Tokio Mayashita

Abstract "Flowers" with Red, Blue and Pink Tones

20th Century

Blue tonal abstract expressionist painting of figures at a boat dock. The work is stamped by the artist and is framed in a wooden frame. Dimensions without Frame: H 11.5 in x W 18.5 ...

Charcoal study of a woman reading. The work is attached to a matte backing. It is signed by the artist in the bottom corner. The dimensions are of the p...

Warm toned cityscape with a reflecting pool. The painting is done in watercolor with ink. It is signed by the artist and titled. The painting was given...

Modern grey and white geometric abstract leaf pattern composition with orange accents by textile designer John Little. The work was created as a proposed design for a wallpaper and features the original color codes in the front lower left corner. Currently hung in a solid black frame with a large white margin. Dimensions Without Frame: H 27.13 in. x W 31.5 in. Artist Biography: A painter and textile designer, John Little is best known for gestural works filled with boldly explosive color that reflect the influences of his teacher Hans Hofmann and for his involvement in the Abstract Expressionist movement in East Hampton, where he moved in the late 1940s. In East Hampton Little congregated with Jackson Pollock, Lee Krasner, and the other artists who were the leading innovators in the New York School. John Little was born in Sanford, Alabama. He left home at the age of fourteen to become an artist, and moved to Buffalo, New York, in 1923. After spending a year working as a stevedore on the docks to save money, he enrolled at the Buffalo Fine Arts Academy and developed an interest in singing. In 1927 he moved to New York City where he continued his vocal work and studied operatic literature. He also became involved in textile design, opening his own store in 1920, called John Little Studios: Fabric and Wallpaper Design. He ran the store until 1950. In 1933 John Little resumed his painting studies at the Art Students League in New York under the guidance of George Grosz (1893-1959). The following year he made his first visit to East Hampton, Long Island, which he would eventually call home. Later in the decade, he traveled to Paris where he became familiar with European modernism. On his return to America, he taught textile design at the Pratt Institute in Brooklyn. He hired Josephine Watkins to work for him; she later became his wife. Little's textile store and teaching job gave him a financial security that was rare during the Depression, and he never found it necessary to find employment with the Works Progress Administration. At the end of the decade, John Little studied with Hans Hofmann (1880-1966) in New York and Provincetown. Little was greatly influenced by Hofmann, particularly by his views on color theory. In 1942 John Little joined the Navy as an aerial photographer. In the late 1940s he purchased a rundown house on Three Mile Harbor...

Blue geometric abstract watercolor painting on paper by Oris Robertsion circa 1970s. Features contrasting thine, white, geometric lines with curved cool colored shapes. Artist Biog...

Energetic abstract expressionist watercolor painting of large black and orange splatters done by Norman Bluhm in 1962. Signed and dated in lower left corner. Hung in a black and gold...

Intricate and lively work Watercolour, Acrylic paint and Ink. On paper framed

Michel Debiève was born on May 29, 1931, with his twin brother Raymond, in a popular suburb of Maubeuge (North of France). Very early, encouraged by Emile, their father, the two brot...

15"x15" ink and watercolor on paper This painting is from as series of ink and watercolor paintings that depict ad-hoc structures, similar to tree houses or forts. The st...

I always look for the same: THINGS, things that despite being normal, how beautiful: NORMAL THINGS!!! Normal things that, if we notice them, we breathe a few seconds and we let the h...

This graphite and acrylic painting on canvas is from a series called "Lovers and Assassins." Here you can see Bhatt playing with the idea of seduction, self-sacrifice, persecution, belief systems, and radicalization. Amita Bhatt received her BFA from the Maharaja Sayajirao University, Vadodara, India and her MFA from the Maryland Institute College of Art, Baltimore, Maryland. Bhatt’s work has been exhibited at noteworthy venues such as the Bluestar Contemporary Art Center, Walters Art Museum, The Station Museum of Contemporary Art, and The Project Row Houses, all in the United States as well as Museo Pedro de Osma in Peru. Amita Bhatt has also been the recipient of several prestigious awards and recently served as a Grant Panelist on the National Endowment for the Arts. Bhatt's works are included in many important private and public collections. Bhatt digs deep into world philosophies and mythologies to answer questions pertaining to our political as well as personal belief systems. Unafraid to explore uncomfortable territories, Amita mines from a range of sources to create hybrid creatures that are often symbolic of man’s psychological condition in an angst-ridden zeitgeist. In exploring issues of identity and violence, Bhatt’s research led her to the beginnings of mankind. Most ancient creation myths claim chaos to be the central truth marking the beginnings of the world. Should turbulence then be viewed as essential to new beginnings? Bhatt’s characters are packed with irony, humor and indifference, and navigate intense color fields, all in search of wisdom and truth. They mirror the tumultuous times we live in, yet they know that there are deep Karmic mysteries that need to be understood and that HOPE in the end is what will sustain them. Amita Bhatt "Be Born From...

This graphite and acrylic painting on canvas is from a series called "Lovers and Assassins." Here you can see Bhatt playing with the idea of seduction, self-sacrifice, persecution, b...