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Oli SorensonOpen Pit Diamond Mine2020
2020
About the Item
For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instagram, the pixelated landscapes of Minecraft and the geometric paintings of Peter Halley.
While Halley's paintings refer to philosopher Michel Foucault's panoptic prison cells, Sorenson's images recall the modular infrastructures of post-industrial societies, from computer networks to stock markets, from telecommunication systems to shipping lanes, as well as mining sites or areas of intensive agriculture.
Greatly influenced by musical creation, DJing [1] and its modes of dissemination, Sorenson defines his practice as an "art of remix". Without falling into pastiche or repetition, he questions the aspects of originality and authenticity, in an era of digital information overload. He is inspired by the visual vocabulary of internationally renowned artists to update their forms towards new themes and materials. By privileging acts of quotation and sharing, his works welcome a wider range of creative gestures than those generated by solitary studio work, in order to challenge the idea that artistic production emerges only in a vacuum.
Composed of paintings, digital prints and video screens in extremely vivid colors, the series presented at Plein Sud is designed to occupy the entire wall space of the gallery. Through this immersive display, the artist wishes to draw a portrait of current societies and their artifacts that are accumulating over an ever-increasing area of the Earth, to the point of causing urgent ecological repercussions.
- Creator:Oli Sorenson
- Creation Year:2020
- Dimensions:Height: 54 in (137.16 cm)Width: 54 in (137.16 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Montreal, CA
- Reference Number:1stDibs: LU47610892002
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