Derek Buckner

Nest

Thompson's oil paintings of neon signage explore his appreciation for how these hand-made signs are built. This may be a result of the many years he spent as an equipment engineer in...

Represented by George Billis Gallery, NYC & LA -- I paint the reality of the Southern California environment: how structures once revered for their groundbreaking ideas in design and...

Having spent many years as a photographer, Matt Condron is trained to recognize the importance of a moment or the preciousness of a fleeting opportunity. He is captivated by the ide...

Having spent many years as a photographer, Matt Condron is trained to recognize the importance of a moment or the preciousness of a fleeting opportunity. He is captivated by the ide...

Having spent many years as a photographer, Matt Condron is trained to recognize the importance of a moment or the preciousness of a fleeting opportunity. He is captivated by the idea of emptiness, as both a suggestion of solitude and as a state rife with the possibility of change and fulfillment. As a painter, he seeks out familiar, evocative scenes and concentrates on capturing the stillness of an empty room or vacant chair. His paintings can be seen as solitary, or as simply aberrant pauses between moments of frantic activity. The works are imbued with a quality of light that brings simple, content-rich objects into sharp focus. Condron attempts to establish not so much a connection to a chair or a room, but the feeling created by the wide embrace of emptiness. Ultimately, Condron creates scenes - part representation of real places, part invention from deep in his mind. The openness of his works invites the viewer to share the moment of quiet with him. By choosing places that seem to have been abruptly vacated, he attempts to awaken a connection to the moment before, or to the quietude he preserves inside himself in the form of memories. Matt Condron was born in 1967 in Simi Valley...

Having spent many years as a photographer, Matt Condron is trained to recognize the importance of a moment or the preciousness of a fleeting opportunity. He is captivated by the idea of emptiness, as both a suggestion of solitude and as a state rife with the possibility of change and fulfillment. As a painter, he seeks out familiar, evocative scenes and concentrates on capturing the stillness of an empty room or vacant chair. His paintings can be seen as solitary, or as simply aberrant pauses between moments of frantic activity. The works are imbued with a quality of light that brings simple, content-rich objects into sharp focus. Condron attempts to establish not so much a connection to a chair or a room, but the feeling created by the wide embrace of emptiness. Ultimately, Condron creates scenes - part representation of real places, part invention from deep in his mind. The openness of his works invites the viewer to share the moment of quiet with him. By choosing places that seem to have been abruptly vacated, he attempts to awaken a connection to the moment before, or to the quietude he preserves inside himself in the form of memories. Matt Condron was born in 1967 in Simi Valley...

This elegant and rare still life of red roses is by one of America's finest still life artists. It is framed in a fine Empire style 24 karat gilded and carved frame. Roses in a Copper Bowl represents the pinnacle of still life painting as Carlsen has described it above. Before painting marine landscapes, Carlsen was first known as one of the finest still-life painters of his era. Painted in 1893 during Carlsen’s period in New York, this canvas also draws comparisons to the work of John LaFarge, John White Alexander...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...