Items Similar to Day at the Park - Surreal Figurative
Want more images or videos?
Request additional images or videos from the seller
1 of 12
Richard CroninDay at the Park - Surreal Figurativec. 1978
c. 1978
About the Item
Bold figurative work by Richard Cronin (American, b. 1952). Two figures are at the edge of the sea, one of which is seated and holding two beach balls. The figures and scene are rendered in blocky, bold shapes, with softly blended colors, typical of Cronin's style.
Unsigned, but was acquired with a collection of the artist's work.
Canvas size 48"H x 48"W
Richard Cronin (b. 1952) is a surrealist artist who lives and works in Southern California. He became a professional artist in the late 1970s, focusing on symbolic, surreal work, juxtaposing hard lines with soft, blended colors. He calls his style “narrative surrealism” as each piece tells a metaphorical story. Later in his career, Cronin also worked as a graphic designer, creating posters for The Palm Springs Rodeo and local bands.
Exhibitions:
1977 - “The Evolution of the Concept,” Gallery Plus, Los Angeles, CA
1985, 1986 - Jill Youngblood Gallery, Los Angeles, CA
1987 - International Student Center, UCLA, Los Angeles, CA
1993 - Valerie Miller Fine Art, Palm Desert, CA
1999 - Ventura County Art Fair, Ventura, CA
2001, 2002 - “Personal Metaphors,” Carnegie Art Museum, Oxnard, CA
- Creator:Richard Cronin (1952, American)
- Creation Year:c. 1978
- Dimensions:Height: 48 in (121.92 cm)Width: 36 in (91.44 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Minor corner wear. Two small punctures were repaired by a previous owner. Surface scratch repaired. Professionally cleaned and treated with UV-resistant varnish. New hanging hardware included.
- Gallery Location:Soquel, CA
- Reference Number:Seller: 0173_DBH*1stDibs: LU54210124852
Richard Cronin (b. 1952) is a surrealist artist who lives and works in Southern California. He became a professional artist in the late 1970s, focusing on symbolic, surreal work, juxtaposing hard lines with soft, blended colors. He calls his style “narrative surrealism” as each piece tells a metaphorical story. Later in his career, Cronin also worked as a graphic designer, creating posters for The Palm Springs Rodeo and local bands. Exhibitions: 1977 - “The Evolution of the Concept,” Gallery Plus, Los Angeles, CA
1985, 1986 - Jill Youngblood Gallery, Los Angeles, CA
1987 - International Student Center, UCLA, Los Angeles, CA
1993 - Valerie Miller Fine Art, Palm Desert, CA
1999 - Ventura County Art Fair, Ventura, CA
2001, 2002 - “Personal Metaphors,” Carnegie Art Museum, Oxnard, CA
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1986
1stDibs seller since 2014
2,928 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Soquel, CA
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllMorning Sunrise, Mid Century Laguna Hills Figurative Landscape
Located in Soquel, CA
Beautiful mid century plein air figural landscape of Laguna Niguel, California by an unknown artist (American, 20th Century). The morning sun gli...
Category
1950s American Modern Landscape Paintings
Materials
Canvas, Oil, Cardboard
Vintage Sunrise Landscape - Sandpipers on the Shore in Oil on Canvas
Located in Soquel, CA
Vintage Sunrise Landscape - Sandpipers on the Shore in Oil on Canvas
Gorgeous landscape of a coastline in warm sunrise colors by San Diego artist Richard Keith (American, 1937-2003)...
Category
1970s American Modern Landscape Paintings
Materials
Canvas, Oil
"One Thousand Words" - Surreal Figurative
Located in Soquel, CA
Bold figurative work by Richard Cronin (American, b. 1952). Two figures stand on a patio, turned away from each other. The figures and scene are rendere...
Category
1970s American Modern Figurative Paintings
Materials
Canvas, Oil
$2,040 Sale Price
20% Off
Night Life in the City - Figurative Cityscape
Located in Soquel, CA
Night Life in the City - Figurative Cityscape
Mid 1960s cityscape by an unknown artist. Oil on artists board.
Image, 16"H x 20"W
Category
1960s American Modern Figurative Paintings
Materials
Canvas, Oil, Illustration Board
$600 Sale Price
20% Off
Figurative Study In Sausalito by Patricia Gren Hayes Berkeley Figurative School
By Patricia Gren Hayes
Located in Soquel, CA
Figurative Study In Sausalito by Patricia Gren Hayes Berkeley Figurative School
Modern painting of a nude woman with the Sausalito landscape in the background by American painter, P...
Category
1980s American Modern Figurative Paintings
Materials
Canvas, Oil
Mid Century California Oak Tree in Summer Original Oil Landscape Painting
By Louise Grossett Cunningham
Located in Soquel, CA
Mid Century California Oak Tree Original Oil Painting by Louise Cunningham
Iconic California Oak tree during summer with golden tones and olive green foliage by Santa Cruz, California artist Louise H. Grosset Cunningham (American, 1881-1983) circa 1960. Displayed in a new carved giltwood frame. A gem of a California landscape painting by one of the six Monterey Bay area distinguished women artists.
Medium: Oil paint on canvas
Signed lower right "Louise Cunningham"
Condition: Excellent
Presented in new, gold gilt-toned wood frame
Image, 16"H x 20"L.
Framed size: 22"H x 26"W x 2.50"D
A painter / architect/ pasteli, Louise Cunningham was born in Berkeley, California on May 4, 1881 of French parents. (Her uncle, Jules Jacques, was a distinguished Paris artist and a member of the French Royal Academy.)
Louise Grossett began her art studies at age eleven at the Mark Hopkins Institute in San Francisco a program run by UC Berkley. She then spent most of her life as a resident of California, Berkley, San Francisco, Mt Lassen, Yosemite and then retired to Felton CA in 1955, She ran art classes from her studio on Lazy Woods Rd.
She was the wife of Robert Cunningham...
Category
Late 20th Century American Modern Figurative Paintings
Materials
Canvas, Oil, Stretcher Bars
You May Also Like
"Glasco Landscape" Albert Heckman, circa 1940 New York Modernist Landscape
By Albert Heckman
Located in New York, NY
Albert Heckman
Glasco Landscape, circa 1940
Signed lower right
Oil on canvas
25 1/4 x 39 1/2 inches
Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow.
After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits.
In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City.
Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...
Category
1940s American Modern Figurative Paintings
Materials
Canvas, Oil
Six O'Clock
Located in Los Angeles, CA
Six O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA
About the Painting
Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.”
About the Artist
Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...
Category
1940s American Modern Landscape Paintings
Materials
Canvas, Oil
$12,500
"Little House Lambertville, Public Sale"
By Joseph Barrett
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork.
Signed lower middle. Artist designed frame.
Joseph Barrett (b. 1936)
Joseph Barrett was born in Midland, North Carolina, in ...
Category
20th Century American Modern Landscape Paintings
Materials
Oil, Canvas
Vintage Winter Snowy River Mountain Landscape of Canada by 20th Century Artist
Located in Preston, GB
Vintage Winter Snowy Mountain River Landscape Oil Painting of La Rivière du Nord in Canada, by 20th Century Canadian Artist, Sydney Berne (1921-2013)
Ar...
Category
1970s American Modern Landscape Paintings
Materials
Canvas, Oil
Missouri American Modernist famous in Europe - abstracted mid century Venice
Located in Norwich, GB
Meet the genuinely exciting modernist William Einstein, who is probably better known in Europe, where numerous publications on his work have been written, than in his native US!
Eins...
Category
1950s American Modern Landscape Paintings
Materials
Canvas, Oil
Summer Resort in Michigan -Modernist Mid-Century Saugatuck Oil Painting
Located in Marco Island, FL
Summer Resort in Michigan is an exceptional work painted by the Chicago Modernist, William Schwartz. He studied at the Art Institute of Chicago shortly ...
Category
1940s American Modern Landscape Paintings
Materials
Canvas, Oil
Recently Viewed
View AllMore Ways To Browse
1970 Hard Edge Painting
Rodeo Painting
Vintage Rodeo
Vintage Palm Beach Posters
Palm Springs Vintage Posters
Rodeo Poster
Richard Cronin
Black Crowes
Antique Oil Paintings Dancers
Mexican Revolution
Peter Max Painting On Canvas
Garcia Oil Painting
Man With Umbrella
Orthodox Church
Paintings Of Bali
Romanian Nude
Vintage Machine Oiler
Painting Of Laying Woman