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Jan Matulka
Owl and Violin

1935

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  • Portrait on Easel, Grisaille
    Located in Santa Fe, NM
    Signed bottom right 31 x 28 inches; 33.5 x 30.375 inches framed Provenance: Private collection, Denver, Colorado
    Category

    1950s Abstract Expressionist Abstract Paintings

    Materials

    Canvas, Oil

  • Untitled
    By Ruth Todd
    Located in Santa Fe, NM
    40 x 28 inches; 42.75 x 30.5 inches framed Provenance: Private Collection Denver, CO
    Category

    1950s Abstract Abstract Paintings

    Materials

    Canvas, Oil

  • Colorado II
    By Vaclav Vytlacil
    Located in Santa Fe, NM
    Signed and dated, lower right "Vaclav Vytlacil 1957" 40.875 x 60.25 inches; 42.75 x 62.75 inches framed
    Category

    1950s Abstract Abstract Paintings

    Materials

    Canvas, Oil

  • Still Life
    Located in Santa Fe, NM
    40 x 33 inches; 42.125 x 35.125 inches framed
    Category

    1950s Abstract Still-life Paintings

    Materials

    Canvas, Oil

  • Untitled Abstract
    Located in Santa Fe, NM
    26 x 20 inches; 28 x 22 inches framed Signed lower right "AH Clark 54" Provenance: Private collection, Denver, Colorado
    Category

    1950s Abstract Expressionist Abstract Paintings

    Materials

    Canvas, Oil

  • Potted Plants Abstract
    Located in Santa Fe, NM
    14.25 x 21.5 inches; 21.625 x 28.5 inches framed Provenance: Private collection, Denver, Colorado
    Category

    1930s Abstract Expressionist Abstract Paintings

    Materials

    Canvas, Oil

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  • Animal painting by Orovida Camille Pissarro titled 'Exercising Ponies'
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    *UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Exercising Ponies by Orovida Camille Pissarro (1893-1968) Oil on board 101.5 x 76 cm (40 x 30 inches) Signed and dated lower right Orovida 1954 Provenance Estate of Orovida Pissarro With John Bensusan-Butt, cousin of the artist Sotheby's London, 12th October 1988 G Hassell, 25th November 1988 With John Noott, 10th June 1992 Literature K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 161 (illustrated) Exhibitions London, Bowmore Gallery, Women in Art 1850-1989, 2nd-11th November 1989 Fort Lauderdale, Museum of Art, Camille Pissarro and his Descendants, January-April 2000, no.123 This work was included in the above important museum exhibition and a catalogue of the Fort Lauderdale museum show will be included with this painting. Biography Orovida Camille Pissarro, the only child of Lucien and Esther Pissarro, was the first woman in the Pissarro family to become a professional artist and the first Pissarro of her generation to take up painting. Born in Epping, England, in 1893, she lived and worked predominantly in London, where she was a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style from her father and, after a brief period of formal study with Walter Sickert in 1913, she renounced formal art schooling. Throughout her career, Orovida always remained outside mainstream British art movements. Much to Lucien's disappointment, she soon turned away from naturalistic painting and developed an unusual style that combined elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which, for the Pissarro family, was a way of life, and her simultaneous decision to drop her famous last name and use simply Orovida as a nom de peintre, reflected a desire for independence and distance from the family legacy, of which she nevertheless remained proud. Orovida's most distinctive works are her paintings from the 1920s...
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  • Modern Colorful Tropical Abstract Painting of Two Female Figures and an Animal
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  • Tiger Surprises Black Buck by Orovida Pissarro - Animal painting
    By Orovida Pissarro
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    *UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Tiger Surprises Black Buck by Orovida Pissarro (1893-1968) Oil on canvas 127 x 101.5 cm (50 x 40 inches) Signed and dated lower left Orovida 1960 Provenance The Leicester Galleries, London, circa 1965 Literature K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 195 (illustrated) Exhibition London, Royal Society of British Artists, 3rd-25th November 1960, no. 82 (possibly; titled Tiger Entangled) London, Royal Academy, 1961, no. 534 Colchester, The Minories, 3rd- 24th March 1962 London, The Leicester Galleries, 1965, no. 37 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
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