Nadezda Stupina

Running away childhood

In this piece, I've captured a serene moment of connection with nature—a child and her companion, immersed in the simple pleasure of fishing. The warm, gentle palette and soft brushs...

In this oil painting, I've immersed myself in the tranquil embrace of nature, capturing the essence of peaceful slumber. The rich textures and vibrant hues of blues and greens dance ...

In this oil painting, I've captured a serene moment of reflection, where the tranquility of nature meets the inner quietude of the human spirit. The light plays on the figure and sur...

In this circle of canvas, I captured a tranquil moment, where nature and the human spirit merge. The softness of the oils and the gentle brushstrokes evoke a sense of calm and reflec...

In this oil painting, I captured a serene moment of a young girl adrift in her thoughts, gracefully guiding her boat across the gentle waters. The interplay of light on the ripples c...

In this work, I sought to capture the essence of tranquil reflection, where time meanders as lazily as the pond's waters. Using oil on canvas, my brush strokes embraced realism tinge...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 he enrolled at the Accademia di San Luca, where he remained for just a year. On a visit to the 1st Esposizione Nazionale di Belle Arti of Florence in 1861 he was attracted by the naturalistic works from the Naples school. He came into contact with Domenico Morelli and Filippo Palizzi during a trip to Capri, Sorrento and Naples in 1866. In Rome, he kept company with Mariano Fortuny, whose painting, with its pleasant, captivating luministic effects, made a very strong impression on Joris. That was how he developed his own very personal artistic language, which went on to bring him remarkable commercial success on an international scale, helped by his collaboration with Paris art dealer...

Exquisite oil on canvas painting by artist Arthur Bowen Davies (American 1862-1928). The work depicts a young nude man walking through a lush green, ethereal landscape. Thick earth-t...

Lovely painting by the artist. Several small areas of inpainting mostly around the top and edges, visible under black light only. Several small areas of paint loss in upper center (s...

The Opium Smoker; The Opium Eater by N.C. Wyeth was created in 1913. The painting is signed upper right. Dedication lower left that reads "To Swayne / Fro...

Signed lower right.

Woman in a garden. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...