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The Temptation Of St Anthony, 17th Century

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  • Portrait of John Logie Baird (1888-1946), circa 1920
    Located in Blackwater, GB
    Portrait of John Logie Baird (1888-1946), circa 1920 Rare early portrait Large circa 1920 portrait of Scottish inventor John Logie Baird, oil on canvas. Good quality and condition,...
    Category

    20th Century Figurative Paintings

    Materials

    Oil, Panel

  • The Procession Of The Ark Of The Covenant, The Battle Of Jericho, 17th Century
    Located in Blackwater, GB
    The Procession Of The Ark Of The Covenant, The Battle Of Jericho, 17th Century Flemish School - rare & early depiction of the Old Testament - oil on light wood panel Large 17th Century Flemish Old Master depiction of the Ark Of The Covenant carried around Jericho, oil on panel. Excellent quality and condition antique panel painting...
    Category

    17th Century Figurative Paintings

    Materials

    Wood Panel, Oil

  • Pieta, 16th Century
    Located in Blackwater, GB
    Pieta, 16th Century circle of Quinten MASSYS (1466-1530) Large 16th Century Netherlandish Old Master depiction of the Pieta, oil on oak panel. Large scene of the Virgin mother embracing the body of Christ in her arms. Presented in a large antique arched wooden frame. Stable surface condition and good panel condition/stability for its age. Some overpainting in the veil, hands and background as a result of over cleaning. Similar to the works of painter Van Cleeve...
    Category

    16th Century Figurative Paintings

    Materials

    Panel, Oil

  • An Allegory Of War, 17th Century Workshop Of Carlo CIGNANI (1628-1719)
    By Carlo Cignani
    Located in Blackwater, GB
    An Allegory Of War, 17th Century Workshop Of Carlo CIGNANI (1628-1719) Large 17th Century Italian Old Master Allegory Of War, oil on canvas from the workshop of Carlo Cignani. Excellent quality and condition scene of armed putti fighting among each other to take the top mantle as they combat for power. Unique work exceptionally well executed and typical of the artists work from the period. Presented in a hand carved antique carved gilt...
    Category

    17th Century Figurative Paintings

    Materials

    Oil, Canvas

  • "AMAZONS", circa 1937 by Isobel Françoise Rodmell (1899–1972)
    Located in Blackwater, GB
    "AMAZONS", circa 1937 by Isobel Françoise Rodmell (1899–1972) French Huge 1930's Cubist Surrealist scene titled "Amazons" oil on canvas by Isobel Francoise Rodmell. Large exhibition scale example of the artists work who was a prominent figure during the movement along with Picasso in the late 1930's. The work is offered to the market for the first time after being kept by Rodmell and has been with her descendents since. The painting would benefit from a professional reline and restoration. Unframed, signed Measurements: 57" x 41.5" unframed approx Provenance: the artist and thence by descent Note: Rodmell's fantastical work was collected and promoted by famed inter-war gallerist Lucy Wertheim. Solo exhibitions were held for the artist at the AIA Gallery, London in 1950 and the Hotel Alexandra, Hove in 1964. Her work is in the collection of the Towner Art Gallery, Eastbourne, where it was recently exhibited as part of the acclaimed exhibition 'A Life in Art: Lucy Wertheim, Patron, Collector, Gallerist', which also included works by Christopher Wood...
    Category

    Early 20th Century Figurative Paintings

    Materials

    Canvas, Oil

  • The Triumph Of Galatea, 17th Century Attributed to Charles Le Brun (1619-1690)
    By Charles Le Brun
    Located in Blackwater, GB
    The Triumph Of Galatea, 17th Century Attributed to Charles Le Brun (1619-1690) Large 117th Century French Old Master portrait of The Triumph Of Galatea, oil...
    Category

    17th Century Figurative Paintings

    Materials

    Oil, Canvas

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    By Artus Wolfort
    Located in New York, NY
    Born in Antwerp, Artus Wolffordt received his training in Dordrecht where he became a master in 1603 at the age of twenty-two. He returned to his native city in 1615 and initially worked as an assistant to Otto van Veen...
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  • St. Vincent Ferrer Preaching to the People of Salamanca
    Located in New York, NY
    Provenance: Private Collection, New Jersey The present painting depicts Saint Vincent Ferrer preaching from a raised pulpit to a group of seven peopl...
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  • Portrait of a Man
    Located in New York, NY
    Provenance: with Leo Blumenreich and Julius Böhler, Munich, 1924 Dr. Frederic Goldstein Oppenheimer (1881-1963), San Antonio, Texas; by whom given to: Abraham M. Adler, New York, un...
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  • Madonna and Child with the Infant Saint John the Baptist
    Located in New York, NY
    Inscribed, reverse: Fr Brina Provenance: Private Collection, New Jersey. Francesco Brina was one of the “Studiolo” painters, responsible for the panel of Neptune and Amphitrite in F...
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  • Study of a dog
    Located in Amsterdam, NL
    Study of a dog Oil on paper laid down on panel, 17.5 x 25.5 cm Provenance Private collection, the Netherlands Note: We are grateful to Mr Fred Meijer for his attribution to Ludolf de Jongh Ludolf de Jongh was the son of a shoemaker. When his father moved to Rotterdam, the young Ludolf decided to learn art rather than shoemaking and became a pupil of Cornelis Saftleven. Later he studied under Anthony Palamedes in Delft and still later with Jan van Bijlert in Utrecht. In 1635 he travelled to France with Francis Bacon. Seven years later, in 1642, he returned to the Netherlands when he heard that his mother had fallen ill. He set up a shop in Rotterdam, and his earliest signed paintings date from that year. According to Houbraken, his travels had caused him to speak French so fluently, that his parents had to learn French in order to speak with him. De Jongh’s work shows a strong influence from the Utrecht school of Caravaggio admirers, especially Jacob Duck...
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    Study of a dog
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  • 16th Century Parnassus Biagio Pupini called Biagio delle Lame Muses Oil on Panel
    Located in Sanremo, IT
    This painting (in an excellent state of conservation and of fine executive workmanship, attests to the enormous luck of Raphael's inventions in the years following his death: in fact...
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