Zane Fix

Marilyn LIMITED EDITION Black & Silver

2018

Whimsical painting of a bear. Comes unframed. Gallery wrap with painted sides. Dreamlike. About the Artist: Shanna E. D'Antonio is a mixed-media artist living and working in Hammon...

An Adolescence wearing a bird mask COMES ON STRETCHED CANVAS, UNFRAMED. About the Artist: Georgia Griffin is a self-taught artist working primarily in...

An Adolescence young girl wearing a buuny head COMES ON STRETCHED CANVAS, UNFRAMED. About the Artist: Georgia Griffin is a self-taught artist working ...

David Bowie Original pop art by contemporary artist Zane Fix addressing modern subjects that are executed in the traditional Japanese woodblock (Ukiyo-e) style. About the Artist: Wo...

David Bowie Original pop art by contemporary artist Zane Fix addressing modern subjects that are executed in the traditional Japanese woodblock (Ukiyo-e) style. About the Artist: W...

Bob Dylan Hand worked, Unframed Editioned series Original pop art by contemporary artist Zane Fix addressing modern subjects that are executed in the traditional Japanese woodblock ...

Painting measures 28 X 36 inches. There is a sulpture quality to the suitcase, it has texture to the piece. It subtly recalls the european Holocaust, travel and displacement. Provenance: Ginsburg collection; purchased from Galerie Art Temoin, Paris, France. Alain Kleinmann was born in Paris, France 1953. Known for his Paintings, sculptures and etchings. His very particular style uses collage, incrustations and cast bas relief. His mastery of glazing and varnishing techniques dominated by sepia colours have guaranteed him resounding success. Alain Kleinmann has already proven himself one of the most interesting European artists of his generation. He has carefully forged his own language of signs, a unique visual vocabulary in which Rembrandt and the artists of the European past fuse with the innovations of the post-war masters such as Francis Bacon, Larry Rivers and Robert Rauschenberg. His works have been exhibited at numerous international galleries and museums. He has received almost a dozen medals and is a member of eight different salons.In recent years, Kleinmann has assimilated the sepia-based tones of Rembrandt's paintings – archetypes within the European tradition of the quest for a soul in a surface of paint – to his own complex operations, creating a series of paintings he calls "Fragments of Memory." Whereas in his photo-realist close-ups all was revealed – his works treat questions of time and memory, of lives unknown in their intensity but alluded to by traces, gestures and fragments of images or words, all perceived like outdated documents through the patina of age. Kleinmann transcends the limits of static imagery in a picture frame by digging within the life of the materials at hand – notably paper, the prime purveyor of identity in the Information Age. Paper, after all, takes on a life of its own as it goes through time: the process of its deterioration. It starts out neutral and pristine and gains character as it vanishes. His background in semiotics stands Kleinmann in good stead as he manipulates a variety of visual languages: photos, drawings, rubber stamps, tickets, numbers, handwritten phrases or letters, pages from prayerbooks, personal correspondence and official documents. His textures come from materials that have lived and suffered, that have already received the imprint of human intervention: cardboard with its facing torn off, revealing its inner ribs and backing; paper that has been rumpled and then flattened again; paper with its skin scraped raw or mechanically imprinted with a meaningless pattern; paper that has buckled or wrinkled in the process of being adhered to another surface; and finally, photographs, hidden behind gauze or paraffin, recessed, partly revealed; they recede in time as they are obscured from view, as if their precision had been swallowed in the half-life of generational memory. All of these elements, so diverse and individualized, are harmonized in the final composition by the artist's hand. For him, there is no spirituality without specific individuals who cultivate their inner life. As he says, "The dimension of things is right here. For me, true spirituality comes in the act of embracing true materiality, and not by averting one's gaze." Museum of Contemporary art, Santiago de Chile, Chile Mid century modern Jewish art...

Jogen Chowdhury Sleepless Night, Dry Pastel on Paper 7 x 9.25 inches , 2022 The work will be shipped inclusive of framing. Signed in Bengali Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well. In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist and his work : Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background : His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education : 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience : 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions : 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi. 1979: The Sao Paolo Biennale. 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale. 1989: ‘Festival of India’, in Geneva. 2002: Saffron art...

Jogen Chowdhury Woman Face with Braid, Dry Pastel on Paper 10 x 6.3 inches , 2022 ( this is the unframed size ) The work will be shipped inclusive of framing. Signed in Bengali Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well. In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist and his work : Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background : His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education : 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience : 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions : 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi. 1979: The Sao Paolo Biennale. 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale. 1989: ‘Festival of India’, in Geneva. 2002: Saffron...

Suhas Roy - Radha Mixed Media on Board , 11 x 14 inches , 2010 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a series of work where he sees an ethereal mystic godlike and innocent spirit in every woman he meets. Style : He is one of the biggest and the most enduring names in the genre of Indian modern art. Often dubbed the father of female figurative forms. Radha Series and the Christ Series in soft pastel on paper and intense Oil on canvas paintings .Consequently, his recent body of works, "Drops of Silence", executed in oil, pastels and pen-and-ink etchings on backdrops in watercolours, are all studies of "mysterious slightly surreal nude women floating in a void". Roy's forte is Radhika - dark, enigmatic, beautiful Indian women with the slightest smile and ethereal in its quality . About the Artist & his work : Born : 1936, Bangladesh. Education : 1953-58 : Diploma in Painting, Indian College of Art and Draughtsmanship, Calcutta. 1956-66 : Studied graphic art under the guidance of S.W. Hayter, Atelier 17 and mural art at cole Superior Des Beaux Art, Paris. Exhibitions : His works have been exhibited all over the world through exhibitions like the Asian Graphic Prints Traveling Exhibition, USA, the Tokyo Print Biennale, Japan, Contemporary Indian Art...

Suhas Roy - Radha - 20 x 20 inches ( unframed size) Tempera Coloured Conte on Pastel on Paper , 2005 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or sof...

Prokash Karmakar – Untitled – 13 x 10 inches (unframed size) Mixed Media on paper Inclusive of shipment in roll form. Style : Legendary master artist Lt. Prokash Karma...