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Unknown
Large Scale Racehorse and Jockey -- First Run Of The Day

1970s

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    Dramatic and colorful painting of two Koi. Circa 2000. Signed lower right corner "Linda H." Presented in white painted frame. Image size: 18"H x 36"W.
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    Fauvist style White Egret by Augostino (American, 20th Century). Modernist/Realist adaptation of a familiar theme. One small tear repaired professionally. ...
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  • Two Horses on the Ranch
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    Horse portrait by Marilyn Mairs Saunders (American, 20th Century). Unframed. Signed "Marliyn Mairs" lower right. Image size, 18"H x 24"W. Born in San Francisco, Marilyn Saunders wa...
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  • Large Scale Abstract Expressionist Horse
    Located in Soquel, CA
    Stunning large scale abstract expressionist horse's head/eye, circa 1990. Unsigned. Unframed. Size: 60"H x 60"W x 1.5.
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    1990s Abstract Expressionist Animal Paintings

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  • Modernist Impasto Goldfish
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    Stunning modernist impasto painting of a goldfish with coral reminiscent of California Abstract Expressionist painter Joan Brown's early work. Circa 2000. W...
    Category

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    Materials

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  • Woman, Dog & Spring Flowers, Large Scale Figurative Abstract with Petroglyphs
    By Cindy Kane
    Located in Soquel, CA
    Woman, Dog & Spring Flowers, Large Scale Figurative Abstract with Petroglyphs by Cindy Kane Absolutely stunning large scale abstract expressionist painting titled "Bending Forward," by San Francisco and now Martha's Vineyard artist Cindy Kane (American, b. 1957). This unique monumental piece, created in 1987, has a netherworld primal quality depicting a petroglyph-like blonde woman and her animal spirit dog bending toward a flower-strewn earth. Additional petroglyph vignettes add mystery to narrative. Signed and dated "Kane '87" upper right. Unframed. Image size: 66.5"H x 84"W. Her early works were influenced by her memories of these hieroglyphs, and embellished with symbols from her dreams. “I hope [that viewers] get what I get from my work, which is enjoyment, visual satisfaction, and a story — whatever their own story is,” she said. “I can’t give them one, but I can tell my own, and the story they take with them is something personal.” Her early work was influenced by the experience of living and working at the bottom of the Grand Canyon National Park, where she had the opportunity to document Anasazi Indian pictographs in pen and ink drawings. These images would inform her work for years to come. While working in Grand Canyon National Park, she became familiar with the Anasazi Indian ruins...
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