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William Richards
"Leaving Port, Early Morning, " William Richards, British, realism, coastal

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  • "Venice, 1906, " Italy, Warren W. Sheppard, Realist, Oil, Gondola, Canal
    By Warren W. Sheppard
    Located in Wiscasset, ME
    Marine painter Warren W. Sheppard was born in Greenwich, New Jersey, to a ship captain father who instilled in his son a love and respect for the sea. He studied privately with Mauritz F. H. De Haas and took courses in drawing at Cooper Union in New York City. He traveled along the Mediterranean coast in 1879, sketching the ports of Naples, Gibraltar, Genoa and Messina. Sheppard’s foreign tours continued between 1888 and 1893, with stays in Paris and Venice, where he captured the architecture and busy canals of the Floating City. This fondness for travel also translated to his home country. He sailed along the East Coast from New Jersey to Maine in search of subjects and was an expert navigator, eventually writing the book Practical Navigation. Yacht design became a second career for Sheppard and he participated in a number of sailing competitions himself, most notably winning the New York-to-Bermuda race twice while skipper of the Tamerlane. Sheppard exhibited at the Denver Exposition, Chicago Exposition...
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    Early 1900s Realist Landscape Paintings

    Materials

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  • The Letter, late 19th c, American, Realism, oil on panel, figural, the forest
    By Samuel S. Carr
    Located in Wiscasset, ME
    Samuel S. Carr was born in England in 1837. He studied at the Royal School of Design in Chester before immigrating to the United States around 1862, where he settled in Brooklyn, New York. He began exhibiting genre paintings in the 1870s. He was known for his paintings of children, seashore life and pastoral subjects. Carr was a member of the Brooklyn Art...
    Category

    Late 19th Century Realist Figurative Paintings

    Materials

    Oil, Wood Panel

  • "A Good Read, Venice, " Watercolor, 19th c. Realist, Small, Richly Detailed
    Located in Wiscasset, ME
    Antonio Canella, born in 1849, was a Venetian painter who exhibited in Venice and Paris. He painted charming vignettes of street life in Venice and the...
    Category

    19th Century Realist Figurative Paintings

    Materials

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  • Afternoon Stroll, American Impressionist, Figure on Forest Path, Landscape
    Located in Wiscasset, ME
    Juliet M. White was born in Philadelphia in 1880. She studied at the Philadelphia School of Design for Women, which became the largest art school for women in the United States. Its ...
    Category

    20th Century American Impressionist Figurative Paintings

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  • In the Park, American Impressionist, Mother and Child, Landscape, Figures, Oil
    Located in Wiscasset, ME
    Born in Philadelphia John Hamilton was known for portraits, figure paintings and illustrations. He studied at the Pennsylvania Academy of the Fine Arts with Christian Schuessel and Thomas Eakins and then traveled to Europe where he studied in Paris with Jean-Léon Gerome at the Ecole des Beaux-Arts and at the Royal Academy of Fine Arts in Antwerp. He lived abroad, mostly in London, for many years, although he maintained a Philadelphia address. He was the official painter to the English Prime Minister, William...
    Category

    Late 19th Century American Impressionist Figurative Paintings

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  • "Winter Deer, " American Realist, Landscape with Figure and Animals, MFA, Tate
    By George Henry Boughton
    Located in Wiscasset, ME
    Though he was born in Norwich, England in 1833 and lived in London for the second half of his life, George Henry Boughton’s formative years as a self-taught artist began in Albany, New York, where his family settled in the 1830’s. Recognized as a leading landscape and genre painter in the United States and abroad, Boughton illustrated editions of Washington Irving’s Rip Van Winkle...
    Category

    Late 19th Century American Realist Landscape Paintings

    Materials

    Canvas, Oil

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    Located in Madrid, ES
    JOSÉ MONGRELL Spanish, 1870 - 1937 VALENCIAN FLOWER PICKERS signed “J. Mongrell” lower left oil on canvas 29-1/4 x 45 inches (74 x 114 cm.) framed: 42-3/...
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  • Ship Leaving the Bay at Sunrise French Seascape 18th century Rococo Oil Painting
    Located in Stockholm, SE
    Attributed Charles François Grenier de Lacroix or Charles - François Lacroix de Marseille (1700 - 1782) as signed lower left on the stone “Lacroix”. The scene of the departure of nobles on a ship, somewhere among the Mediterranean landscapes at sunrise. Lacroix's sense of color and attention to detail are particularly impressive: the sea is calm, the sun is rising and as a soft pink hue begins to emerge in the clouds, the morning haze has not yet cleared and the air is clear and clean, large ship...
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  • Summer Landscape with Birches by Austrian Master Gollob Early 20th century Oil
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    Heinrich Gollob (1886 - 1917) - Austrian painter. Gollob's attention to detail demonstrates his talent for bringing landscapes to life through vibrant colors, textures and the play o...
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  • Evening on River German Master Caucasian Panoramic Landscape 19th century
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    Attributed Paul Von Franken (1818-1884), famous Gemany a genre and landscape painter, signed bottom right. Fertile scenery coastal town with castle, mosque, minaret, large travelers ...
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  • "Before the Walls of Jerusalem", 19th Century Oil on Canvas by José Villegas
    Located in Madrid, ES
    JOSÉ VILLEGAS CORDERO Spanish, 1844 - 1921 BEFORE THE WALLS OF JERUSALEM signed "Villegas" (lower left) oil on canvas 12-1/4 x 17-1/4 inches (31.1 x 43.7 cm.) PROVENANCE Private Collector, Seville, Spain José Villegas Cordero (Seville, August 26, 1844-Madrid, November 9, 1921) was a Spanish painter. He directed the Prado Museum between 1901 and 1918. He was the brother of the painter Ricardo Villegas Cordero. He began his apprenticeship very young with José María Romero, with whom he remained for two years until entering the School of Fine Arts in Seville, where he was under the tutelage of Eduardo Cano. In 1860, when he was only 16 years old, he sold his work Little Philosophy for 2,000 reais at the Seville Exhibition. In 1867 he traveled to Madrid, where he entered Federico Madrazo's studio. There he established friendship with painters Eduardo Rosales and Fortuny. He went regularly to the Prado where he copied Velázquez, from whom he acquired spontaneity and the use of color for his technique. Finally, and out of admiration for Fortuny's orientalist painting, he returned to Seville and organized an excursion to Morocco. At the end of 1868 he decided to travel to Rome accompanied by the painters Rafael Peralta and Luis Jiménez Aranda...
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  • Venezia Italy oil on canvas seascape urbanscape seascape
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