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Morton DimondsteinPORTRAIT OF ANHALT PORTRAIOT
$1,200
$1,95038% Off
£921.48
£1,497.4138% Off
€1,057.09
€1,717.7738% Off
CA$1,686.14
CA$2,739.9838% Off
A$1,888.37
A$3,068.6038% Off
CHF 985.32
CHF 1,601.1538% Off
MX$23,065.64
MX$37,481.6738% Off
NOK 12,536.15
NOK 20,371.2538% Off
SEK 11,816.83
SEK 19,202.3438% Off
DKK 7,888.92
DKK 12,819.4938% Off
About the Item
"PORTRAIT OF ANHALT PORTRAIOT"
FILM MAKER
OIL ON PAPER
C.1970
17.5 X 22.5 INCHES
Morton Dimondstein
1920-2000
At the age of seventeen Morton Dimondstein enrolled in the American Artists School and then the Art Students League in New York City, where he studied painting, drawing, and printmaking with Anton Refregier, Harry Sternberg, and Kimon Nicolaides.
After serving in the 387th Field Artillery Battalion during World War II, Dimondstein continued his studies at the Otis Art Institute in Los Angeles. He was one of the first artists to produce serigraphic prints on the West Coast, marketing them as affordable art in galleries and retail stores.
His prints and oil paintings garnered several awards during this post-war period, including an A.C.A. Gallery international competition for a one- man show in New York City.
In 1951 he moved to Mexico, where he attended the Instituto Politécnico Nacional and studied art with José Gutiérrez and David Alfaro Siqueiros. During his three years in Mexico, Dimondstein worked as a staff artist and instructor in visual education for UNESCO and was a member of the Taller de Gráfica Popular.
After moving back to Los Angeles, Dimondstein served as the art editor of the California Quarterly from 1953 to 1956. He briefly worked for the Saul Bass advertising firm where he designed books and book jackets, and collaborated on the ad campaigns for films such as William Wyler’s “The Big Country” and Otto Preminger’s “St. Joan.” Dimondstein received industry recognition for the images he created, but cranking out art for commercial ventures with strict deadlines was not for him.
He chose to leave that world in favor of working as an independent artist and art teacher. Over the years he taught at the Kann Art Institute, the New School of Art, the University of Southern California in Los Angeles, and the School of Fine Art which he established with UCLA faculty member Martin Lubner.
In 1960 there was an exhibition of Dimonsteain and Martin Lubner at the Norton Simon Museum in Pasadena, California.
In 1960 Dimondstein and his family moved to Italy. During these Italian years (1960-1964) he began to sculpt, which proved to be a turning point in his career. While continuing to produce works in various print and paint media, Dimondstein devoted himself to developing his new form of expression. Sculpting in wax, he would then cast his nudes, semi-nudes, and allegorical figures in bronze. In the late sixties, Dimondstein began sculpting in wood and in polyester resin. He continued to paint, but no longer on canvas. Instead, he painted life-sized portraits using acrylic on paper with a “sure sense of composition...ability to exploit color as a formal device...and a free spirited feeling for improvisation” (Los Angeles Times, October 18, 1986).
Active as an artist until 1998, Dimondstein shunned artifice and gimmickry, never synthetically creating a style or embracing a fad. He took what he regarded as “the more difficult road...permitting my work to be shaped by changing ideas, the materials I use, the accidents of place and displacement....” Critics concurred that he eschewed “changing fads and fashions, evolving instead within the ongoing Modernist figurative tradition” (Los Angeles Times, 1986).
The road Dimondstein traveled from early on branched off in many directions, but each path took the same route, toward an art that attained the highest level of craft and workmanship, an art that sought solutions to its intrinsic concerns, and an art that, according to La Vita in 1961, conveyed an appreciation for “the human image...without esthetic excesses... always granting it its own sense of poetry, its rightful dimension, its dignified pathos.”
Whether stripped down to its most elemental and biologic forms or embedded in a life sized, richly detailed environment, the human image--and the human condition--was central to Dimondstein’s vision.
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- Gallery Location:Los Angeles, CA
- Reference Number:1stDibs: LU391561013
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By Morton Dimondstein
Located in Los Angeles, CA
"PORTRAIT OF CHARLIE KELLER"
ARTIST
OIL ON PAPER
C.1970
23 X 17.5 INCHES
Morton Dimondstein
1920-2000
At the age of seventeen Morton Dimondstein enrolled in the American Artists School and then the Art Students League in New York City, where he studied painting, drawing, and printmaking with Anton Refregier, Harry Sternberg, and Kimon Nicolaides.
After serving in the 387th Field Artillery Battalion during World War II, Dimondstein continued his studies at the Otis Art Institute in Los Angeles. He was one of the first artists to produce serigraphic prints on the West Coast, marketing them as affordable art in galleries and retail stores.
His prints and oil paintings garnered several awards during this post-war period, including an A.C.A. Gallery international competition for a one- man show in New York City.
In 1951 he moved to Mexico, where he attended the Instituto Politécnico Nacional and studied art with José Gutiérrez and David Alfaro Siqueiros. During his three years in Mexico, Dimondstein worked as a staff artist and instructor in visual education for UNESCO and was a member of the Taller de Gráfica Popular.
After moving back to Los Angeles, Dimondstein served as the art editor of the California Quarterly from 1953 to 1956. He briefly worked for the Saul Bass advertising firm where he designed books and book jackets, and collaborated on the ad campaigns for films such as William Wyler’s “The Big Country” and Otto Preminger’s “St. Joan.” Dimondstein received industry recognition for the images he created, but cranking out art for commercial ventures with strict deadlines was not for him.
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Located in Los Angeles, CA
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OIL ON PANEL
C.1960
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At the age of seventeen Morton Dimondstein enrolled in the American Artists School and then the Art Students League in New York City, where he studied painting, drawing, and printmaking with Anton Refregier, Harry Sternberg, and Kimon Nicolaides.
After serving in the 387th Field Artillery Battalion during World War II, Dimondstein continued his studies at the Otis Art Institute in Los Angeles. He was one of the first artists to produce serigraphic prints on the West Coast, marketing them as affordable art in galleries and retail stores.
His prints and oil paintings garnered several awards during this post-war period, including an A.C.A. Gallery international competition for a one- man show in New York City.
In 1951 he moved to Mexico, where he attended the Instituto Politécnico Nacional and studied art with José Gutiérrez and David Alfaro Siqueiros. During his three years in Mexico, Dimondstein worked as a staff artist and instructor in visual education for UNESCO and was a member of the Taller de Gráfica Popular.
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Born in Chicago, Ronald Ahlström graduated from the School of the Art Institute, where he frequently exhibited his collages and paintings in the Chicago and Vicinity exhibits of the 1950s and 1960s.
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Education:
Art Institute of Chicago
University of Chicago
DePaul University
Exhibitions:
Art Institute of Chicago Annuals, 27 Corcoran Biennial in Washington DC, 12 Chicago Artists, 50 Chicago Artists European Exhibit at the US Information Agency, College and Construction, Hyde Park Art Center, Chicago, Chicago Artist’s 1963, Tacoma Art Museum, Washington, Henry Gallery, University of Washington, Seattle, 50th Northwestern Annual, Seattle Art Museum, Chicago Invitational, University of Illinois, and many more.
One Man Exhibits:
Rockford College, Rockford Il.
Barat College, Lake Forest Il.
Rodger Wilson Gallery, Chicago, Il.
Touchstone Gallery, New York, NY.
Joseph Faulkner, Main Street Galleries, Chicago, Il.
Zriny Galleries, Chicago Il.
Awards:
Clyde Carr Prize, Art Institute of Chicago
William H. Bartels Prize, Art Institute of Chicago
James Broadus Clark Prize, Art Institute of Chicago
Alumni of Art Institute Prize
Singer and Sons Prize, Navy Pier, Chicago
Abel Fagan Prize, Festival of Fine Arts, Lake Forest, Il.
Ford Foundation Purchase Prize, Seattle, Wa.
Collections:
Art Institute of Chicago
Barat College
Tacoma Art Museum, Wa.
Phibrook Art Center, Tulsa, Ok.
Blue-Cross Collection, Chicago, Il.
Atlantic Richfield Collection
Illinois Bell Telephone Collection
Container Corporation of America Collection
Gutenberg Museum, Mainz, Germany
Playboy Enterprises, Chicago, Il.
Smithsonian Institution, Washington, DC.
Art Collection 1st National Bank, Chicago
And many private collections
Publications:
Who’s Who in America
Who’s Who in American Art
Who’s Who of Midwest Art...
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