Items Similar to L'odalisque à l'éventail (The Odalisque with the Fan)
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Léon François ComerreL'odalisque à l'éventail (The Odalisque with the Fan)Late 19th Century
Late 19th Century
About the Item
Léon François Comerre
1850-1916 French
L'odalisque à l'éventail
(The Odalisque with the Fan)
Signed "Léon Comerre" (upper left)
Oil on canvas
Combining the brilliance of North African costume and decoration with the Academic painting tradition, French artist Léon François Comerre showcases his aptitude for the Orientalist genre in this skillfully executed oil on canvas. In it, a beautiful Algerian woman adorned with traditional Kabyle garments and jewelry languidly fans herself against the backdrop of a lush and intricately detailed interior. Zellij mosaic tilework forms radiating geometric motifs of contrasting pattern and color behind the figure. The serenity of the scene, coupled with Comerre’s robust color palette and overall dexterity of technique, make this a shining example of 19th-century Orientalist art.
Growing up in the town of Lille in northern France, Comerre demonstrated an interest and a talent for painting early on, and he began training at a young age. He studied under Alphonse Colas at the École des Beaux-Arts in Lille before a scholarship allowed him to move to Paris to study at the École des Beaux-Arts, as well as in the studio of Alexandre Cabanel. It was there that he was exposed to Orientalism, the genre that would come to dominate his oeuvre. He began exhibiting at the Salon in 1871, winning awards in 1875 and 1881, and in 1875 he won the prestigious Prix de Rome. He later exhibited in the Exposition Universelle in Antwerp, the Royal Academy and the Royal Society of Portrait Painters — successes that placed him in high demand as a society portraitist. He also would become a Knight of the Legion of Honor in 1903.
As a result of colonialism and increased intercontinental trade and travel, North African and Middle Eastern cultures became a source of fascination for 19th-century Westerners. Many Academic artists, including Comerre, shared that fascination and capitalized on the allure of the so-called "Orient," and Orientalism emerged as a popular painting genre in Europe. The movement was marked by images of marketplaces bustling with people in exotic dress, voyeuristic scenes of harems in bathhouses and beautiful women lounging in opulent, lush interiors. These scenes were largely created for Western audiences, and Comerre often incorporated Algerian architecture and cultural imagery into his portrait commissions. The subject of L'odalisque à l'éventail was a favorite of Comerre, and he painted her several times throughout his career. His delicate portraiture, combined with his skill for conveying contrasting textures and intricate tile motifs, demonstrate why he was one of the most accomplished artists of the Orientalist genre.
Late 19th century
Canvas: 46 5/8" high x 30 3/4" wide
Frame: 64" high x 48" wide
- Creator:Léon François Comerre (1850 - 1916, French)
- Creation Year:Late 19th Century
- Dimensions:Height: 64 in (162.56 cm)Width: 48 in (121.92 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1912
1stDibs seller since 2013
14 sales on 1stDibs
Typical response time: 4 hours
- ShippingRetrieving quote...Ships From: New Orleans, LA
- Return PolicyThis item cannot be returned.
More From This SellerView All
- A Pompeian LadyBy John William GodwardLocated in New Orleans, LAJohn William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...Category
Early 20th Century Academic Portrait Paintings
MaterialsOil, Canvas
- Young girl from Tetouan, MoroccoBy Charles Zacharie LandelleLocated in New Orleans, LAYoung girl from Tetouan, Morocco Signed (center right) Oil on canvas In this important oil on canvas, French Orientalist painter Charles Landelle captures the engaging visage of a young Moroccan woman in a moment of tranquil contemplation. Seated on the floor of what is almost certainly an opulent riad, the young woman wears an intricately embroidered Moroccan kaftan and headdress. The sumptuous patterns on the floor and in the background lend an additional warmth to the strikingly vivid red hues which dominate the composition and are a hallmark of Landelle’s work. The symbols behind the young woman may represent either the Jewish Star of David or the Islamic Seal...Category
Late 19th Century Academic Figurative Paintings
MaterialsCanvas, Oil
- Egg Tapping On Easter Sunday By Hubert RitzenhofenLocated in New Orleans, LAHubert Ritzenhofen 1879-1961 German Egg Tapping on Easter Sunday Signed and dated "H. Ritzenhofen 05" (lower right) Oil on canvas This grand domestic tableau was painted by estee...Category
20th Century Figurative Paintings
MaterialsCanvas, Oil
- Madonna Addolorata By SassoferratoBy Giovanni Battista Salvi da SassoferratoLocated in New Orleans, LASassoferrato (Giovanni Battista Salvi) 1609-1685 Italian Madonna Addolorata Oil on canvas Celebrated Italian artist Sassoferrato and his moving religious imagery are the epitome ...Category
17th Century Baroque Figurative Paintings
MaterialsCanvas, Oil
- The Sleuth By Joseph Christian LeyendeckerBy Joseph Christian LeyendeckerLocated in New Orleans, LAJoseph Christian Leyendecker 1874-1951 | American The Sleuth Saturday Evening Post Cover, June 2, 1906 Signed "JCLeyendecker" (lower left) Oil on canvas A debonair sleuth peers t...Category
Early 20th Century Other Art Style Figurative Paintings
MaterialsCanvas, Oil
- SantaBy Leslie ThrasherLocated in New Orleans, LAA Salvation Army Santa looks on with a mixture of fatigue and disinterest as a group of children tell him their Christmas gift wish lists in this lighthearted composition by leading American illustrator Leslie Thrasher. This painting was created for the December 20, 1930 issue of Liberty Magazine, for which the artist illustrated covers on a weekly basis for six consecutive years. Thrasher is known for his scenes of everyday American life imbued with a sense of humor, qualities represented to great effect in this charming painting. Born in 1889 in Piedmont, West Virginia, Thrasher studied at the Pennsylvania Academy of Fine Arts as a teenager and received a scholarship to study art abroad in Paris. Upon his return, he began studying under Howard Pyle, known as the “father of American illustration.” Thrasher sold his first cover illustration to the Saturday Evening Post in 1912, four years before Norman Rockwell’s first Post cover, and he would go on to produce over 360 magazine covers throughout his career. He painted humorous, relatable scenes of everyday life in America with colorful characters set against white backgrounds. He was also a successful commercial artist, painting advertisements for Cream of Wheat, Chesterfield Cigarettes...Category
Early 20th Century Other Art Style Figurative Paintings
MaterialsCanvas, Oil
You May Also Like
- Asian girl portrait Teddy bear innocence toys pink soft colors fine art classicLocated in Sempach, LUGirl with Teddy bear / Tender innocence This is one of my favorite artworks painted from nature. Painting are on stretched canvas come ready to hang. This is the “hidden frame”...Category
2010s Academic Figurative Paintings
MaterialsCanvas, Oil
- Gio Taking Off His Singlet (Portait of a Young Wrestler by Mark Beard)By Mark BeardLocated in Hudson, NYAcademic style figurative portrait painting of a handsome young man against a grey background "Gio Taking Off His Singlet", By Mark Beard as Bruce Sargeant (pseudonym in homage to the fashion photographer, Bruce Weber, and figurative painter, John Singer Sargent) 14 x 11 inches 18.5 x 15.5 inches framed Excellent condition Signed by the artist, upper left "B. Sargeant" This vertical, portrait painting of a young man was made by Mark Beard under his fictitious artistic persona, Bruce Sargeant. Painted in a modern Academic style, the handsome man is posed stoically against a pale grey background as he gingerly removes his wrestling singlet...Category
2010s Academic Portrait Paintings
MaterialsCanvas, Oil
- Portrait of my Young DaughterLocated in Paris, FRBeautiful oil on canvas from the end of the 19th century figuring the portrait of a young woman. The painting is signed Y Pol on the bottom left . The artist in his performance perfe...Category
19th Century Academic Portrait Paintings
MaterialsCanvas, Oil
- Old Time Football in the 1920s - Football 1920s - Classic FootballBy Walt LouderbackLocated in Miami, FLYou Got to be a Football Hero to Get Along with a Beautiful Girl. Masterfully composed and dynamic illustration that show a player getting punched in the jaw. During this period, there were no face...Category
1920s Academic Figurative Paintings
MaterialsOil, Canvas
- Portrait of an Elegant Young Woman in Warm Grays and Soft OchersBy Leon KrollLocated in Miami, FLLeon Kroll was above all an academician. To him "abstract art was merely the beginning of a picture. Structurally, "Portrait of a Young Woman recalls some of the portraits from the ...Category
1930s Academic Portrait Paintings
MaterialsOil, Canvas
- Miss Carolyn EdmunsonBy Leon KrollLocated in Miami, FLThe art world today does not value traditional academic skills in portrait painting. If it did, this portrait would replace the childlike student-level art that is now achieving two...Category
1930s Academic Portrait Paintings
MaterialsOil, Canvas
Recently Viewed
View AllMore Ways To Browse
Royal Interest
Antique Fans
Antique Fan
Fanal Antique
Fan Antique
Antique Century Fan
Century Fan Antique
Portrait Jewlery
French Fan
19th Century Fan
Exotic Portrait
Eastern European Artists
30x48 Frame
Western Oil Portraits
Antique Portrait Jewelry
19th Century Orientalist
Portrait 1903
19th Century Western Paintings