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Shaina Craft
Red Lips, Oil Painting

2019

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  • Fire and Ice, Oil Painting
    By Sherri Aldawood
    Located in San Francisco, CA

    Artist Comments
    Artist Sherri Aldawood shares her joy in painting her subjects in various lighting situations. In this piece, Sherri captures the brilliant light glowing behind her model while simultaneously painting a cool luminescent glow that shines above her. Warmth spreads around through her fiery red hair playing smoothly with the cooling tones of her green scarf and blue light. Painting in swift intricate strokes, Sherri creates a compelling portrait of a woman with a calm and gentle expression.


    About the Artist
    Sherri Aldawood didn't intend to always paint flowers, but over time her love of gardens started to permeate her art. She focuses on the light and color of the flowers on the canvas. Sherri prefers alla prima, working with wet layers of paint instead of letting them dry. She keeps the paint as wet as possible by using walnut and clove oil to extend the drying time.


    Words that describe this painting: portrait, woman, female, dramatic light, warm, Michael Malm, John Singer Sargent, people, realism, face, profile, hair, oilpaint, people, realism, oil painting, red


    Fire and Ice...

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    21st Century and Contemporary American Realist Figurative Paintings

    Materials

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  • Steel Magnolia, Oil Painting
    By David Shepherd
    Located in San Francisco, CA

    Artist Comments
    Artist David Shepherd paints a hyperrealistic image of an eye surrounded by dewy magnolias in full bloom. He explores the idea of united humanity by obscuring the identity of his subject. "As we move forward in history, we move past the limitations of gender and race to see all people as equal and able to have a voice in society and be seen as beautiful," says David. The piece draws a symbolic comparison between the uniqueness of every flower and the singularity of a person.


    About the Artist
    Canadian artist David Shepherd fuses techniques from both old and modern masters to create contemporary interpretations of the human form. While offering strong nods to pop art and cubism, the work remains grounded by David’s training in 19th Century academic realism. Combining discrete techniques within a single tableau is initially jarring to the viewer, creating an unexpected visual complexity in the work and demonstrating the artist’s breadth of skills. “I think in the future we will be much more interested in works of art that show a mastery of multiple styles,” says David. Each artwork effectually suggests the surreal nature of human existence within a convoluted modern society.


    Words that describe this painting: flower, floral, portrait, child, realism, hyperrealism, photorealism, eye, beauty, rainbow, bright, love, petals, detailed, oilpaint, people, people, flora, realism, oil painting, white


    Steel Magnolia...

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  • Your Eye Is A Diamond (ii), Oil Painting
    By David Shepherd
    Located in San Francisco, CA

    Artist Comments
    "Being deeply loved by someone gives you strength while loving someone deeply gives you courage," says artist David Shepherd. He presents a vibrant, realistic piece of a face covered in vibrant flowers. A prismatic light...

    Category

    21st Century and Contemporary American Realist Figurative Paintings

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  • Healthy Choices II, Oil Painting
    By David Shepherd
    Located in San Francisco, CA

    Artist Comments
    Artist David Shepherd paints a hyperrealistic close-up image of lips sipping on a flower. A torrent of dewy nectar drips slowly to the subject's mouth. Her spar...

    Category

    21st Century and Contemporary American Realist Figurative Paintings

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    Oil

  • One Perfect Rose, Oil Painting
    By Sherri Aldawood
    Located in San Francisco, CA

    Artist Comments
    Inspired by how the sunlight illuminated the petals of a rose, artist Sherri Aldawood paints a portrait of her model Alana holding a freshly cut bloom. She paints her enveloped in a warm glow, revealing her and the flower's ethereal beauty. The model poses tenderly in a white dress with a Bardot neckline. The colors of summer shimmer vibrantly in the background.


    About the Artist
    Sherri Aldawood didn't intend to always paint flowers, but over time her love of gardens started to permeate her art. She focuses on the light and color of the flowers on the canvas. Sherri prefers alla prima, working with wet layers of paint instead of letting them dry. She keeps the paint as wet as possible by using walnut and clove oil to extend the drying time.


    Words that describe this painting: woman, female, people, portrait, face, figure, figurative, John Singer Sargent, rose, garden, Joaquin Sorolla, Susan Lyon...

    Category

    21st Century and Contemporary American Realist Figurative Paintings

    Materials

    Oil

  • Gaining Ground, Oil Painting
    By David Shepherd
    Located in San Francisco, CA

    Artist Comments
    Artist David Shepherd promotes and explores the idea of united humanity regardless of who he paints. Focusing on the eye in this hyperrealistic piece, he surrou...

    Category

    21st Century and Contemporary American Realist Figurative Paintings

    Materials

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    The Menthol Mood, 2009, Nancy Lamb, Oil on canvas, 48 x 85" Nancy Lamb (American, born 1956), sculptor and painter. Formally trained at Texas Christian Un...
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  • Army Poker
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    This work is part of our exhibition - America Coast to Coast: Artists of the 1940s Army Poker, c. 1943, probably tempera on board, signed upper right, 16 x 20 inches, inscribed verso a) “Army Poker / Mervin Honig / 421 W 42 St. N.Y.C.,” b) “Mervin Honig / US Army Air Force – Seymour Johnson Field – Goldsboro, NC / Circa 1943,” and c) “(This painting was done before men was (sic) shipped off to the Mariana Islands (Saipan) The Second World War.” Note: four pencil sketches for this work included Mervin Honig was a New York-based painter and illustrator who is best known for his realistic depictions of everyday life and sports themes. Honig was raised in Brooklyn and recalled almost never being without a paintbox in hand from the time he started elementary school. Honig had a deep reverence for the Old Master painters, Vermeer and Bellini, as well as the Americans Winslow Homer and Thomas Eakins. He initially studied art from 1939 through 1941 with Francis Criss. At the outbreak of World War II, Honig worked as a mechanic for Republic Aviation, but in August 1942, he enlisted in the US Army Air Corps and was stationed at Seymour Johnson Field in Goldsboro, North Carolina. During the war, Honig began to exhibit nationally, including as part of the Portrait of America exhibitions which originated at the Metropolitan Museum of Art and traveled around the country, as well as at the Carnegie Institute in Pittsburgh. He painted Army Poker in 1943 while stationed at Johnson Field. In this work, Honig draws inspiration from Paul Cezanne's The Card Players (Metropolitan Museum of Art), with a similar placement of the four figures, but Cezanne's table is replaced with an Army cot, the pipe rack with a soldier's mess kit and the drapery in the right background with a heap of discarded uniforms. Unlike the vibrancy of Cezanne's composition, the limited palette of Honig's work suggests the drabness and monotony of stateside Army life. After being discharged from military service, Honig furthered his studies with Amadee Ozenfant in 1946 and Hans Hoffman from 1947 through 1950. Additional exhibitions included the Whitney Museum of American Art, the Brooklyn Museum, the Los Angeles County Museum of Art, the National Academy of Design, the Wadsworth Atheneum, the Provincetown Art Association, and the National Academies Galleries of the Allied Artists Association. He was represented by the venerable Frank Rehn...
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