Original Sin
View Similar Items
1 of 4
Trisha LambiOriginal Sin2018
2018
About the Item
- Creator:Trisha Lambi
- Creation Year:2018
- Dimensions:Height: 35.44 in (90 cm)Width: 35.44 in (90 cm)Depth: 1.58 in (4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Melbourne, AU
- Reference Number:1stDibs: LU98713330361
You May Also Like
- "BB Dreaming", Contemporary Portrait Oil Painting on Linen, FramedBy Jed JacksonLocated in St. Louis, MOJed Jackson was born in Fayette, Arkansas. Throughout his education, he studied under artists such as Janet Fish, Fairfield Porter, and Leland Bell, and reaps influence from the “gri...Category
2010s Contemporary Portrait Paintings
MaterialsLinen, Oil
- CaliforniaBy Justyna KisielewiczLocated in Burlingame, CAJustyna Kisielewicz's elaborate, vibrant and full of zest, oil on European linen painting depicts a young woman — in this cast, the artist herself — in California, The figure wears v...Category
21st Century and Contemporary Contemporary Figurative Paintings
MaterialsLinen, Oil
- Lookie Lou, Michele Mikesell, pop figurative oil painting, small size with frameBy Michele MikesellLocated in Dallas, TX"Lookie Lou" is a whimsical pop figurative painting by Michele Mikesell. Using oil on linen-wrapped board, the figure is abstractly painted with a bright color palette and lots of la...Category
2010s Contemporary Figurative Paintings
MaterialsBoard, Oil, Linen
- Incredulity -American Civil War Soldier, After Caravaggio, Original Oil on LinenBy William Blake (b. 1991)Located in Chicago, ILCaravaggio painted "The Incredulity of St. Thomas" with Christ looking down as he pilots Thomas’ hand to his side. Not looking at Thomas or the others, but to his wound. He seems interested in the proof of his embodiment. He wants to know that this is real. He too, questions his body, his life and death. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This artwork is unframed. Contact the gallery for framing options. Reenactment is a material culture where the feel of authentic wool has transformative power. The closer you can recreate the “kit” of the authentic soldier the closer you are to that past. In the pursuit of touching the past there are questions- Is this real? Did this happen? Is this me? Is this us? The gesture of piloting a finger into the side represents these repetitive questions. - William Blake Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War...Category
2010s Contemporary Figurative Paintings
MaterialsOil, Linen
- Four Faces, Contemporary Surreal Figurative Abstract on BlackBy Michael PaukerLocated in Soquel, CAContemporary surreal figurative oil painting featuring the faces of four men floating in the lower register of a black space Bay Area artist Michael Pauker (American, b.1957). Unsign...Category
21st Century and Contemporary Contemporary Portrait Paintings
MaterialsLinen, Oil
- Justin (from Skype portraits series)By Sandro KoppLocated in New York, NYJustin (from Skype portraits series) 9.5 x 12 inches oil on canvasCategory
21st Century and Contemporary Contemporary Figurative Paintings
MaterialsLinen, Oil