Unknown

Virgin Mary with Baby Jesus on Throne between two Saints, 17th Century

1600s

Oil on Board. Flemish school of the 16th century. The work bears a plaque at the base attributing it to Lambert Van Noort (1520 -1571), justified by the proximity to his painterly ma...

Oil on Canvas. The scene takes place at a military camp: outside a tent on the left a leader of an army, probably Greek, is receiving offerings of a group of men, poor and ragged, ...

Olio su tela. L'identificazione della santa è data dalla presenza della grande ruota lignea, simbolo dello strumento del suo martirio. Solitamente la santa viene rappresentata con l...

The painting, done in oil on canvas, depicts the meeting between King David and Abigail, as narrated in the biblical text from the First Book of Samuel (I Samuel 25:1-34). David, left without food in the wilderness with his army, seeks relief from the wealthy Nabal, who contemptuously denies him any help, ungrateful of the benevolence he previously received from the king. Upon hearing the rejection, the ruler intends to take revenge by killing his entire lineage. Abigail, Nabal's beautiful and wise wife, decides to right the wrong and bring David plenty of food and gifts. In the king's presence the woman humbles herself, winning his forgiveness and benevolence. Soon afterwards widowed, she will in fact become his bride. The broad scene depicts the climax of the Old Testament episode, the moment when the woman prostrates herself before David and his servants prepare to deliver the gifts. The biblical event is here a pretext, as is customary in modern-age painting, for staging the colorful description of a sumptuous procession, which can be divided into two parts, almost two wings of a crowd divided specularly: on the left David with his dignitaries and the army; on the other, Abigail's retinue, handmaids, servants leading dromedaries and donkeys laden with food. The crowded group of figures is set in a natural proscenium: above a low horizon, barely hinted at by distant blue mountains, rises on the left side a craggy rocky cliff, the shelter of the army led by the ruler. The 'somatic intonation of the characters, as well as the choice of metallic chromatics and the play of light on the shiny fabrics refer to a clear Flemish matrix, particularly the influence of the frothy and sumptuous painting of Rubens and Van Dyck. As well set forth in the expert report prepared by Professor Giuseppe Sava, the work is to be attributed to Vincent Malò...

The painting features Our Lady holding the Child, who extends his hand toward the wooden cross, the symbol of the future Passion, and St. John. Behind the three figures a rocky mount...

The sermon of the Baptist is set in a large open space, with rich vegetation and wooded glimpses, and on the back, in the distance, you can see the buildings of a city. The scene see...

Sunflower Field is an original artwork realized by Claudio Palmieri in 1985. Original oil on canvas. Very good conditions. Sign, title and date on the back. The painting is a beau...

Beautiful pair of still lives ascribed to N. Stanchi, realized in the second half of 17th century. Both in very good conditions, they include a contemporary wooden gilded frame. Dime...

A rare portrait of Giuseppe Garibaldi young (here no more than 45), probably mid 19th century or a little later, realized by an unknown italian master. Good conditions except some ve...

Girl In The Armachair is an artwork realized in the 1950s by Anonymous artist. Original oil painting on canvas applied to cardboard. Includes wooden frame:60 x 7 x 50.5 cm Good co...

Untitled is an original artwork realized by Italo Mus in the first half of the XX Century. Original oil on painting. Hand-signed on the lower right: I. M...

Important work by one of the leading artists of the italian naturalism, influenced by Giovanni Fattori as well as the the Barbizon School in France. Provenience: Collection of the Qu...