting colors, the portrait comes to life and shows us the depth of the artist's intention. Kasatkin not only continued the traditions of the best masters of portraiture in Russia in the 19th century, but also introduced new principles into it. He sought to display on canvas not only the external features of a person, but also to demonstrate his spiritual world. Antique oil painting on canvas, signed bottom left, framed. Size app.: 68.5 x 52.3 cm (roughly 27 x 20.6 in), frame is 80.5 x 63.5 cm (roughly 31.7 x 25 in). Very good condition, very well preserved recently conserved condition with minimal wear (notice few micro losses here and there). Please study good resolution images for cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 5.4 kg is going to measure 8 kg packed for shipment. Nikolay Alekseyevich Kasatkin (1859 - 1930) was a Russian painter, considered to be one of the founders of Social Realism in Russia. From 1873 to 1883 he studied at the Moscow School of Painting, Sculpture and Architecture with Vasily Perov and Illarion Pryanishnikov. Upon graduating, he received a medal for his painting "Beggars at the Church Door". In 1891, he began exhibiting with the Peredvizhniki and, from 1894 to 1917, was a teacher at his alma mater. For thirty years, beginning in 1883, he worked with Ivan Sytin, providing illustrations for his popular almanac/calendars and teaching lithography. He also contributed The Great Reform, an encyclopedia that celebrated the fiftieth anniversary of the Emancipation (1861), and a collection called "Russian History in Pictures". In 1903, he became a member of the Imperial Academy of Arts. He participated in the Exposition Universelle (1900), where he won a silver medal, and the Louisiana Purchase Exposition (1904), among others. In 1923, following the Civil War, he was named the first "People's Artist of the Republic" and became a member of the AKhRR (Association of Artists). He is considered to be one of the forerunners of Socialist Realism in the arts and was sometimes called the "Gorky of Painters". In 1956, the Soviet Union honored him with a 40 kopeck commemorative postage stamp. In 1971, his painting of a female mine worker...