Victor Di Gesu'Janet Seated', Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA Circa 1965
Circa 1965
About the Item
- Creator:Victor Di Gesu (1914-1988, American)
- Creation Year:Circa 1965
- Dimensions:Height: 41.5 in (105.41 cm)Width: 31.5 in (80.01 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor losses, minor restoration; unframed.
- Gallery Location:Santa Cruz, CA
- Reference Number:1stDibs: LU3445315931
Victor Di Gesu
Victor di Gesu first attended the Chouinard Art School before moving to Paris, where he studied with André Lhote at the Académie de la Grande Chaumière. He subsequently attended the Escuela de Bellas Artes in Barcelona before furthering his studies in Italy. Returning to California, he worked with a variety of artists, including F. Tolles Chamberlain and Maynard Jepson. An intuitive colorist, Di Gesu’s classical training and scientific research into color theory helped him create vivid yet harmonious works which, while reminiscent of Matisse and Gauguin, retained a verve and spontaneity that was uniquely his own. A prolific artist, Di Gesu was the recipient of numerous medals and juried awards, both in the United States and France. He was the winner of the Prix Othon Friesz Prize. He exhibited widely and with success, including at the Louvre Museum and the Exposition des Artistes Etrangeres in Paris, the San Francisco Museum of Modern Art and the Los Angeles County Museum of Art.
- ShippingRetrieving quote...Ships From: Santa Cruz, CA
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- 'Study of a Man', Paris, Flâneur, Boulevardier, Danish Post-Impressionist OilBy Axel BentzenLocated in Santa Cruz, CAInitialed upper right 'A.B.' for Axel Bentzen (Danish, 1893-1952) painted circa 1925. Axel Bentzen studied art as a child and, by the age of 14, was copying Old Master paintings at ...Category
1920s Post-Impressionist Figurative Paintings
MaterialsCanvas, Oil
- 'Study of a Moor', Post-Impressionist Figural Oil, Othello, Moroccan, TunisianLocated in Santa Cruz, CAAmerican school, Signed indistinctly lower right and dated 1988. A bravura, psychologically-penetrating oil study of a man, shown wearing a turban and contrasted against a scumbled ...Category
1980s Post-Impressionist Portrait Paintings
MaterialsCanvas, Oil, Masonite
- 'The White Bonnet', Paris, Royal Academy of Fine Arts, Copenhagen Art MuseumBy Henrik SchouboeLocated in Santa Cruz, CAInitialed lower left, 'H.S.' for Henrik Schouboe (Danish, 1876-1949) and painted circa 1915. Henrik Schouboe first studied at the Copenhagen's Royal Academy of Fine Arts from 1894-1901 and, from 1903-1910, in Italy and Paris. He was awarded numerous stipends and scholarships including the Larssen (1902-3) and the Akademie Scholarship in 1908. In 1906, he had exhibited for the first time at the Charlottenborg where his submitted entry was purchased by the leading Danish painter of the time, Kristian Zahrtmann, for his personal collection. Schouboe continued to exhibit both domestically and internationally for over thirty years and was the recipient of a variety of prizes, medals and juried awards including the purchase of his 1908 Charlottenborg entry, 'Young Couple in a Landscape', by the State Museum of Art for inclusion in the Danish national collection. Schouboe's work is held in the permanent collections of numerous museums including Copenhagen, Aabenraa, Maribo and the Aalborg Art Museums. We are pleased to offer a delicate and psychologically penetrating portrait of this beautiful and determined girl on the cusp of womanhood. Reference: Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 30, p. 269; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 12, p. 520; Weilbach, Dansk Kunstnerleksikon, the Castle and Cultural Agency, Copenhagen; Dansk Kunst (Charlottenborg), 1927: Taf. 27, 1928: Taf. 38, 1929: Taf. 46; S. Michaëlis i: Art VII, 1905-06; Vilh. Wanscher i: Kunstbl. 1909-10, 71f; Harald Giersing...Category
1910s Post-Impressionist Portrait Paintings
MaterialsCanvas, Oil
- 'Lieselotte Friedländer', Bauhaus, Berlin National Gallery, Munich SezessionBy Georg RössnerLocated in Santa Cruz, CASigned lower left, 'Georg W. Rössner' for Georg Walter Rössner (German, 1885-1972), titled 'Bildnis Lieselotte Friedländer' and painted circa 1926; original artist card verso. A substantial, Modernist portrait of the fashion designer, Lieselotte Friedländer, shown seated in a chrome-steel Bauhaus chair with a view beyond to a sunlit, woodland grove. Georg Rössner first studied in Berlin and, later, in Paris with Lovis Corinth. Rössner was a member of both the Berlin and Munich Sezession committees and, in 1920, was appointed professor at Berlin’s Staatliche Kunstschule. Over the course of a long career, Rössner exhibited internationally with success including at the 1929 Paris Exhibition des Peintres-Graveurs Allemands. His work is held in prominent private and public collections including the permanent collection of the National Gallery in Berlin. Born in 1898, Lieselotte Friedländer moved to Berlin with her family in 1909. By the mid-1920s, she had established herself as the Weimar Republic...Category
1920s Post-Impressionist Portrait Paintings
MaterialsCanvas, Oil
- 'Man in a Gold and Coral Turban', Copenhagen, Royal Academy, Benezit, Rajah, OilBy Hugo Vilfred PedersenLocated in Santa Cruz, CASigned lower left, 'Hugo V.P.' for Hugo Vilfred Pedersen (Danish, 1870-1959) and painted circa 1900. An antique oil painting of an Indian gentleman wearing a saffron and coral turban...Category
Early 1900s Post-Impressionist Portrait Paintings
MaterialsCanvas, Oil
- 'Portrait of the Artist, Victor Isbrand', Paris, Copenhagen, MoroccoLocated in Santa Cruz, CASigned upper right, 'Oda Lauritsen' for Oda Lauritsen Isbrand (Danish, 1904-1987) and dated, upper left, '1928'. A powerful oil portrait of the artist's husband-to-be, the notable D...Category
1920s Post-Impressionist Portrait Paintings
MaterialsInk, Canvas, Oil
- Sunshine Bliss: The Aroma of Summer Watermelon. Portrait Oil painting on canvasLocated in Sempach, LUOil on canvas. "Sunshine Bliss: The Aroma of Summer Watermelon" In this painting, a vivid and joyful spectacle unfolds before us, as if a sunbeam has penetrated directly onto the c...Category
21st Century and Contemporary Post-Impressionist Portrait Paintings
MaterialsCanvas, Paint, Cotton Canvas, Lights, Oil
- Girl with fruit. Market. Year 1958. Signed Sergio Cirno Bissi (1902 - 1987)Located in Firenze, ITGirl with fruit. Market. Year 1958. Signed Sergio Cirno Bissi (Carmignano, 1902 - Florence, 1987). The very colorful and expressive painting is created...Category
1950s Post-Impressionist Portrait Paintings
MaterialsCanvas, Oil
- Judaica Oil Painting 1945 Palestine Old Jewish Man Polish Israeli ArtistBy Ozer ShabatLocated in Surfside, FLOzer Shabat 1978-1901 Ozer Shabbat was an Israeli painter, a resident of Haifa. Belonged to the Palestine Expressionist group of the late 1920s and early 1930s. Shabbat was born in Wolbrom, Poland. At the end of the First World War he went to Holland for agricultural training in the framework of the HeChalutz movement, prior to his immigration to Palestine. In 1920 he immigrated to Eretz Israel and joined the Hulda group. Later he joined the Merhavia group and there he began painting. Because of his desire to study drawing, he left the group and moved to Jerusalem. In 1921, he wrote articles in the newspaper "HaSadeh" on the subject of agriculture and Dutch cheese. Ozer Shabath won the first prize in a competition for the design of the Dutch Consulate's Garden in Jerusalem, enabling him to travel to Paris in 1923 to study painting. Until 1925 he studied painting at the Grande Chaumiere Academy in Paris. This year he returned to Eretz Israel and settled in Haifa, where he lived until his death. In 1928 he participated for the first time in an exhibition of Eretz Israel artists at the Tower of David. Since then he has participated in all the general exhibitions of Israeli artists. In 1934, together with painters Menachem Shemi, Avraham Mohar, Zvi Meirovitch and others, he founded the Haifa Artists' Group. In 1935-36 he toured Europe and visited Italy, France and England. During his visit, he maintained contacts with artists from the Jewish school of Paris. He has exhibited in several solo exhibitions, represented Israel in exhibitions in Europe and participated in international exhibitions in New York, Johannesburg and Zurich. In 1958 he represented Israel in the Venice Biennale. In 1960, Shabat, together with Elchanan Halpern he represented the Israeli Painters Association at the International Congress of Plastic Arts held in Vienna, Austria . In the 40s and 50s he focused on landscape pictures. However, despite the focus on the Israeli landscape, the approach is universal in the framework of the post-Impressionist painting school. In the 1960s, his approach changed and he turned more to abstraction. The abstract direction gradually evolved. The point of departure of the abstract approach is the architectural landscape, but this view loses its real character and becomes only imaginary: the buildings lose their real character and turn into exclusive geometric areas that are usually set against a dark background. Over time, architecture captured the lion's share of his paintings. Cities like Safed, Jaffa and Jerusalem are the subject of many pictures. He taught painting and art at the schools of the kibbutzim in Ramat Yochanan and Kfar Yehoshua, in high schools in Haifa and in the IDF and Gordon seminars. His paintings were purchased and are in the permanent collection of the Bezalel National Museum (now the Israel Museum), Haifa Museum of Art, Haifa Maritime Museum, Acre Municipal Museum. Select Solo exhibitions 1936 - Nadler Gallery, Haifa. 1943 - The Tel Aviv Museum of Art. 1952 - Artists House, Haifa. 1953 - Bezalel House, Jerusalem. 1955 - Gallery in Geneva, Switzerland. 1955 - The Writers' Club, Haifa. 1959 - Artists House, Haifa. 1960 - Museum of Modern Art, Haifa. 1962 - Museum of Modern Art, Haifa. 1963 - Gallery 220, Tel Aviv. 1968 - The Municipal Museum of Beit Emanuel, Ramat Gan. 1979 - Memorial exhibition marking the first anniversary...Category
1940s Post-Impressionist Figurative Paintings
MaterialsCanvas, Oil
- Large Judaica Jerusalem Oil Painting Israeli Jewish Rabbi Artist Tzvi RaphaelyBy Zvi RaphaeliLocated in Surfside, FLRabbi Portrait, Oil Painting Framed: 37.5 x 26. Canvas: 31.5 X 20 Bears original label verso from Safrai Gallery Lovely Israeli Chassidic Rabbi portrait oil painting, vibrant colorful painting. Hand signed in Hebrew and English. Done in a style similar and influenced by Marc Chagall. Svi Raphaely (also known as Tzvi Raphaeli...Category
20th Century Post-Impressionist Figurative Paintings
MaterialsCanvas, Oil
- Antique French Fauvist 1920's Signed Oil Painting Portrait of Fashionable LadyLocated in Cirencester, GloucestershirePortrait of a Lady French School, fauvist style indistinctly signed circa 1920's period oil on canvas, unframed canvas: 22 x 18 inches provenance: private collection condition: very ...Category
Early 20th Century Fauvist Portrait Paintings
MaterialsCanvas, Oil
- 1960's French/ Spanish Portrait of Characterful Man with Hat Signed Oil PaintingLocated in Cirencester, GloucestershirePortrait of a Man French/ Spanish School, circa 1960's indistinctly signed oil on canvas, unframed canvas: 25.5 x 20 inches provenance: private collection condition: very good and s...Category
Mid-20th Century Post-Impressionist Portrait Paintings
MaterialsCanvas, Oil