Oil Interior Paintings

Pocket Autumn Leaf Collection (Pinky Ochre) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with ...

Pocket White Anemone is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque still ...

English painter (20th century) - Vase of flowers. 61 x 48 cm without frame, 76.5 x 66.5 cm with frame. Ancient oil painting on hardboard, in carved and lacquered wooden frame. - W...

This painting would look amazing in a modern kitchen. Please see accompanying video. One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing. Because you cannot appreciate it on a computer screen, our gallery has a unique policy. When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final. If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it. They are stuck with it. By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Mark Schiff -- Animated by photographs that reflect his personal life, Mark Schiff’s paintings are fueled by what makes him happy. Through his open touch and signature blending method, he lends his artistic perception to the original photographic compositions captured on his Leica. Mark’s creative vision has been alive since he was a boy. As a child he spent his summers observing life as he rode the trolley back and forth to art classes at the Pratt Institute. During his future travels to Europe, Mark’s eye for light and photography merged with his passion for painting at the Jeu de Paume in Paris; which triggered his career in photorealism. Mark is well known for painting objects that people can identify and emotionally connect with. His work is distinctly marked by a rich palette and the luminous range of light he paints into his compositions. Each painting is a true extension of his vision and can take up to 200 hours to complete. Mark Schiff’s work has been commissioned by the well-known brands The Hershey Company and Tropicana. His private collectors include A-list celebrities and also corporate collectors in the US and abroad. Possessing a strong philanthropic nature, Mark donates both his time and works to charitable organizations such as Big Brothers Big Sisters, The Ronald McDonald House, Make-A-Wish Foundation, The Humane Society and the Special Olympics...

The color palette of this painting is vibrant and varied, using shades of blue, red, yellow, white, beige, and black. The colors are applied in broad, flat areas, creating a striking...

This exquisite floral still life, likely created in the late 17th century, is attributed to a follower of Daniel Seghers. The painting showcases a vivid arrangement of various flower...

Carol Stewart Zinnias and Diebenkorn oil on paper on panel 10.50h x 11w x 1.50d in 26.67h x 27.94w x 3.81d cm CST013 Through her ethereal and often dreamlike paintings Carol Stewart...

Pocket Very Ripe Strawberry is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque...

Carol Stewart Morning Glory, Clementine oil on paper on panel 8h x 8w x 1.50d in 20.32h x 20.32w x 3.81d cm CST016 Through her ethereal and often dreamlike paintings Carol Stewart i...

Carol Stewart Calomondin. Nasturtium, Birds oil on paper on panel 36h x 24w x 1.50d in 91.44h x 60.96w x 3.81d cm CST014 Through her ethereal and often dreamlike paintings Carol Ste...

Carol Stewart Still Life with Green Parrot oil on paper on panel 24h x 24w x 1.75d in 60.96h x 60.96w x 4.45d cm CST018 Through her ethereal and often dreamlike paintings Carol Stew...

Carol Stewart Nasturtiums and Patterns oil on paper on panel 40h x 30w x 1.50d in 101.60h x 76.20w x 3.81d cm CST017 Through her ethereal and often dreamlike paintings Carol Stewart...

Carol Stewart September Patterns oil on paper on panel 12h x 12w x 1.50d in 13.25h x 13.25w x 2d inches (framed) 33.66h x 33.66w x 5.08d cm CST015 Through her ethereal and often dre...

The work captures the energy and vitality of an artist's studio, transforming this creative space into a mosaic of colors and shapes. The juxtaposition of vivid hues and thick textur...

Signed still life oil on canvas circa 1936 by French cubist painter Jean Metzinger. The work depicts two peaches, a knife, four sugar cubes, a glass of red wine, a small red notebook...

Large 20th Century Still Life Oil Painting (unsigned) circle of Emilio Greco (Italian, born 1932) Very nice gilded frame with Arched panels. 72" x 40". Very attractive wall filler.

In creating this piece, I embraced the raw emotions of expressionism, channeled through the spontaneity of abstract forms. I layered acrylic using lack to set contrasts—capturing the...

Geometric trompe l'oeil, oil on canvas, measurements 100 x 100 x 3 cm. By Danish artist Peter Kramer, who creates an optical illusion on the canvas through his meticulous brush strok...

"Orbit II" Abstract Oil Painting 32" x 47" inch by Ashraf Zamzami Ashraf El Zamzami was a graduate of the Academy of Fine Arts in Minya, and he fast made a name for himself in the l...

"Orbit I" Abstract Oil Painting 32" x 47" inch by Ashraf Zamzami Ashraf El Zamzami was a graduate of the Academy of Fine Arts in Minya, and he fast made a name for himself in the lo...

Ture Ander (1881-1959) Sweden A Bouquet of Digitalis, Poppy, Iris, Snapdragons, Cornflower, Buttercup. 1936 oil on board signed and dated Ture Ander 36 board dimensions 24,41 x 18,...

Tina Figarelli is a classically trained artist whose favorite subject matter in her artwork is ideas with a strong narrative. Tina leaves the viewer hints about the story in the piec...

"Untitled 3.23" Abstract Oil Painting 77" x 53" inch by Gayatri Gamuz This artwork ships rolled in a tube due to its size In search of silence, in search of the self. Her work eme...

Large Surrealist Abstract, Yellow, Original Oil Painting By French artist, Sophie Danielle Rubinstain 1922-2018 The painting is stamped with the artis...

"Cactus Miniature II" Oil Painting 12" x 10" inch by Mohamed Abla Mohamed Abla was born in Mansoura (North of Egypt) in 1953. There he spent his chil...

"Cryptic II" Abstract Painting 20" x 28" inch (1965) by Zaccaria Zeini Medium: oil on celotex Signed and dated Zaccaria El Zeini (1932 - 1993) was ra...

"Tailor" WPA American Scene Social Realism Modernism Mid Century Modern Fashion The board measures 9 1/2 x 15 1/2. Provenance: Mervin Jules Estate. Bio A painter, illustrator, pri...

"Ceremony" Abstract Oil Painting 39" x 59" in by Muzaffar Abdullaev ABOUT: He was born in 1953 in Bukhara, where he lives and works. Boasting forty years of experience, the artist...

"Passage I" Abstract Painting 51" x 39" inch by Ahmed Farid Born in Cairo, Egypt, in 1950 where he currently lives and works, Farid is an autodidact Egyptian painters who trained p...

"Saint” Oil Painting 53" x 27.5" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon ...

Industrial Mid-20th Century WPA Modern Men Working American Scene Social Realism George Pearse Ennis (American, 1884-1936) "Forging a Gun Tube #1...

"Untitled 7" Painting 102" x 102" inch by GUELA TSOULADZE Oil painting on oilcloth canvases. ABOUT THE ARTIST: Nomad from birth, Guela Tsouladzé was born on November 8, 1959 in Tbilisi, Georgia, from a French mother and a Georgian father. His father was one of the first Georgian psychanalyst; but working with the conscient and subconscient of the homo sovieticus was a disputed occupation, criticized by the soviet ideology. Therefore, it required a significant dose of audacity; it’s in this context of insubordination and freedom, that Guela tirelessly repeats that he will be an artist, without ever having painted anything. The father thus commissioned his first work: a black dot on the ceiling of his office, which his patients would fix during the sessions. The gateway to hypnosis, and the artist’s future signature. Perhaps Guela's innate sense of daring and escapism comes from there; these two themes are till today reflected in his works. Guela grows up in a surreal artistic universe, between France and Georgia, inspired in particular by Pirosmani, the brothers Zdanevitch and Salvador Dali, whom he met shortly before his death in 1981 at Portiligat Cadaques, and surrounded by the filmmaker Paradjanov, a friend of the Tsouladze family. He begins his studies at the Fine Arts on Tbilisi in 1977, but the ultimate horizon is Paris. He joins the Art Décoratifs from 1980 to 1983 and then the Beaux-Arts from 1983 to 1985. He becomes the assistant of Christian Boltanski, whom he follows from exhibition to exhibition. In France, the 80s are colorful years, wild like a Fauvist painting. Art comes out of museums and gives birth to the free figuration, an elusive movement, which was slowly taking shape in the lethargy of the Beaux-Arts. Pop culture, in its spontaneity and in its lack of self-control, takes over everything and breaks down all codes, groups and borders. Art is free from all constraints and analysis. Guela is there at the right time, in the right place, with the right people. The Holy Trinity, as he likes to repeat. These crazy years are an ecstatic playground for his artistic instincts. Guela paints on everything: papers, canvases or newspapers. His grand formats are at the scale of his silhouette; he leaves the Beaux-Art and joins the first squats in the nineteenth arrondissement of Paris, notably the Quai de Seine workshop, which he shares with Remy Blanchard and Vincent Scali. These are the years of Ben, of the Di Rosa brothers, of Robert Combas and François Boisrond. Art for everyone, and party for all. Guela follows his intuitions to Ibiza and Barcelona from 1987 to 1993, where he works at the Casa Caritad, which will later become the city's Museum of Modern Art. This colorful and collective delight contrasts with the dark anxieties of our time. Contrary to the widespread dystopia, it was then the utopia that reigned! New York is its epicenter, shaped by Basquiat and Keith Haring. Guela lives there from 1993 to 1998, including several years at the legendary Chelsea Hotel, of which he covers the walls and furniture with Georgian calligraphy. This is where his simplistic, black, and loving figures were born, later becoming his trademark and one of the symbols of Batumi. It was precisely at the end of the 90s that his desire to build bridges between his native country and France became deeper. The Soviet Union died in a burst of freedom, and the Georgians slowly come out of a fratricidal war, fueled by Russia. Georgia needs love, so Guela replaces the flag’s crosses with hearts, following the 2003 Rose Revolution. Since then, convinced that art is the answer to the stress that is still plaguing Georgia, Guela multiplies projects for exhibitions, partnerships, festivals and art centers. He brings several French artists to the Garikula Residency, including Jean Dupuy...

"Untitled 6" Painting 102" x 102" inch by GUELA TSOULADZE Oil painting on oilcloth canvases. ABOUT THE ARTIST: Nomad from birth, Guela Tsouladzé was born on November 8, 1959 in Tbilisi, Georgia, from a French mother and a Georgian father. His father was one of the first Georgian psychanalyst; but working with the conscient and subconscient of the homo sovieticus was a disputed occupation, criticized by the soviet ideology. Therefore, it required a significant dose of audacity; it’s in this context of insubordination and freedom, that Guela tirelessly repeats that he will be an artist, without ever having painted anything. The father thus commissioned his first work: a black dot on the ceiling of his office, which his patients would fix during the sessions. The gateway to hypnosis, and the artist’s future signature. Perhaps Guela's innate sense of daring and escapism comes from there; these two themes are till today reflected in his works. Guela grows up in a surreal artistic universe, between France and Georgia, inspired in particular by Pirosmani, the brothers Zdanevitch and Salvador Dali, whom he met shortly before his death in 1981 at Portiligat Cadaques, and surrounded by the filmmaker Paradjanov, a friend of the Tsouladze family. He begins his studies at the Fine Arts on Tbilisi in 1977, but the ultimate horizon is Paris. He joins the Art Décoratifs from 1980 to 1983 and then the Beaux-Arts from 1983 to 1985. He becomes the assistant of Christian Boltanski, whom he follows from exhibition to exhibition. In France, the 80s are colorful years, wild like a Fauvist painting. Art comes out of museums and gives birth to the free figuration, an elusive movement, which was slowly taking shape in the lethargy of the Beaux-Arts. Pop culture, in its spontaneity and in its lack of self-control, takes over everything and breaks down all codes, groups and borders. Art is free from all constraints and analysis. Guela is there at the right time, in the right place, with the right people. The Holy Trinity, as he likes to repeat. These crazy years are an ecstatic playground for his artistic instincts. Guela paints on everything: papers, canvases or newspapers. His grand formats are at the scale of his silhouette; he leaves the Beaux-Art and joins the first squats in the nineteenth arrondissement of Paris, notably the Quai de Seine workshop, which he shares with Remy Blanchard and Vincent Scali. These are the years of Ben, of the Di Rosa brothers, of Robert Combas and François Boisrond. Art for everyone, and party for all. Guela follows his intuitions to Ibiza and Barcelona from 1987 to 1993, where he works at the Casa Caritad, which will later become the city's Museum of Modern Art. This colorful and collective delight contrasts with the dark anxieties of our time. Contrary to the widespread dystopia, it was then the utopia that reigned! New York is its epicenter, shaped by Basquiat and Keith Haring. Guela lives there from 1993 to 1998, including several years at the legendary Chelsea Hotel, of which he covers the walls and furniture with Georgian calligraphy. This is where his simplistic, black, and loving figures were born, later becoming his trademark and one of the symbols of Batumi. It was precisely at the end of the 90s that his desire to build bridges between his native country and France became deeper. The Soviet Union died in a burst of freedom, and the Georgians slowly come out of a fratricidal war, fueled by Russia. Georgia needs love, so Guela replaces the flag’s crosses with hearts, following the 2003 Rose Revolution. Since then, convinced that art is the answer to the stress that is still plaguing Georgia, Guela multiplies projects for exhibitions, partnerships, festivals and art centers. He brings several French artists to the Garikula Residency, including Jean Dupuy...

"Untitled 1.22" Abstract Oil Painting 78" x 54" inch by Gayatri Gamuz This artwork ships rolled in a tube due to its size In search of silence, in search of the self. Her work eme...

"Submerged" Abstract Mixed Media Painting 67" x 149" inch by Ahmed Farid mixed media on canvas Born in Cairo, Egypt, in 1950 where he currently lives and works, Farid is an autodid...

“STUDY #7 POLYCHROME” Abstract Constructive Painting of 35" x 35" inches, Mixed Technique. Oil on canvas done with professional Rembrandt and Winsor & Newton colors, protected with g...

"Untitled 3" Painting 102" x 102" inch by GUELA TSOULADZE Oil painting on oilcloth canvases. ABOUT THE ARTIST: Nomad from birth, Guela Tsouladzé was born on November 8, 1959 in Tbilisi, Georgia, from a French mother and a Georgian father. His father was one of the first Georgian psychanalyst; but working with the conscient and subconscient of the homo sovieticus was a disputed occupation, criticized by the soviet ideology. Therefore, it required a significant dose of audacity; it’s in this context of insubordination and freedom, that Guela tirelessly repeats that he will be an artist, without ever having painted anything. The father thus commissioned his first work: a black dot on the ceiling of his office, which his patients would fix during the sessions. The gateway to hypnosis, and the artist’s future signature. Perhaps Guela's innate sense of daring and escapism comes from there; these two themes are till today reflected in his works. Guela grows up in a surreal artistic universe, between France and Georgia, inspired in particular by Pirosmani, the brothers Zdanevitch and Salvador Dali, whom he met shortly before his death in 1981 at Portiligat Cadaques, and surrounded by the filmmaker Paradjanov, a friend of the Tsouladze family. He begins his studies at the Fine Arts on Tbilisi in 1977, but the ultimate horizon is Paris. He joins the Art Décoratifs from 1980 to 1983 and then the Beaux-Arts from 1983 to 1985. He becomes the assistant of Christian Boltanski, whom he follows from exhibition to exhibition. In France, the 80s are colorful years, wild like a Fauvist painting. Art comes out of museums and gives birth to the free figuration, an elusive movement, which was slowly taking shape in the lethargy of the Beaux-Arts. Pop culture, in its spontaneity and in its lack of self-control, takes over everything and breaks down all codes, groups and borders. Art is free from all constraints and analysis. Guela is there at the right time, in the right place, with the right people. The Holy Trinity, as he likes to repeat. These crazy years are an ecstatic playground for his artistic instincts. Guela paints on everything: papers, canvases or newspapers. His grand formats are at the scale of his silhouette; he leaves the Beaux-Art and joins the first squats in the nineteenth arrondissement of Paris, notably the Quai de Seine workshop, which he shares with Remy Blanchard and Vincent Scali. These are the years of Ben, of the Di Rosa brothers, of Robert Combas and François Boisrond. Art for everyone, and party for all. Guela follows his intuitions to Ibiza and Barcelona from 1987 to 1993, where he works at the Casa Caritad, which will later become the city's Museum of Modern Art. This colorful and collective delight contrasts with the dark anxieties of our time. Contrary to the widespread dystopia, it was then the utopia that reigned! New York is its epicenter, shaped by Basquiat and Keith Haring. Guela lives there from 1993 to 1998, including several years at the legendary Chelsea Hotel, of which he covers the walls and furniture with Georgian calligraphy. This is where his simplistic, black, and loving figures were born, later becoming his trademark and one of the symbols of Batumi. It was precisely at the end of the 90s that his desire to build bridges between his native country and France became deeper. The Soviet Union died in a burst of freedom, and the Georgians slowly come out of a fratricidal war, fueled by Russia. Georgia needs love, so Guela replaces the flag’s crosses with hearts, following the 2003 Rose Revolution. Since then, convinced that art is the answer to the stress that is still plaguing Georgia, Guela multiplies projects for exhibitions, partnerships, festivals and art centers. He brings several French artists to the Garikula Residency, including Jean Dupuy...

"Orange Robe” Oil Painting 53" x 27.5" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the ...

"Three Graces” Oil Painting 47" x 47" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long wh...

"Arabian Cafe I” Oil Painting 47" x 47" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the...

Religious Painting, depicting Madonna and the Child, surrounded by Angels by the Circle of Carlo Maratta (Maratti). This painting is wonderful example of...

“Late Night at The Studio” by Catherine Picard-Gibbs is an Expressionist interior factory scene in a palette of teal-blue and yellow. This evocative 18 x 24 inch oil on panel painting focuses on light pouring out from the haunting depths of an empty hallway. This textural artwork is framed in a silver crackle floater frame with a black interior, making the framed size 19 x 25 x 1.5 inches. Catherine Picard-Gibbs paints with bold brush strokes, using vibrant colors to show emotion and movement in landscapes and urban scenes. Her inspiration comes from the nuance and drama of her everyday world. Her evocative works have been featured throughout Massachusetts, in New York, and in the Midwest. Picard-Gibbs is represented by Fountain Street Gallery...

Roses by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on artist paper, unframed measures: 14.5 high by 12 inches wide condition: overal...

Dear art lover, I enjoy working on floral and nature compositions. This one was inspired by my trip to St Remy de Provence ( south of France) , the village where Vincent Van Gogh li...

Interior, still life, young girl IGOR SMEKALOV 1965 He was born in Orenburg, where he lives and works. 1984 He graduated in Art. 1990-1995 He regularly met in Pasmurovo, near ...

Signed lower left 'Nura' for Nura Woodson Ulreich (American, 1899–1950). Additionally signed, verso, dated March 1928 with artist's New York City ...

Victor Di Gesu (American, 1914-1988) estate stamp, verso, and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and the C...

Irises by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on canvas, unframed measures: 24 high by 15 inches wide condition: overall very...

I poured my soul into the vibrant hues of this piece, where each brushstroke embodies the essence of life's fervor. The flamingos, resplendent in acrylic and oil, are a dance of colo...

The White Horse in the Stable English School, indistinctly signed lower right dated 1842 signed, oil on canvas, framed framed: 24 x 29 inches canvas : 21.5 x 26.5 inches provenance: ...

This superb Scottish 1940's portrait oil painting is by noted artist Murray Urquhart. He has been described by one of his sons as obsessed with painting, to the exclusion of most oth...

Pocket Dark Blue Sloes is an original still-life painting by artist Dani Humberstone. This painting is a small scale renaissance inspired still life in a photorealistic style and sol...

This oil painting makes part of my series dedicated to the scenes of a summer period. This abstract vibrant floral painting called "Vase with pink roses...

This lovely British Victorian oil painting is by noted artist John Eaton Walker. Painted circa 1855 it is portrait in an interior of a beautiful young woman in a yellow satin dress. ...

Pocket Ripe Red Pomegranate is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque...

Blue Shadows is an original Painting by Eleanor Woolley. Blue Shadows is one of a series of shadow paintings interested in light, shade and shadow. The artist is exploring the relati...

Pocket Autumn Leaf Collection #2 (Naples Yellow) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, ...

Pocket Yellowy Orange Clementine is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to ba...