Richard Whalen

Richard Whalen "Ukrainian Dancers" Original Oil Painting c.1990

Circa 1990

Raymond Howell, Chinese Dim Sum Feast, 1979 Oil on masonite 28" x 36" unframed, 35.5" x 43. 75" framed Biography from Raymond Howell website: Raymon...

Alex Bozickovic (Alex Boz) (Bosnian Yugoslavian, 1919-1982) "Girl With Bottle" Original Oil Painting C.1960s Fine oil painting on masonite of a young woman with a polka dot dress ho...

Antique European School "Summer" Oil Painting After Nicolas Lancret c.1900 Original oil on board. Dimensions 37" wide x 21" high Frame dimensions 40....

Vintage Impressionist "Fisherman" Oil Painting 20th C. Fine impressionist oil painting in a gilded frame The painting is signed illegibly in the lower right corner - see images Or...

American Outsider Folk Art Painting "The Wall-Flower" by Gussie Smith Roth C.1965 Original oil on masonite Masonite dimensions 28" wide x...

Antique European School "Autumn" Oil Painting After Nicolas Lancret c.1900 Original oil on board. Dimensions 37" wide x 21" high Frame dimensions 40....

‘PORTAL 4 (COMPASS)’, 2021 by Sarah PICKSTONE - Oil and Acrylic on linen - was exhibited at GALLERY46 show 'KNOCKING IT OUT OF THE PARK' from 5TH NOVEMBER – 12TH DECEMBER 2021 which also included artists JOSHUA ARMITAGE, KLAAS OP DE BEÉCK, YAGE GUO, CHRISTABEL MacGREEVY, ALEXI MARSHALL...

Act in pink. 1970. Oil on plywood, 78x52 cm Composition with woman act in pink color

Still life with peonies 1969, plywood, oil, 68x59 cm

Matthias Alfen’s series of Janus figures are an innovation in figural art predicated on the advances made by the Futurist sculptor and painter Umberto Boccioni and the Modernist Alberto Giacometti. The qualities of chance and spontaneity, necessarily excluded in the sculptural work, are clearly evident in his drawings and paintings. “Psychograms” of unchoreographed hand movements display wide variation, repeatedly playing through one form after another. In the end, this multitude of variation serves to enhance the logic, consistency, and seductively rich appearance of Alfen’s designed sculptural works. Represented by Gallery Schuckin in New York, Paris, France, and Moscow, Russia. Matthias Alfen’s was strongly influenced by his family’s experience during World War II. His grandfather Klemens Alfen (1894-1955) was an accomplished painter and photographer, recognized for his landscape photography and for his technique (Special Honors for Excellence in Photo-Print Technology, 1932). He enjoyed the friendship and support of many in the artistic community, a community largely influenced by its German Jewish members. Having lost his entire circle of friends under Nazi oppression. Klemens, although not Jewish, also suffered under the Nazis for refusing to join them and struggling in post-war Germany, which had nothing to offer an artist like him, Klemens took his own life. At around the age of 16 he worked for some weeks as an assistant at his uncle’s art studio. Fritz Koenig...

Matthias Alfen’s series of Janus figures are an innovation in figural art predicated on the advances made by the Futurist sculptor and painter Umberto Boccioni and the Modernist Alberto Giacometti. The qualities of chance and spontaneity, necessarily excluded in the sculptural work, are clearly evident in his drawings and paintings. “Psychograms” of unchoreographed hand movements display wide variation, repeatedly playing through one form after another. In the end, this multitude of variation serves to enhance the logic, consistency, and seductively rich appearance of Alfen’s designed sculptural works. Represented by Gallery Schuckin in New York, Paris, France, and Moscow, Russia. Matthias Alfen’s was strongly influenced by his family’s experience during World War II. His grandfather Klemens Alfen (1894-1955) was an accomplished painter and photographer, recognized for his landscape photography and for his technique (Special Honors for Excellence in Photo-Print Technology, 1932). He enjoyed the friendship and support of many in the artistic community, a community largely influenced by its German Jewish members. Having lost his entire circle of friends under Nazi oppression. Klemens, although not Jewish, also suffered under the Nazis for refusing to join them and struggling in post-war Germany, which had nothing to offer an artist like him, Klemens took his own life. At around the age of 16 he worked for some weeks as an assistant at his uncle’s art studio. Fritz Koenig...

Figurative Abstraction gestural painting. Matthias Alfen’s series of Janus figures are an innovation in figural art predicated on the advances made by the Futurist sculptor and painter Umberto Boccioni and the Modernist Alberto Giacometti. The qualities of chance and spontaneity, necessarily excluded in the sculptural work, are clearly evident in his drawings and paintings. “Psychograms” of unchoreographed hand movements display wide variation, repeatedly playing through one form after another. In the end, this multitude of variation serves to enhance the logic, consistency, and seductively rich appearance of Alfen’s designed sculptural works. Represented by Gallery Schuckin in New York, Paris, France, and Moscow, Russia. Matthias Alfen’s was strongly influenced by his family’s experience during World War II. His grandfather Klemens Alfen (1894-1955) was an accomplished painter and photographer, recognized for his landscape photography and for his technique (Special Honors for Excellence in Photo-Print Technology, 1932). He enjoyed the friendship and support of many in the artistic community, a community largely influenced by its German Jewish members. Having lost his entire circle of friends under Nazi oppression. Klemens, although not Jewish, also suffered under the Nazis for refusing to join them and struggling in post-war Germany, which had nothing to offer an artist like him, Klemens took his own life. At around the age of 16 he worked for some weeks as an assistant at his uncle’s art studio. Fritz Koenig...