Seema Kohli

Jal, Round Painting, Acrylic, Ink on canvas, Gold & Silver leaf, Blue "In Stock"

2015

Pradosh Swain - Longing Past III - 24 x 60 inches (unframed size) Acrylic on canvas Inclusive of shipment in a roll form. "Pradosh’s paintings have a surrealistic quality, the imagery is dreamy and mystical and rendering is such as if there is some kind of romance and magic happening amongst the colours in his palette. His paintings are the result of brilliant culminations of feelings and things that are between imagination and reality." Style : Pradosh’s works can be described as psychic automatism in its pure state. His works are expressive and his palette vibrant and gorgeous. Nature is the frequent imagery that we see in his paintings. Sometimes his imagery is outlandish, perplexing and uncanny as it is meant to shake the viewer and make them to think beyond the theories which they have guarded themselves with. Lot of elements that we see in pradosh’s paintings also come from his childhood days in Odisha. His paintings often take us on a nostalgic ride where we see elements which we were so used to and have now learnt to live without. He uses common elements that we see in our day to day life to convey his feelings and thought which makes his works all the more interesting. His paintings leave the viewer perplexed at the first glance but a deeper look gives the insight into his thoughts that instigate him to create. Pradosh’s paintings have a surrealistic quality, the imagery is dreamy and mystical and rendering is such as if there is some kind of romance and magic happening amongst the colours in his palette. His paintings are the result of brilliant culminations of feelings and things that are between imagination and reality. They reflect his genuine concern about issues he feels for. He emphasizes on the power of imagination and believes that revelation could be found anywhere….on the streets and in everyday life. Through his paintings artist depicts the notion that how our high pace life is making all of us loose that contact from the nature or even with ourselves. About the Artist and his work : Born : 1972 , Orissa. Education : 1994 : Bachelor in Fine Arts from Utkal University. 1989 : Diploma in Photographic from College of Education and Technology, Bubaneswar 2005 : Certificate Course on Reprography from National archives of India, New Delhi. 2007 : Conservation of Art Objects from National Research Laboratory for Conservation of Cultural Property, Lucknow. Solo Exhibition : Inter National Group Show by Ashok Art Gallery, New Delhi. Look Now, Lucknow Rastriya Lalit Kala Kendra, Lucknow – 2007 Kalingana, Birla Academy, Kolkata – 2006 FIFA world Cup – 2006, Orissa State Museum, Bhubaneswar – 2006 Yatra, Venkatapa Art Gallery, Bangalore – 2006 Towards Horizon, Jayadev Bhawan, Bhubaneswar – 2006 Jagannatayan, Rabindra Mandap, Bhubaneswar – 2005 Sand Watch...

Pradosh Swain - Longing Past IV - 24 x 60 inches (unframed size) Acrylic on canvas Avail our Free Shipping all across the world in a roll form Style : Pradosh’s works can be described as psychic automatism in its pure state. His works are expressive and his palette vibrant and gorgeous. Nature is the frequent imagery that we see in his paintings. Sometimes his imagery is outlandish, perplexing and uncanny as it is meant to shake the viewer and make them to think beyond the theories which they have guarded themselves with. Lot of elements that we see in pradosh’s paintings also come from his childhood days in Odisha. His paintings often take us on a nostalgic ride where we see elements which we were so used to and have now learnt to live without. He uses common elements that we see in our day to day life to convey his feelings and thought which makes his works all the more interesting. His paintings leave the viewer perplexed at the first glance but a deeper look gives the insight into his thoughts that instigate him to create. Pradosh’s paintings have a surrealistic quality, the imagery is dreamy and mystical and rendering is such as if there is some kind of romance and magic happening amongst the colours in his palette. His paintings are the result of brilliant culminations of feelings and things that are between imagination and reality. They reflect his genuine concern about issues he feels for. He emphasizes on the power of imagination and believes that revelation could be found anywhere….on the streets and in everyday life. Through his paintings artist depicts the notion that how our high pace life is making all of us loose that contact from the nature or even with ourselves. About the Artist and his work : Born : 1972 , Orissa. Education : 1994 : Bachelor in Fine Arts from Utkal University. 1989 : Diploma in Photographic from College of Education and Technology, Bubaneswar 2005 : Certificate Course on Reprography from National archives of India, New Delhi. 2007 : Conservation of Art Objects from National Research Laboratory for Conservation of Cultural Property, Lucknow. Solo Exhibition : Inter National Group Show by Ashok Art Gallery, New Delhi. Look Now, Lucknow Rastriya Lalit Kala Kendra, Lucknow – 2007 Kalingana, Birla Academy, Kolkata – 2006 FIFA world Cup – 2006, Orissa State Museum, Bhubaneswar – 2006 Yatra, Venkatapa Art Gallery, Bangalore – 2006 Towards Horizon, Jayadev Bhawan, Bhubaneswar – 2006 Jagannatayan, Rabindra Mandap, Bhubaneswar – 2005 Sand Watch...

Anil Kumar Yadav - Aradhana-22 - 72 x 48 inches (unframed size) Acrylic on Canvas STYLE : Anil Kumar Yadav is an Artist from Kolkata who was born in 1984 a village in Uttar Pradesh. He grew up among villagers with modest lives and the village culture. The Rangolis at the village festival and the local potters’ fine works of art inspired him greatly towards art as a hobby and potential career from early childhood. His father was then posted to Kolkata so their family relocated to the city. Once the capital of India, with its rich cultural heritage and character immediately caught my attention. He started painting for the first time in the city. Since the central theme to his paintings is related to present day society, his works appear photographic or naturalistic. The religious ghats of Varanasi, Haridwar and other antique places attracted him for their cultural heritage characterised by the holy saints, antique architectures, old idol sculptures and mysticism, spirituality. So he portrayed the simplicity of the architectural doors, temples, sculptures and the beautiful narrow streets and ‘galis’ which holds beauty that can not be described in words. He always prefers a highly realistic approach in his paintings for whatever he sees in his surroundings. He started to represent paintings in a form whose expression manifests a step ahead of photography. He has always tried to reach to a horizon where photography cannot reach and make a statement what is called hyperrealism. EDUCATIONAL QUALIFICATIONS 2001-2006, 5 years Diploma in Painting (First Class) SwarSangam,Birla Academy of Art and Culture Kolkata. SOLO EXHIBITIONS 2015 TajBengal,Kolkata. 2013 TajBengal,Kolkata. 2012 Lalit Kala Akademi, New Delhi 2010 Triveni Kala Sangam, New Delhi 2009 TajBengal,Kolkata. GROUP EXHIBITIONS 2020 “BENARAS”, Art Villa art gallery, Kolkata 2019 “Tryst With Colour IV”, Indian habitat center visual art gallery- by Nirvana (New Delhi) 2019 “1 SQUARE FEET”, Gallery Space, Hyderabad 2017 "Artist Echoes", Indian habitat center visual art gallery- by Nirvana (New Delhi) 2015 “GREENATHON”,presents Gallery Sree Arts at GalerieRomain Rolland, Alliance Francaise, New Delhi. 2015 “SRIJAN SAJAN”, Academy Of Fine Arts, Kolkata. 2014 “STROKE”, Lalit Kala Academy, New Delhi. 2013 “PERSPECTIVE”Academy Of Fine Arts,Kolkata 2012 “PERSPECTIVE”Gallery Gold, kolkata 2011 Artchutney present an exhibition Goa 2011 Artchutney present an exhibition Bangalore 2011 India Habitat Center, Palm Court...

Madhu Basu - Magma 115 - 45.25 X 32 inches (unframed size) Acrylic and Pigment on canvas Inclusive of shipment in roll form. Style : The pigment technique is today the essential...

Madhu Basu - Classical Vibration 2010 - 57.5 X 45 inches (unframed size) Acrylic and Pigment on canvas Inclusive of shipment in roll form. Style : The pigment technique is today t...

Madhu Basu - Biriany Choudron - 57.5 X 45 inches (unframed size) Acrylic and Pigment on canvas Inclusive of shipment in roll form. Style : The pigment technique is today the essen...

A painting by Kaoru Mansour. "Trumpet Flower and Nap #101" is a contemporary mixed media piece, acrylic, paper, 22K gold leaf, pen, glitter, and thread ...

A painting by Kaoru Mansour. "Iro (hana) #495" is a contemporary mixed media piece, acrylic, paper, 22K gold leaf, pen, and glitter on canvas by Japanese, female artist Kaoru Mansour...

Mixed-media: Sumi Ink, graphite, metallic pigment and acrylic on Moulin de Larroque paper, made by hand in a mill in France. The mixed media work is inspired by seaweed / kelp at a E...

Original work of art that utilizes both painting and drawing - Mixed-media: Sumi Ink, graphite, metallic pigment and acrylic on Moulin de Larroque paper, made by hand in a mill in Fr...

A Playful Disposition 4 by Magdelena Morey [2022] A Playful Disposition 4 is a cheerful, original abstract floral painting by Magdalena Morey. This co...

This small-scale, slightly textured, intimate painting could be a Hanukkah or Christmas gift. Audrey Frank Anastasi is a prolific a visual artist, curator, gallerist, educator, philanthropist, and arts advocate. She works primarily in 2-dimensional mediums: painting, drawing, collage, mixed media, focusing on the human subject. Most of Ms. Anastasi's figurative works are painted with her non-dominant left hand. She has created large bodies of works of birds, animals and birch trees. She has exhibited in over 20 solo & 200 group shows. Her original “ref-u-gee” series of forced-migration–themed artwork was shown in a solo exhibition from October, 2022 through January, 2023 at the Brooklyn College library gallery in collaboration with the Valentine Museum of Art (VMoA.) Accompanying the show, a limited-edition monograph with over 180 images of passport sized paintings, four 8 foot tall works on panels, and a foreword by Phyllis Braff. The book was printed in 2023 by SIZ Industria Grafica, Verona, Italy. Additional book and catalog publications include "Stations of the Cross", SPQR press, with an essay by Amir Bey, BREUCKELEN magazine, “Audrey Frank Anastasi” catalog with an essay by renowned feminist art critic Cindy Nemser, and "Collage" with an essay by Giancarlo T. Roma. Born in a predominantly Jewish suburb of Baltimore, Maryland, Audrey was always drawn to art. Her parents had an innate sense of style. Her father's side of the family were immigrant merchants. They owned what was called, in those days, a junior department store. Audrey’s father would arrange creative window displays. And he was a snappy dresser, looking surprisingly elegant in his patterned or pastel sports jackets. Audrey’s mother, on the other hand, came from a more rural upbringing. Although her maternal grandmother was from Eastern Europe, her maternal grandfather was born in the USA. “Mr. Jew Arthur,” as he was referred to by locals, owned a tavern in a predominantly African-American community, Fairfield, Maryland. Not only did he sell spirits, he definitely partook of them, as well. While still a teenager, Audrey’s mother, Rose Gussie, changed her name to Joyce and headed to Atlanta, Georgia, and later to New York City to be a cosmetician and hosiery model. She also had an impeccable sense of style. And in her picture albums, beside the photographs, were pages upon pages of charming ink drawings of stylish ladies. Of her own formative years, Audrey expresses, “I'm forever grateful that when I was a child, my mother indulged me with regular outings to the library where I emerged with armloads of books, and weekly visits to the Baltimore Museum of Art. There I would pass the gorgeous bust of Queen Nefertiti and the scary mummies on the way to my art lessons. There isn't a single moment of my conscious life when I didn't think of myself as an artist.” Audrey also studied with a local artist, “Miss Mary,” who soon asked Audrey to become a teaching assistant, instructing other students how to observe shapes and tonalities, while faithfully drawing charcoal drawings of classical plaster casts...