Interior Paintings

"Pandemic City" Acrylic on Paper Painting 24" x 18" inch by Tetiana Kalivoshko Tetiana Kalivoshko is an American-based Ukrainian artist who specializes in painting, sculpture, and art installations. Graduated from the L’viv National Academy of Art and Shanghai's East China Normal University. She decided to devote herself to the world of art in 2015 after seeing the exhibition "In Love With Art" which motivated her to begin developing her art and ideas and to travel across the world. Tetiana's debut project installation, "Peace," was shown in several Ukrainian cities. The installation “Peace”. Her work materialized spectacular shapes of Chinese hieroglyphs that mean "Peace". In 2016, Tetiana presented her first collection, "Warm inside", in Shanghai. At the same time, she worked as an art teacher for children and adults in a private school...

"Kicking up Heels in Great Britain" Painting 36" x 60" inch by Ty Joseph From 7 L's series 2017 36" x 60" * * * The meaning of L series * * * Altho...

In this work, I have poured my passion using acrylics to evoke depth and movement. Blues and whites intertwine, reflecting abstract emotions that flow freely, like ocean waves on a s...

Pineapples by Guy Nicod (French 1923 - 2021) oil on artist paper, unframed stamped verso painting : 24 x 20 inches provenance: artists estate, France condition: very good and sound c...

Important for the buyer The work is sent without a wooden frame and rolled in a reinforced tube to avoid damage during transportation. "Blue Horizon of Peace" is an oil masterpiece...

Important for the buyer The work is sent without a wooden frame and rolled in a reinforced tube to avoid damage during transportation. "Blue Horizon of Peace" is an oil masterpiece ...

Morning through Dartmoor by Georgie Dowling [2022] Signed by the artist Oil paint on canvas Image size: H:50 cm x W:75 cm x D:4cm Please note that insi...

In this oil painting, I've poured my heart into capturing the ephemeral beauty of a blooming field under the tranquil summer sky. With every brushstroke, I sought to invoke the seren...

Abstract textured acrylic painting on canvas 100x50x2 cm (39,4 х 19,7 х 0,8 inches). Mixed Media on gallery-wrapped canvas. The work is ready to hang. No framing required. The sides ...

Red Poppies in Vase French School, mid 20th century signed oil on canvas, unframed canvas: 21.5 x 15 inches provenance: private collection condition: poor condition (ie: paint loss a...

In this expressive piece of action painting, a whirlwind of captivating blues merges to bring to life a stunning seascape in turmoil. The intense shades of blue, from deep sapphire ...

Breathe new life into your home with 'Regenesis'! Allow this statement piece to resonate resilience, regeneration and evolution throughout your space! "Regenesis," rendered in a v...

PaperLandscape mixed media on cotton canvas 40x50 cm 2020 PaperLandscape is a series of artworks inspired by landscape and nature, nature and the passage change over time, we change...

I have used acrylic paints to make the composition and generate relief and shapes. I want to fuse a scene of struggle between the wild feelings that emerge in situations of silence. ...

Chadlington is an Original oil painting by Eleanor Woolley. This painting was started Plein air and finished in the studio. Painted sketches of the area were made for reference. A pi...

"I consider myself a ‘Fusionist’, because I merge styles that inspire me, while playing with the fusion of East and West. I combine orientalism and primitivism with western cubist principles and the expressionists’ use of colour, to create bright and vibrant figurative images." - Amanda Watt Amanda Watt was born in Northern Ireland in 1960, and graduated from the Belfast College of Art and Design in 1982. Just three years out of University, while living in London, Amanda was discovered by top film director Barry Levinson, who invited her to Malibu to paint from his beach house for six months. From this moment, her art took off, and she spent the next twenty years building a successful career in California, making her way into collections of many key LA directors, producers, galleries, and film stars. With annual solo shows in LA, San Francisco and New York, Amanda's bright, vibrant landscapes, interior scenes, and her semi-abstract figurative paintings have became a staple of Californian society. Watt's key collectors include casino mogul Steve Wynn...

Shipped rolled in a tube without frame I have used acrylic paints to make the composition and generate relief and shapes. I want to fuse a scene of struggle between the wild feeling...

"Serenely Deep Blue" This painting is a work of art that unfolds on a deep and captivating blue background. The background blue sets an atmosphere of serenity and depth that envelops...

Louis XVI #6 Part of "Mixed Moods" solo show, until September 29. Original painting. Size 27.5x19.5in / 70x50cm . Acrylic on canvas. The period armchair, style Louis XVI, become th...

Is a captivating masterpiece that embodies the essence of the action painting movement. With its vibrant display of colors against a pristine white backdrop, this artwork emanates an...

Louis XVI #1 Part of "Mixed Moods" solo show, until September 29. Original painting. size 27.5x19.5in / 70x50cm . Acrylic on canvas. The period armchair, style Louis XVI, become th...

Title: "Blue Dream Landscape" On the canvas, a world of tranquility and serenity emerges, where shades of blue and white intertwine in a harmonious dance that captivates the viewer....

I would always seek validation on every little thing. Validation to take the simplest action and most times the response breaks me even more. I realized to be confident in one’s body I had to work on my mind because the mind controls...

Pillars, 140x100cm

Villa Olivos by Karen Lynn [2021] This is a painting from my modernist pool series of paintings. In this particular painting I loved the shape of the kidney shaped pool and I placed...

Laurent Parcelier was born in 1962 in France. Interested in art from an early age, Parcelier attended the Applied Arts School in Dordogne. His obvious talent soon materialized into t...

Sparkling horizon by Georgie Dowling [2023] An original oil painting on canvas portraying a view out to sea from the beach on a clear summers day. The sunlight sparkles on the sea i...

Scott Yeskel was raised in the suburbs of Orange County, California after his parents moved from New Jersey when he was a child. The mild weather and suburban sprawl fueled Scott’s interest in the landscape. 

After graduating from high school, he moved to San Francisco to pursue an education in the arts. Yeskel graduated from the Academy of Art College in 2002 where he won first place in the Landscape category at the Academy’s Annual Spring Show. He was quickly picked up by galleries in Philadelphia, Laguna Beach and San Francisco. Since that time, Scott has been the subject of over a dozen solo shows, countless group exhibitions and has been featured in over 20 magazine and newspaper editorials. 

His work speaks to those who identify with the California lifestyle – often romantic but sometimes plagued with frustration. His love/hate relationship with Los Angeles’ freeways, boxy apartments and urban sprawl feed Yeskel’s desire to paint his environment as he sees – a jumble of mixed emotions. Recently, Scott’s work was purchased by prestigious corporate collections including Microsoft and NBC/ Universal. Scott currently teaches an Abstract Workshop at the Kline Academy in West LA and resides with his wife and daughter in Los Angeles. Resume Born, 1977, Montclair, New Jersey 2002 – Graduated Academy of Art College, San Francisco, BFA SOLO SHOWS 2020- Vacant LA, online exhibition. 2016-Summer Days, Sue Greenwood Fine Art, Laguna Beach, Ca. Valley Scenes, Valley Performing Arts Center, Cal State Northridge, Ca. 2015- Modern Escape, Jack Fischer Gallery, San Francisco, Ca. 2013- Hotel Pools, Sue Greenwood Fine Art, Laguna Beach, Ca. 2012- Stop & Go, Sue Greenwood Fine Art, Laguna Beach, Ca. 2011 – Wanderlust, Sue Greenwood Fine Art, Laguna Beach, Ca. Mapping California, Jack Fischer Gallery, San Francisco Ca. 2009 – L.A. To Ventura and In Between, Vita Art Center, Ventura, Ca 2008 – Disconnections, Sue Greenwood Fine Art, Laguna Beach, Ca L.A. to S.F. with Love, Jack Fischer Gallery, San Francisco, Ca 2007 – Mass Transit, Sue Greenwood Fine Art, Laguna Beach, Ca. 2006 – Maps, Sue Greenwood Fine Art, Laguna Beach, Ca. 2005 – Trouble in Paradise, Bedlam Gallery, Los Angeles, Ca. 2004 – Moving On, Pringle Gallery, Philadelphia, Pa. 2003 – Two Roads, Pringle Gallery, Philadelphia, Pa. SELECTED GROUP SHOWS 2021-Summer Salon, Sullivan Goss Gallery, Santa Barbara, Ca 2019- Group Cityscape IX, George Billis Gallery, Los Angeles, Ca Ashes of Hope, Sky Studios, Los Angeles, Ca 2018-Cityscape VIII, George Billis Gallery, Los Angeles, Ca Celebration Art, Patricia Rovzar Gallery, Seattle, Wa 2016-House and Home, Cannon Art Gallery, Carlsbad, Ca 2105-Venice Art Walk Auction, Google Headquarters, Venice, Ca 2013-Ryman Arts, ‘An Affair of the Arts’, Los Angeles, Ca. 2012-Palm Springs Fine Art Fair, Palm Springs, Ca. artMRKT San Francisco, SFDC Concourse Exhibition Center, S.F., Ca 2011 – L.A. Art Show, Los Angeles Convention Center, L.A. Ca. Palette to Palate, Laguna Art Museum, Laguna Beach, Ca. artMRKT San Francisco, SFDC Concourse Exhibition Center, S.F. Ca 2010 – Art San Diego, Hilton San Diego Bayfront, San Diego, Ca. 2009 & 2010 – L.A Art Show, Los Angeles Convention Center, L.A., CA 2008 – Auction 100, Laguna Beach Art Museum, Laguna Beach, Ca. Aqua Art Miami, Aqua Hotel, Miami, Fla Red Dot Fair, Park South Hotel-New York City, New York 2006 – Venice Art Walk Juried Auction, Bergamont Station, Santa Monica, Ca. Fin, Bedlam Gallery, Los Angeles, Ca. 2005 – Create-Fixate, Spring Arts Tower, Los Angeles,Ca. 2004 – Meet the Artists IV, The Pacific Club, Newport Beach, Ca. Group Cityscapes, Greenwood Chebithes Gallery, Laguna Beach, Ca. Getting to Know You, Backstreet Gallery, Santa Monica, Ca Scott Yeskel / Brandon Smith, Hotel Biron Gallery, San Francisco, Ca. 2003 – Around Town, Pringle Gallery, Philadelphia, Pa. 2002 – Academy Spring Annual, Academy of Art, San Francisco, Ca. 1998 – Juried Luggage Show, Luggage Store...

"Beach Boat" Painting 28" x 10" inch by Tasneem El-Meshad Acrylic and Oil on Canvas Academy of Fine Arts Cairo graduate Tasneem El Meshad describes her art, as “a reflection of the...

This artwork is an emotional exploration of the sense of being gently moved around like reeds and seaweed in a reef. There is harmony in that movement but at times it can become over...

"Untitled 2" Painting 102" x 102" inch by GUELA TSOULADZE Oil painting on oilcloth canvases. ABOUT THE ARTIST: Nomad from birth, Guela Tsouladzé was born on November 8, 1959 in Tbilisi, Georgia, from a French mother and a Georgian father. His father was one of the first Georgian psychanalyst; but working with the conscient and subconscient of the homo sovieticus was a disputed occupation, criticized by the soviet ideology. Therefore, it required a significant dose of audacity; it’s in this context of insubordination and freedom, that Guela tirelessly repeats that he will be an artist, without ever having painted anything. The father thus commissioned his first work: a black dot on the ceiling of his office, which his patients would fix during the sessions. The gateway to hypnosis, and the artist’s future signature. Perhaps Guela's innate sense of daring and escapism comes from there; these two themes are till today reflected in his works. Guela grows up in a surreal artistic universe, between France and Georgia, inspired in particular by Pirosmani, the brothers Zdanevitch and Salvador Dali, whom he met shortly before his death in 1981 at Portiligat Cadaques, and surrounded by the filmmaker Paradjanov, a friend of the Tsouladze family. He begins his studies at the Fine Arts on Tbilisi in 1977, but the ultimate horizon is Paris. He joins the Art Décoratifs from 1980 to 1983 and then the Beaux-Arts from 1983 to 1985. He becomes the assistant of Christian Boltanski, whom he follows from exhibition to exhibition. In France, the 80s are colorful years, wild like a Fauvist painting. Art comes out of museums and gives birth to the free figuration, an elusive movement, which was slowly taking shape in the lethargy of the Beaux-Arts. Pop culture, in its spontaneity and in its lack of self-control, takes over everything and breaks down all codes, groups and borders. Art is free from all constraints and analysis. Guela is there at the right time, in the right place, with the right people. The Holy Trinity, as he likes to repeat. These crazy years are an ecstatic playground for his artistic instincts. Guela paints on everything: papers, canvases or newspapers. His grand formats are at the scale of his silhouette; he leaves the Beaux-Art and joins the first squats in the nineteenth arrondissement of Paris, notably the Quai de Seine workshop, which he shares with Remy Blanchard and Vincent Scali. These are the years of Ben, of the Di Rosa brothers, of Robert Combas and François Boisrond. Art for everyone, and party for all. Guela follows his intuitions to Ibiza and Barcelona from 1987 to 1993, where he works at the Casa Caritad, which will later become the city's Museum of Modern Art. This colorful and collective delight contrasts with the dark anxieties of our time. Contrary to the widespread dystopia, it was then the utopia that reigned! New York is its epicenter, shaped by Basquiat and Keith Haring. Guela lives there from 1993 to 1998, including several years at the legendary Chelsea Hotel, of which he covers the walls and furniture with Georgian calligraphy. This is where his simplistic, black, and loving figures were born, later becoming his trademark and one of the symbols of Batumi. It was precisely at the end of the 90s that his desire to build bridges between his native country and France became deeper. The Soviet Union died in a burst of freedom, and the Georgians slowly come out of a fratricidal war, fueled by Russia. Georgia needs love, so Guela replaces the flag’s crosses with hearts, following the 2003 Rose Revolution. Since then, convinced that art is the answer to the stress that is still plaguing Georgia, Guela multiplies projects for exhibitions, partnerships, festivals and art centers. He brings several French artists to the Garikula Residency, including Jean Dupuy...

Due to the size of the work, it was sent rolled in a tube El cuadro abstracto es una obra de arte sorprendente y cautivadora que evoca una sensación de ensoñación y fantasía. La pie...

This artwork explores the fractal nature of paint, and the emotions that associate with it. This work is painted in the style of abstract expressionism. This work is painted with sy...

This artwork is an emotional piece that explores the idea that a certain motion or movement with an emotional positive attitude as be invigorating. Painted in the style of abstract e...

This painting is an exploration of the idea of two colours that love each other and love to mix into one another. Painted in the style of abstract expressionism. Each canvas is 80 c...

This artwork is an abstract exploration of the emotions associated with the colour blue. Other colours are introduced in a minimal sense, to punctuate the feeling that blue produces....

Layers of stripes inspired by bookshelves. The colours and patterns repeat throughout the composition. Rosie Shorrock, painter, is available for sale online and in our art gallery at...

This colourful contemporary abstract is, as the name might suggest, inspired by leaves unfurling and nature bursting back into life in the wake of spring. Catherine Pennington-Meyer is available at Wychwood Art online and in our gallery. Catherine is an award-winning artist who currently lives and works near Munich, in Germany. Her work concentrates primarily on abstract expressionism. Catherine has participated in exhibitions throughout Europe and has quickly established a prestigious international collector base. Catherine says of her art: `I see my painting as a kind of language, translating what I feel or experience to those viewing it. I am innately drawn to create raw, emotive, expressionist pieces, mostly abstracts, which distil a subject down to its feeling. I don`t only want my art to be `beautiful` but for it to reach out and touch the person who is viewing it on an immediate, intuitive level. I want my paintings to speak to their audience in their own visceral language. I am influenced by nature, particularly the multifaceted nature of water, and memories of growing up in particularly beautiful landscapes in North Yorkshire and Scotland. I also find human psychology and science fascinating. But I see compositions everywhere, whether it be flowers in a park, the way smoke curls, books on a library shelf or a street market. Everything is made up of shapes and colours. The world is a constant source influences and inspiration.’ Over time, as her work has developed, she has been increasingly compelled towards abstraction, through which she feels able to communicate an energy which is untethered by the constraints of realism. She enjoys playing with light, depth and movement in her art to give it immediacy and to draw a viewer into the composition. Catherine also enjoys poetry, and her works occasionally have accompanying narratives. Catherine views visual and written art...

This artwork is an emotional exploration of the colour blue with a hint of magenta and a couple of other secondary colour. The way blue dominates and goes from light blue to navy als...

"Fractal Human" Mixed media painting 39" x 47" inch by Lara Granqvist Mixed Media on loose canvas ABOUT: Lara Granqvist is a Swedish/English musician and artist. She is the singe...

This is a painting from my architectural series of works. I love this Richard Neutra house and enjoyed painting it and adding my style with sun loungers and various cacti and a limit...

"Bedtime At The Beach House" (2023) oil on canvas, impressionist interiors, bed, bedroom, dog 30" high x 24" wide x 1.5" deep by Ekaterina Popova, founder of Create Magazine She use...

"Untitled 6" Painting 102" x 102" inch by GUELA TSOULADZE Oil painting on oilcloth canvases. ABOUT THE ARTIST: Nomad from birth, Guela Tsouladzé was born on November 8, 1959 in Tbilisi, Georgia, from a French mother and a Georgian father. His father was one of the first Georgian psychanalyst; but working with the conscient and subconscient of the homo sovieticus was a disputed occupation, criticized by the soviet ideology. Therefore, it required a significant dose of audacity; it’s in this context of insubordination and freedom, that Guela tirelessly repeats that he will be an artist, without ever having painted anything. The father thus commissioned his first work: a black dot on the ceiling of his office, which his patients would fix during the sessions. The gateway to hypnosis, and the artist’s future signature. Perhaps Guela's innate sense of daring and escapism comes from there; these two themes are till today reflected in his works. Guela grows up in a surreal artistic universe, between France and Georgia, inspired in particular by Pirosmani, the brothers Zdanevitch and Salvador Dali, whom he met shortly before his death in 1981 at Portiligat Cadaques, and surrounded by the filmmaker Paradjanov, a friend of the Tsouladze family. He begins his studies at the Fine Arts on Tbilisi in 1977, but the ultimate horizon is Paris. He joins the Art Décoratifs from 1980 to 1983 and then the Beaux-Arts from 1983 to 1985. He becomes the assistant of Christian Boltanski, whom he follows from exhibition to exhibition. In France, the 80s are colorful years, wild like a Fauvist painting. Art comes out of museums and gives birth to the free figuration, an elusive movement, which was slowly taking shape in the lethargy of the Beaux-Arts. Pop culture, in its spontaneity and in its lack of self-control, takes over everything and breaks down all codes, groups and borders. Art is free from all constraints and analysis. Guela is there at the right time, in the right place, with the right people. The Holy Trinity, as he likes to repeat. These crazy years are an ecstatic playground for his artistic instincts. Guela paints on everything: papers, canvases or newspapers. His grand formats are at the scale of his silhouette; he leaves the Beaux-Art and joins the first squats in the nineteenth arrondissement of Paris, notably the Quai de Seine workshop, which he shares with Remy Blanchard and Vincent Scali. These are the years of Ben, of the Di Rosa brothers, of Robert Combas and François Boisrond. Art for everyone, and party for all. Guela follows his intuitions to Ibiza and Barcelona from 1987 to 1993, where he works at the Casa Caritad, which will later become the city's Museum of Modern Art. This colorful and collective delight contrasts with the dark anxieties of our time. Contrary to the widespread dystopia, it was then the utopia that reigned! New York is its epicenter, shaped by Basquiat and Keith Haring. Guela lives there from 1993 to 1998, including several years at the legendary Chelsea Hotel, of which he covers the walls and furniture with Georgian calligraphy. This is where his simplistic, black, and loving figures were born, later becoming his trademark and one of the symbols of Batumi. It was precisely at the end of the 90s that his desire to build bridges between his native country and France became deeper. The Soviet Union died in a burst of freedom, and the Georgians slowly come out of a fratricidal war, fueled by Russia. Georgia needs love, so Guela replaces the flag’s crosses with hearts, following the 2003 Rose Revolution. Since then, convinced that art is the answer to the stress that is still plaguing Georgia, Guela multiplies projects for exhibitions, partnerships, festivals and art centers. He brings several French artists to the Garikula Residency, including Jean Dupuy...

This is a painting from my architectural series of works. In this particular painting I tried to capture a graphic and simple use of colour by keeping the colours neutral and modern....

HelioBray's latest work, titled "This must be Illegal," is a stunning fusion of his urban intervention style and the intricacies of composite paint. The piece showcases the artist's ...

"Submerged" Abstract Mixed Media Painting 67" x 149" inch by Ahmed Farid mixed media on canvas Born in Cairo, Egypt, in 1950 where he currently lives and works, Farid is an autodid...

This is a painting from my modernist pool series of paintings. In this particular painting I loved the shape of the kidney shaped pool and I placed the olive trees surrounding the architectural modern home in a group of three. Painting and landscaping the garden with cacti and hedges give the painting its unique colourful landscape. Contrasting the straight lines of the architecture to the soft lines of the plants and fauna give this painting an interesting focus. Karen Lynn is available at Wychwood Art. Karen is an increasingly collectable figurative artist whose work is inspired by the glamour and appeal of the 40's, 50's and 60's; an era that Christian Dior described as the 'Golden Age' of fashion. Stylistically, Lynn's work has been compared to Hopper and Hockney. Initially training as a fashion designer, Lynn worked as a costumier for the English National Opera before successfully switching into set design, working for many years on a number of iconic feature films, before moving into television and commercials. In 2001, Lynn turned her attentions to painting in oils. Her wide experience of designing for film, television and theatre provides her with a unique and contemporary viewpoint; not surprisingly, her work has been snapped up by collectors both here and in the US. Lynn's detailed drawing is complemented by the use of bold strokes, often consisting of colourful and varied characters. Vila Olivos...

"Untitled 5" Painting 102" x 102" inch by GUELA TSOULADZE Oil painting on oilcloth canvases. ABOUT THE ARTIST: Nomad from birth, Guela Tsouladzé was born on November 8, 1959 in Tbilisi, Georgia, from a French mother and a Georgian father. His father was one of the first Georgian psychanalyst; but working with the conscient and subconscient of the homo sovieticus was a disputed occupation, criticized by the soviet ideology. Therefore, it required a significant dose of audacity; it’s in this context of insubordination and freedom, that Guela tirelessly repeats that he will be an artist, without ever having painted anything. The father thus commissioned his first work: a black dot on the ceiling of his office, which his patients would fix during the sessions. The gateway to hypnosis, and the artist’s future signature. Perhaps Guela's innate sense of daring and escapism comes from there; these two themes are till today reflected in his works. Guela grows up in a surreal artistic universe, between France and Georgia, inspired in particular by Pirosmani, the brothers Zdanevitch and Salvador Dali, whom he met shortly before his death in 1981 at Portiligat Cadaques, and surrounded by the filmmaker Paradjanov, a friend of the Tsouladze family. He begins his studies at the Fine Arts on Tbilisi in 1977, but the ultimate horizon is Paris. He joins the Art Décoratifs from 1980 to 1983 and then the Beaux-Arts from 1983 to 1985. He becomes the assistant of Christian Boltanski, whom he follows from exhibition to exhibition. In France, the 80s are colorful years, wild like a Fauvist painting. Art comes out of museums and gives birth to the free figuration, an elusive movement, which was slowly taking shape in the lethargy of the Beaux-Arts. Pop culture, in its spontaneity and in its lack of self-control, takes over everything and breaks down all codes, groups and borders. Art is free from all constraints and analysis. Guela is there at the right time, in the right place, with the right people. The Holy Trinity, as he likes to repeat. These crazy years are an ecstatic playground for his artistic instincts. Guela paints on everything: papers, canvases or newspapers. His grand formats are at the scale of his silhouette; he leaves the Beaux-Art and joins the first squats in the nineteenth arrondissement of Paris, notably the Quai de Seine workshop, which he shares with Remy Blanchard and Vincent Scali. These are the years of Ben, of the Di Rosa brothers, of Robert Combas and François Boisrond. Art for everyone, and party for all. Guela follows his intuitions to Ibiza and Barcelona from 1987 to 1993, where he works at the Casa Caritad, which will later become the city's Museum of Modern Art. This colorful and collective delight contrasts with the dark anxieties of our time. Contrary to the widespread dystopia, it was then the utopia that reigned! New York is its epicenter, shaped by Basquiat and Keith Haring. Guela lives there from 1993 to 1998, including several years at the legendary Chelsea Hotel, of which he covers the walls and furniture with Georgian calligraphy. This is where his simplistic, black, and loving figures were born, later becoming his trademark and one of the symbols of Batumi. It was precisely at the end of the 90s that his desire to build bridges between his native country and France became deeper. The Soviet Union died in a burst of freedom, and the Georgians slowly come out of a fratricidal war, fueled by Russia. Georgia needs love, so Guela replaces the flag’s crosses with hearts, following the 2003 Rose Revolution. Since then, convinced that art is the answer to the stress that is still plaguing Georgia, Guela multiplies projects for exhibitions, partnerships, festivals and art centers. He brings several French artists to the Garikula Residency, including Jean Dupuy...

Time to Come Home by Mary Scott [2022] original Oil and Cold Wax on Cradled Panel Image size: H:36 cm x W:36 cm Complete Size of Unframed Work: H:36 cm x W:36 cm x D:2cm Frame Size: H:43 cm x W:43 cm x D:3cm Sold Framed Please note that insitu images are purely an indication of how a piece may look Time to Come Home is an original work by Mary Scott. This painting is an expressive abstract inspired by the dark sea in winter and the place we call home, wherever it is. Painted dominantly in ‘Prussian blue’, it was created with many layers of oil and cold wax with much scraping back and mark making into previous layers to develop depth of texture and an ancient feel about parts of the surface. The work will be framed in a dark blue tray...

An original painting made from crushed minerals (natural and synthetic, including semi-precious stones) and crushed oyster shells on Japanese paper, mounted on a wood panel. Because these substances consist of unique chemical and physical properties, every artwork has its own story to tell and embodies a sense of connection to the earth. It has a matt and rich sand-like texture. This painting is a recollection of two incompatible memories that are deeply engraved in the artist's identity. She depicted the floor of Galerie d'Apollon in the Louvre, a place where she used to spend hours every time she get to visit since 12 years old. She covered its floor with Tatami mats, symbolizing her grandfather's house, where she spent her early childhood. The fluorescent line running through the center, sharing light and shadow from left to right, represents a time axis that continues into the future. She attempts to preserve its identity, time, and memory by providing an abstract concept a physical form. This painting is the second of the 'Time's Arrow' series. The title “Time’s arrow” is a concept developed in 1927 by the British astrophysicist Arthur Eddington, positing the one-way direction of time. In mint condition, Certificate of Authenticity included and calligraphy seal in front, hand-signed at the back. Sold unframed and ready to hang (eye bolt and string mounted at the back). Artist: Maria Mitsumori...

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) April, 1965 Oil on canvas Signed lower left 30 x 24 inches Joseph O'Sickey, born in D...

Kenny Harris is represented by George Billis Gallery NYC. The artist has traveled around the world, painting on location. He is fascinated with subtle light effects and expressive p...

Maggie LaPorte Banks When I Dream I Dream of You Original Abstract Painting Acrylic Paint, Raw Pigment, Carborundum, and Sand on Canvas Canvas Size: H: 50cm x W: 50cm x D: 2cm Sold U...

Claude Le Sauteur, Canadian, 1926-2007 LES OMBRES (THE SHADOWS) Oil on canvas 10 x 12 in Signed and dated lower left; signed and titled verso framed