Vincenzo Cabianca (attr.)

The Painter - Oil on Canvas attr. to V. Cabianca - Late 19th Century

Late 19th Century

Horse is an original oil painting on canvas, realized in the 2000s by the emerging artist Anastasia Kurakina. Very good conditions. This beautiful artwork represents a crawling hor...

Clown is an original oil painting on canvas, realized in the 2000s by the emerging artist Anastasia Kurakina. Very good conditions. This very colored artwork represents a clown sur...

Model in Studio is an original contemporary artwork realized by Dimitri Godycki Cwirko (1901-1987) in 1968. Mixed colored oil painting on canvas. Hand signed and dated on the lower...

Kriptoi 42 is a mixed colored oil on canvas realized by Andrea Chiesi (1966) in 2008. Oil on linen canvas.

Interior of a Church is an original painting realized by Hermann Corrodi. Original oil on canvas with a contemporary wooden frame included. Hermann David Salomon Corrodi...

Interior of a Foundry is an original artwork realized by the German artist Hubert Creme Berke in the first years of the XX Century. Oil painting on canvas. Hand-signed on the lower left corner. Good conditions. Very bright and realistic work representing the interior of a foundry with several men working with fire and tools. The scene is very realistic and the colors are realized with rapid strokes with different bright and brilliant colors. The composition is very interesting because the shades are realized very bright strokes of pure luminous colors that illuminate all the space. The work has been realized by the German artist and painter Hubert Creme Berke (Gelsenkircher, 1908 - Colonia, 1979). After the second world war, in 1947, together with the painters Hann Trier, Joseph Fassbender...

Original oil painting on canvas. Hand signed on front by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable...

Amanti alla Fontana - Lovers by a fountain, painting oil on canvas, Signed left sight. Measures: cm 70 x 100 frame 118 x 145 Faustini Modesto. Brescia, 27 maggio 1839 - Roma, 23 m...

Original oil painting on canvas. Hand signed on front by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable...

Henk Helmantel probably does not need an introduction to a lot of worldwide art lovers. After all, the artist from Westeremden even has its own museum. ...

EMIILIO GRAU SALA Spanish, 1911 - 1975 LE MOULIN DE LA GALETTE signed Grau Sala (lower right) oil on canvas 59-1/4 X 67-1/4 inches (150.5 X 170 cm.) framed: 62-1/2 X 70-1/4 inches (...

ROGELIO DE EGUSQUIZA Y BARRENA LADY IN YELLOW signed "R. Egusquiza" (lower right) oil on panel 28-5/8 X 20-3/4 inches (72.5 X 52.7 cm.) framed: 32-5/8 X 24-3/4 inches (82.5 X 62.5 cm.) Rogelio de Egusquiza y Barrena (1845 – 10 February 1915) was a Spanish painter, known for his friendship with the German composer Richard Wagner, whose works he helped make familiar in Spain He was born in El Astillero, into a well-to-do family. He studied in Madrid and with Léon Bonnat at the École des Beaux-Arts in Paris. In 1868, after travelling and participating several times in the National Exhibition of Fine Arts, he returned to Paris and settled there. At first, he painted historical scenes, but later turned to genre scenes and portraits in the Academic style. Following the death of Marià Fortuny, he moved to Rome at the invitation of the Madrazos, Raimundo and Ricardo, taking Fortuny's place at their studio through 1875 and attending classes at the Spanish Academy in Rome. He heard Wagner's music for the first time in 1876, after returning to Paris. Three years later, he travelled to Munich to hear a performance of The Ring of the Nibelungen. His enthusiasm for what he heard led him to go to Bayreuth, where he introduced himself to Wagner and became his friend. In the following years, he and Wagner got together again several times; in Venice (1880), Berlín (1881) and Bayreuth (1882); where he was a guest at the premiere of Parsifal. After his first meeting with Wagner, he decided to devote his career to doing works on Wagnerian themes; mostly portraits of the characters rather than specific scenes. During his visits to Germany, he also created portraits of Arthur Schopenhauer (posthumous) and King Ludwig II...