Albert Beck Wenzell

Woman in Green

Medium: Oil on Canvas Dimensions: 24.00" x 31.00" Signature: Signed Lower Right This painting of a baby taking it's first steps was done as a calendar for the Osbourne Calendar Company and has the Osbourne tag affixed to the back. Harold Matthews Brett grew up in Brookline, MA and studied at the School of the Museum of Fine Arts in Boston under Philip Hall and Frank Benson. Later he moved to New York to study at the Arts Students League with Walter Appleton Clark...

Date: 1911 Medium: Oil on Canvas Dimensions: 20.00" x 30.00" Signature: Signed Lower Right

Medium: Oil on Canvas, Mounted Dimensions: 22.70" x 17.70" Signature: Signed Lower Right Advertisement, image of girl baking biscuits as boy and mother look on.

Medium: Oil on Canvas Signature: Signed Lower Left

Signature: Signed Lower Left

Signature: Signed Lower Right

"Made to Love" by Nathan Neven is an exquisite portrayal of maternal affection, showcasing a mama elephant and her baby in a vibrant interior setting, complemented by enchanting spir...

Early 20th century Impressionist still life of flowers in a Faïance tureen. Signed bottom right by the artist but as yet undeciphered. Presented in a period painted wooden frame. A ...

Signed and titled still life oil on canvas circa 1900 by French post impressionist painter Albert André. The work depicts a still life scene in an interior. A vase of pink, yellow, red and blue roses is set upon a table next to books, paperwork and a cup. There is a chair with a white cover beside the table. Signature: Signed lower left and titled on original label verso. Dimensions: Framed: 34"x34" Unframed: 26"x26" Provenance: David B Findlay Galleries - New York (labels verso) The estate of billionaire investor T. Boone Pickens (1928-2019) Phillips - Saint Louis MO, United States (6th May 2001) He came to Paris in 1889 as an industrial designer. At the age of 23 he enrolled at the studio of William Bouguereau at the Académie Julian, where he met Ranson, Louis Valtat and the young poet and dramatist Henry Bataille, who at the time was training as a painter. He illustrated L'étang de Berre by Charles Maurras and Les Petites Alliées by Claude Farrère. He produced cartoons for tapestries...

Signed still life oil on canvas by French expressionist and fauvist painter Charles Camoin. The work depicts a bright bouquet of flowers in reds, yellows, blues and pinks in a stoneware vase. Signature: Signed lower right Dimensions: Framed: 36"x28" Unframed: 29"x21" Provenance: Galerie Marcel Bernheim Exhibitied: Paris, Galerie Druet, March 1929, n°23 This work is included in the Archives Camoin and a certificate from Madame Grammont-Camoin is available on request Charles Camoin was the son of a paint manufacturer in Marseilles who died when Charles was six years old. His mother travelled extensively, absenting herself for long periods at a time, and Camoin's studies suffered accordingly. At 16, he enrolled at a commercial college in Marseilles, but also attended courses at the École des Beaux-Arts, where he was awarded a first prize for drawing and composition. In 1896, at the age of 17 (or in 1898 according to other, possibly more reliable sources), Camoin moved to Paris where he was admitted to Gustave Moreau's class at the École des Beaux-Arts, shortly before the latter's death. He soon left on his travels in the company of Albert Marquet - no doubt following Moreau's advice to 'go and paint buses', his recommendation to the two artists to search out their subject matter on the streets and in the cabarets of Paris. During his short time in Moreau's class Camoin made a number of lasting friendships, notably with artists who would go on to pioneer Fauvism: Henry Manguin, Georges Roualt and, in particular, Jean Puy and Henri Matisse, with whom he exchanged letters on a regular basis.In 1900, Camoin did his military service, first in Arles, where he painted compositions inspired by Van Gogh motifs, then in 1902 in Aix, where he frequently met with Cézanne, with whom Camoin maintained a life-long correspondence and whose advice and counsel he cited repeatedly. In 1903, Camoin exhibited for the first time - at the Salon des Artistes Indépendants in Paris. The following year (1905), he met Claude Monet (at Cézanne's instigation and, appropriately perhaps, underneath Giverny's Nympheas); he then held his first solo exhibition at the Berthe Weill Gallery in Paris. In 1905, Camoin exhibited alongside the 'Animals' at that year's Salon d'Automne, although it must be said that he did not share the graphic and chromatic violence of a Matisse or a Derain...

Peonies 1975. Oil on canvas, 100x92 cm The combination of the pink flowers and the blue vase creates a harmonious color scheme, evoking a sense of tranquility and elegance. The pa...

Signed: Augusto Corelli (1853 - 1918). Superbly and professionally painted Italian landscape. A narrow path, an alley hanging over it with centuries-old oaks, a sea bay...