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Théo Tobiasse
Le mouton sous un soleil bleu

1961

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  • Two people, 1965 - oil on canvas, 92x65 cm., framed
    By Alfred Angeletti
    Located in Nice, FR
    Beautiful oil on canvas by Alfred Angeletti. dated and signed. Alfred Angeletti, Artiste peintre (1919 - 1991),
    Category

    1960s Abstract Figurative Paintings

    Materials

    Oil

  • The Farm, 1960-65 - oil paint, 70x80 cm, framed
    By Georges Arnulf
    Located in Nice, FR
    Oil on canvas, signed lower right. Georges Arnulf est originaire d'une ancienne famille niçoise. Il est le neveu de Gaston Arnulf, ancien conseiller général, et le fils d'un ancien hôtelier niçois. Il fait toutes ses études au lycée de Monaco et au lycée de Nice. Après avoir suivi les cours de dessin et de décoration à l'École nationale des arts décoratifs de Nice, où il est l'élève de Jules Henri Lengrand, il est reçu en 1946 à l'École nationale supérieure des beaux-arts de Paris, présenté par Pierre-Henri Ducos de La Haille le 30 octobre 1947, il y fréquente les ateliers de fresque et de gravure. Il entre chez le taille-doucier Robert Cami où il continue son apprentissage du burin1, de l'eau-forte, de la manière noire. Il obtient en 1950 le premier grand prix de Rome de gravure en taille douce2 et il est missionné pour réaliser l'étiquette de la bouteille du Château Mouton Rothschild 19503. Pensionnaire à la villa Médicis à Rome pendant trois ans et demi4, il voyage et grave au burin l'illustration d'une édition de luxe des sonnets de Shakespeare traduits en français...
    Category

    Mid-20th Century Landscape Paintings

    Materials

    Oil

  • Vue Du Vieux Port De Dieppe (France), 1920-30 - oil paint, 98x116 cm., framed
    By Leopold Levy
    Located in Nice, FR
    Oil on canvas, signed lower left Henri-Léopold Lévy (23 September 1840, Nancy - 29 December 1904, Paris) was a French painter of Jewish ancestry, known pr...
    Category

    1920s Post-Impressionist Figurative Paintings

    Materials

    Oil

  • Femme d'un Soir, 1995, signed Aden - oil paint, 107x67 cm., framed
    Located in Nice, FR
    Oil on canvas, signed Aden lower right
    Category

    1990s Modern Figurative Paintings

    Materials

    Oil

  • Fille russe, 1983 - Huile sur toile, 55x46 cm., encadré
    By Gainon Joelle
    Located in Nice, FR
    Huile sur toile de Joelle Gainon, encadré 98cm x85 cm
    Category

    1980s Fauvist Figurative Paintings

    Materials

    Canvas, Oil

  • Nature morte - Huile sur toile, 50x38 cm.
    By Isaac Antcher
    Located in Nice, FR
    Huile sur toile. Dimensions avec cadre: 71x63 cm. Isaac Antcher est un peintre moldave né le 21 janvier 1899 à Peresecina et mort à Malakoff le 21 av...
    Category

    1950s Post-Impressionist Figurative Paintings

    Materials

    Oil

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    For Julia Kiryanova, painting is a dialogue – a dialogue which she beautifully facilitates, layering her work with various techniques. At the heart of much of her work an inherent fascination for people lies, intimately displaying abandoned figures seemingly floating in an abstract dream world, where time has stopped everything, but them. Julia Kiryanova has exhibited work at Amsterdam museum, Museum Op Solder and The Holocaust Museum...
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  • Magaiver, 60 x 66, quirky surreal figurative work paying homage to Picasso
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    Surrealistic abstract figurative painting paying homage to Picasso. Bright and vivid colors. Provenance only artist collection to gallery inventory. Hand-signed by the Artist. Certif...
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  • Hidden, 2020, oil on canvas, figurative painting
    Located in Izmir, TR
    In several mystical traditions, there are common elements that are needed for spiritual metamorphosis and transitions to another, transcendent dimension. In Sufism, there is also an inner dimension to the law that has to do with repentance, the abasement of desire, and discipline of the self, or the elimination of the ego. Transparent figures emphasize the inner world of pure innocence which is the prototype human being, pure consciousness, one's true identity, to be contrasted with the material human who is bound by one's senses and materialism. Materialism is shown by also patterns in the paintings. The two different layers are against each other in a contradictory way. Feeling the need to go deeper into this inner, imaginative world, I began to set artworks from the past in less familiar contexts such as seas or patterns and combine the figure with them where they seemed to become like elements in some greater dream. With her small paper works, Ece Gauer...
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  • Stay Still, 2022, mixed media, oil on paper, figurative painting
    Located in Izmir, TR
    In several mystical traditions, there are common elements that are needed for spiritual metamorphosis and transitions to another, transcendent dimension. In Sufism, there is also an inner dimension to the law that has to do with repentance, the abasement of desire, and discipline of the self, or the elimination of the ego. Transparent figures emphasize the inner world of pure innocence which is the prototype human being, pure consciousness, one's true identity, to be contrasted with the material human who is bound by one's senses and materialism. Materialism is shown by also patterns in the paintings. The two different layers are against each other in a contradictory way. Feeling the need to go deeper into this inner, imaginative world, I began to set artworks from the past in less familiar contexts such as seas or patterns and combine the figure with them where they seemed to become like elements in some greater dream. With her small paper works, Ece Gauer...
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  • Face Off, 2021, oil on paper, figurative painting
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  • Hitchhiker
    Located in Milano, MI
    After touring Europe on a motorcycle, he arrived in Berlin in 2012, where he won a residence for artists with a pictorial series on massification and nihilism. In 2014 he was invited for a residence in Colombia, and subsequently he has travelled to Mexico, Guatemala and Cuba. The experience of Central America affects his painting so much that it becomes gestural and dominated by strong and bright colors. Contact with indigenous communities contributed to the formation of his thought and poetics, which suggests accessing an irrational dimension that cannot be explored through science and technology.
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