Hugo Rivas

In gabbia, 2010

2010

“Making sculpture is a very complex matter. A word added to a form, ultimately helping to better define it. And ultimately helping to understand the whole.” Ugo Riva is probably the...

“Making sculpture is a very complex matter. A word added to a form, ultimately helping to better define it. And ultimately helping to understand the whole.” Ugo Riva...

Steven Campbell was a Scottish artist who created complex and humorous paintings with roots in performance and installation art. Campbell graduated from the Glasgow School of Art in 1982 and was awarded a Fulbright Scholarship to study at the Pratt Institute in New York the same year. The artist rapidly gained recognition in America, and after a successful period abroad returned to Glasgow in 1987. He remained in Scotland for the rest of his career, developing his position as a link between Scottish artists of the previous generation, and the emerging artists of the 1990s. Before studying at Glasgow School of Art Campbell was an engineer at the steelworks on the outskirts of Glasgow. After seven years at the steelworks he decided to pursue art. At Glasgow School of Art he was a contemporary of Ken Currie, Peter Howson and Adrian Wiszniewski...

EMMA HACK is an Adelaide-based artist working in the unique medium of body paint installation and photography. Exhibiting extensively throughout Australia si...

Jerome Grilhot was born and raised in Beziers, France. After a successful career as a chef for over 25 years, Grilhot has been focusing his creative talents on photography for the p...

EMMA HACK is an Adelaide-based artist working in the unique medium of body paint installation and photography. Exhibiting extensively throughout Australia si...

This charming pastel painting on paper was designed by Pio Santini (1908-1986) and named: nude with lace. The artist's signature, Santini, can be found in the bottom left corner of the artwork. Lovely romantic composition with a nude young lady kneeling and holding a piece of white lace. Flamboyant magenta red drape background. The painting remains in its original frame, which features delicately carved wood, a gesso finish, an off-white wood liner, and glass protection. The piece is in good condition but has a dark stain and some small chips on the edges of the original wood frame. Measurements: With frame: 22.75 in. wide (58 cm) x 26 in. high (66 cm) Opening view: 14.50 in. wide (36.5 cm) x 17.75 in. (45 cm). Artist Biography: Pio Santini (1908-1986) Pio Santini was born on April 17, 1908, close to Rome, in Tivoli, Italy. He showed a precocious and pronounced artistic taste and gifts, to begin with, drawing and painting. From his childhood drawings, as early as 5 or 6 years old, he was gifted and had a technique above the average. As early as 1933, Pio Santini moved to Paris, in the Montparnasse district, also known as The Artists Area, where he settled in his first Parisian studio. He is recognized as a member of the Academy of Paris, a significant art movement in the first half of the 20th century, alongside Amedeo Modigliani and other Italian artists. While attending the classes of the Estienne School for further training in plastic art, Pio Santini started to attract attention in various Parisian Salons (particularly the Winter Salon, the Independents Salon, and the French Artists Salon) and to find a place in the Parisian universe of painting, as is shown in the press of the time. The Second World War, which pitted his country of birth against his adopted nation, created conflicting emotions in him. During this time, the concept of a united and reconciled Europe took root in his mind. In a way, he played a part in the resuming cultural exchanges between France and Italy by founding the association The Romans in Paris after the war, and especially by creating and animating the Villa D’Este Prize for about ten years, rewarding each year a French artist or writer by offering, a one month stay at the Villa, in Tivoli. Later, the Montparnasse Prize would reward Italian artists in Paris, in the same way. While devoting himself to painting, he worked as an art illustrator for edition and press and left us a rich but unrecognized work from this period. In the early 1960s, Pio Santini decided, imperiously and bravely, to live on his painting. A member of the Society of Independent Artists since 1934, he then actively participated in numerous collective exhibitions in France and abroad. He regularly exhibited in Parisian Salons, most of which he was a member: the Independents Salon, the Autumn Salon, the Winter Salon, the National Salon of the Fine Arts, and the Comparison Salon. A regular participant in the prestigious Salon des Artistes Français, he was often rewarded: Great Price of the Salon in 1970, then in 1974, a gold medal in 1971, and Prize-winner of the Ernest Marché Prize in 1974. Pio Santini lived his last years in his house in Garches, near Paris. He worked there until the last moment and died of illness at the age of 78. Keeping himself a part of the avant-garde of contemporary art, Pio Santini developed a personal work of formal coherence very steadily. He is a two-time artist, one of the beginnings of his career, the Thirties, and the other one, his rebirth, the Sixties, when the artist can again devote himself to painting. Between these two periods, the Second World War badly hit the pictorial growth of Pio Santini. However, everything had started under the best auspices for the young painter whose desire to devote himself to painting is evident in his self-portrait of 1928 as a manifesto. In the 1930s, following the revolutions of cubism, abstraction, and surrealism, figurative and sensual...

Early 1960s work on paper of a group of trees at Buckfast Abbey in Devon, England, by Alban Atkins. Signed bottom left, titled and dated to the reverse. There is also a collection or accession number to the backboard. Atkins has captured the sculptural nature of the tree trunks as they have grown in the landscape giving the work a feeling of living, writhing things as well as an abstract feel in the composition. Atkins was one of the group of important artists chosen and commissioned by Sir Kenneth Clark...

Travel notes 2007. Paper, pastel, 19x23 cm The focal point of the artwork is a colorful cityscape, reflecting the artist's impressions and experiences of a particular place during ...

2007. Paper, pastel, 20x26 cm This artwork conveys the energy and architectural beauty of the urban environment through the artist's use of vibrant colors and dynamic composition. T...

Travel notes 2007. Paper, pastel, 22x26 cm The focal point of the artwork is a colorful cityscape, reflecting the artist's impressions and experiences of a particular place during ...

Venice 2007. Paper, pastel, 17x25 cm This work captures the essence of Venice, showcasing its beauty and cultural significance. The use of pastels brings a softness and vibrancy to...