Robert Jessup

Man with Dummy/Wilderness, 2006

2006

Roman Zaslonov is a Russian Postwar & Contemporary artist who was born in 1962. Roman Zaslonov's work has been offered at auction multiple times. Only o...

Taulé was born in 1945 in Sabadell, Barcelona. His father imparted the taste for painting to Antoni as a boy as the young artist watched him paint. After his primary studies, he began studying architecture in Barcelona and graduated in 1970. In 1965, he arrived in Paris and worked in architectural firms. It was Sartre's Paris, the construction of Unesco, the year of Le Corbusier's death and the end of Chandigarh, the French Cinematheque and Antonioni's films. Since the age of 14, he has never stopped painting and made his first personal exhibition in 1966 at the Academie de Belles Arts in Sabadell. Upon receiving his degree in architecture, he worked on the construction of l’Université autonome de Barcelone for a year. In 1971, he was asked to work on the development of a large shipyard on the small island of Formentera. There he met Laetitia Ney of Elchingen, who he would go on to marry. He devoted himself entirely to painting, and Formentera, like Paris, became one of his favorite places in both his life and to work. His first exhibition in Paris was in 1975 with Mathias Fels, presented to him by Hervé Télémaque—showing many paintings of his young daughter Djamilla, then three years old. The exhibition was titled, Espace hors temps (Space out of Time), with a foreword by Alain Jouffroy. In 1976, Taulé exhibited Contre-Jour (Against Day) at Fabien Boulakia on rue Bonaparte with a preface by Gérald Gassiot-Talabot and in Barcelona at the Aimé Maeght gallery—an exhibition visited by Joan Miró and Alexander Calder. In 1977, he exhibited at the Beaubourg gallery, with then associates Nahon and Trigano. In 1983, he met Jorge Luis Borges and Julio Cortázar, who wrote the novella Fin d’étape (End of Stage) for Taulé That same year, he was named Chevalier de l’Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters) by Jack Lang...

Taulé was born in 1945 in Sabadell, Barcelona. His father imparted the taste for painting to Antoni as a boy as the young artist watched him paint. After his primary studies, he began studying architecture in Barcelona and graduated in 1970. In 1965, he arrived in Paris and worked in architectural firms. It was Sartre's Paris, the construction of Unesco, the year of Le Corbusier's death and the end of Chandigarh, the French Cinematheque and Antonioni's films. Since the age of 14, he has never stopped painting and made his first personal exhibition in 1966 at the Academie de Belles Arts in Sabadell. Upon receiving his degree in architecture, he worked on the construction of l’Université autonome de Barcelone for a year. In 1971, he was asked to work on the development of a large shipyard on the small island of Formentera. There he met Laetitia Ney of Elchingen, who he would go on to marry. He devoted himself entirely to painting, and Formentera, like Paris, became one of his favorite places in both his life and to work. His first exhibition in Paris was in 1975 with Mathias Fels, presented to him by Hervé Télémaque—showing many paintings of his young daughter Djamilla, then three years old. The exhibition was titled, Espace hors temps (Space out of Time), with a foreword by Alain Jouffroy. In 1976, Taulé exhibited Contre-Jour (Against Day) at Fabien Boulakia on rue Bonaparte with a preface by Gérald Gassiot-Talabot and in Barcelona at the Aimé Maeght gallery—an exhibition visited by Joan Miró and Alexander Calder. In 1977, he exhibited at the Beaubourg gallery, with then associates Nahon and Trigano. In 1983, he met Jorge Luis Borges and Julio Cortázar, who wrote the novella Fin d’étape (End of Stage) for Taulé That same year, he was named Chevalier de l’Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters) by Jack Lang...

Alexi Torres discusses the relationship between nature and man in a contemporary context emphasizing the interconnectedness of all living things. His works are exceptionally complex, intricately weaving together organic and symbolic elements to create monumental works which challenge the viewer to see beneath the surface into the archetypal qualities of his subjects. He seeks to initiate a dialogue on the effects and power of human thought and behavior on the ever-changing environment, and the need of appreciation of what is. Torres taps into universal collective memory with playful themes and ironic juxtapositions relevant to the contemporary experience. His series range from portraits of ordinary people, cultural, military to a diverse sampling of symbols from popular culture. These images are then reimagined and reconstructed employing a unique multi-layer painting technique. Inspired by the agrarian lifestyle of his friends and family, Torres plants an idea for each new work and harvests it at completion according to the lunar patterns followed by his ancestors in his native Cuba. To record this ritual, each painting is begun and finished on a waning moon and recorded with his signature on the canvas. Alexi Torres was born in 1976 in Bermeja, a small village about 70 miles southeast of Havana, Cuba. From 1989-1991 he studied at Escuela Provicial de Artes in Mantanzas and 1991-1995 at Escuela Nacional de Artes in Havana. Torres has had numerous solo and group exhibitions in the United States and abroad including: UNIX Gallery, New York, 2013 and 2016; Jones Carter Gallery, Lake City, SC, 2016; Marietta Cobb Museum Of Art, Marietta, GA, 2014; DMoMA Lausanne, Switzerland, 2013; Hoover Library, Alabama, 2013; Rush Gallery, New York, 2012; Kai Lin Art, Atlanta, 2012; Scope Miami, 2011-15; Art Miami, 2011-16; LA Art Show; Texas Contemporary; Art South Hampton; Evan Lurie Gallery, 2011; and Naomi Silva Gallery, Atlanta, 2004. Torres’s work can be found in major private and public collections, including the private collections of Will Smith, Los Angeles, CA; Delta Airlines, Atlanta GA; Marietta Cobb Museum of Art, Marietta, GA; Hoover Public Library, Hoover, AL; Museum of Art Matanzas, Cuba; David Mills, San Francisco, CA; Lewis Brisbois Bisgaard & Smith, Atlanta, GA; Ruth Beardsley, Australia; Laura Rathe, Houston, TX; Bernie Marcus, Boca Raton , FL; Trijicon Inc, VA; Law & Moran, Atlanta GA. He is the recipient of the following awards: 2017 Top prize at Art Fields, SC. 2014 People’s Choice Award; Red Clay Survey; Huntsville Museum of Art. 2002 Grand Prize "Mapa Conceptual”, Matanzas, Cuba. 2000 Second Place Roberto Diego...

Born in Moscow, Idaho,and raised in Seattle, Robert Jessup received his BFA from the University of Washington in 1975 and his MFA from the University of Iowa in 1979. His work has been exhibited extensively since 1981 and is in numerous private and public collections including the metropolitan Museum of Art, the Brooklyn Museum, the University of Virginia, the University of Texas, the Anderson Museum of Contemporary Art, and the Dallas Museum of Art. He is a Professor Emeritus from the University of North Texas where he taught painting in the College of Visual Arts and Design from 1991 to 2018. His work is represented by the Conduit Gallery in Dallas, Texas. In 2019, Jessup and his wife, Faith Scott Jessup, moved to Whidbey Island...

Born in Moscow, Idaho,and raised in Seattle, Robert Jessup received his BFA from the University of Washington in 1975 and his MFA from the University of Iowa in 1979. His work has been exhibited extensively since 1981 and is in numerous private and public collections including the metropolitan Museum of Art, the Brooklyn Museum, the University of Virginia, the University of Texas, the Anderson Museum of Contemporary Art, and the Dallas Museum of Art. He is a Professor Emeritus from the University of North Texas where he taught painting in the College of Visual Arts and Design from 1991 to 2018. His work is represented by the Conduit Gallery in Dallas, Texas. In 2019, Jessup and his wife, Faith Scott Jessup, moved to Whidbey Island...

Girl In The Armachair is an artwork realized in the 1950s by Anonymous artist. Original oil painting on canvas applied to cardboard. Includes wooden frame:60 x 7 x 50.5 cm Good co...

Exhibitions: It's a Man's World, Illustration Art by and for Men: November 14-17 2012, Illustration House NYC

Still Life is a mixed colored oil painting on board realized by Giovanni Battista Crema (1883-1964) in the 1920s. Signed upper left. The artw...

Beautiful painting realized by De Pisis in 1938, depicting a landscape in the countryside, probably in France. In very good conditions, it includes a beautiful gilded wooden frame. ...

Second half of 19th Century. Signed by the artist lower right. Includes a beautiful decorated ancient gilded frame in wood. Excellent conditions.

Still Life is an original modern artwork realized by the Italian painter Giuseppe Canali (Pseudonym Enrico Alià) in 1940. Original oil on board. Signed and dated on the lower right...