Paint Interior Paintings

Title : Abstract 22142 Technique: Acrylic & structure on canvas 80cm. x 60cm. 4cm Deep Professional Gallery Stretched Canvas Ready to hang 2022 ---------------------------...

Roger Bonafe (French b. 1932) signed oil painting on thick art paper, inscribed verso Size 29.75 x 20 inches Bonafe was born in the town of Caux (Her...

There’s something ethereal, almost magical, about contemporary paintings. The incredible Expressionism bleeds through the canvas, transforming any room into an entirely new experienc...

Metaphysical landscape. 2018, canvas, oil. 80x120 cm Abstract composition in earth colors Igor Leontiev (1957) - one of the leading independent painters in Latvia Born in Riga, Latvia. Studied in the Art School of Rozental, the Latvian Academy of Arts and private studios of the famous painters and teachers Abram Bikov and Vitaly Karkunov. Participates in exhibitions since 1987. Awards: 1991 – One of the main grants at the International Art Project «Golden Brush» at the Central Painters' House, Moscow, Russia Solo Shows: 2008- Gallery "Antonia", Riga. exhibition "Dream City" 2002 – Open exhibition “Genesis” Austria, Vienna 2002 - «Painting», Blackhead's House, Riga (printed brochure) 2000 - Personal exhibition in Austria, Vienna “Gallery Atelier T” 2000 – Personal exhibition in Riga, Latvia 2000 - Institute of Practical Psyhogy, Riga (printed brochure) 2001 - Gallery «AtelierT», Vienna, Austria 1998 – Joined exhibition with N.Bessonova «Garant», Vienna, Austria 1998 - Gallery «Nelliya», Riga 1998 - Co-project with N.Bessonova «Birds and Fish», Gallery «Nelliya», Riga 1997 - Gallery «Dzintars», Riga 1997 - Insurance Company «New Re» Gallery, Geneva, Switzerland 1997 - Gallery «Rigas Vini», Riga 1997 - Gallery «Goldshidhaus», Gilzenkirken, Germany, with N.Bessonova 1996 – Personal exhibition in “Rigas vini” Gallery, Riga 1996 - Gallery «Sofia», Gilzenkirken, Germany 1991 - Russian Culture Fund, Riga 1991 – Last personal exhibition in Riga Group Shows: 2007 - Museum der stad Bad Ischl”Genesis2000” 2007 -“Art Innsbruck” International Messe. 2004 - Showcase of Latvian painters dedicated to Latvia joining the EU, museum «Horst Shloss», Germany 2004 - «Hungary by the Latvian Painters», Moscow House, Riga 2003 - «Autumn-2003», Latvian State Art Museum 2003 - Autumn exhibitions of Latvian Painters, Gallery «Nelliya», Riga 2003 - «Abstract Art in Latvian Painting», Latvian State Art Museum 2000-2006 - International Project dedicated to the Book «Genesis», Austria 2002 - «Autumn», Latvian State Art Museum 1999 - Participation in exhibition “Gold of Russian Art” Austria, Vienna, “Gallery Atelier T” 1999 – Participation in projects “Genesis” Austria, Vienna, “Gallery Atelier T” 1997 - «Art Expo» New York, USA 1996 - «Art of the Chosen Ones», Latvian State Art Museum «Arsenal» 1995 - «Surrealism in Works of Latvian Painters», Russian Culture Fund, Riga 1994 - «Christmas Exhibition», Embassy of Poland in Latvia, Riga 1993 - «Art of the Russian Painters», Embassy of Russia in Latvia, Riga 1993 - «Golden Brush», Central Painters' House, Moscow, Russia 1993 - «Latvian Painters», Gallery «Sofia», Germany 1992 – sept.,Oct. – exhibition in Baad Goseberg, Germany 1992 - «Artmyth», International Art Festival, Manezh, Moscow, Russia 1992 - «Latvian Art», Berlin, Germany 1991 – «Reshaping», exhibition in Moscow 1991 - «Golden Brush», Central Painters' House, Moscow, Russia 1991 - «Transformation», Youth Palace, Moscow, Russia 1991 - «Latvian Painters», Belver, Germany 1989 - «Artcontact» National Art Project, Culture House of Railroad workers, Riga 1989 - «Artist and Religion», Riga - Moscow 1988 - «Free Art», Rigas Modes, Riga 1987 - First exhibition with painters A.Alekperov and G.Huckivadze in the Culture House of Railroad workers, Riga Auctions: 2002 - «Doroteum» Vienna, Austria - paintings «Russian Art» and «Portrait of Olga...

Small in Size; Big on Impact: Discover the Charm of this fabulous petite original art piece. About "Serendipity!": Step into the Serendipitous magic of "Serendipity!" - A jubilant...

This painting evokes a mysterious and captivating atmosphere with a blue background that envelops the scene in intriguing shadow. The lines, skillfully drawn, traverse the compositio...

abstract "A suspended moment" triptych acrylic vegetable wood panel 100x210cm a calm weather, a time to relax, to rejuvenate like a walk along the beach of sand and granite

This 40" x 40" oil on masonite panel by artist Marc Barker was painted in charcoal and sepia tones, and was created in an 'old world' grisaille style. "This monochromatic abstract harkens back to my collegiate studies, and as a graduate student teaching zoology with the hours spent staring into a microscope mystified by the primordial world just out of site, a bacterial/protozoan cloud chamber...

In this creation, I embraced the serenity of the ocean and the expanse of the sky, merging them into a peaceful horizon that invites contemplation. Using layers of oil, I crafted a m...

"History of a Freedom" is an abstract painting distinguished by its texture and layers of color. Dominated by earth tones, the piece is complemented by flashes of green, orange, blu...

Nature VS Landscape Work composed of a wooden frame supported by a high-quality cotton fabric. This oversized painting is a vibrant and energetic work of art that draws the viewer'...

Artist: Kera Geometric abstraction, contemporary painting in yellow, pink, blue Medium: Acrylics and spraypaint on wood, framed in thin wood frame. Size: 90 x 180 cm Original p...

"Flower Garden and Nature" is a vibrant explosion of color and energy, created with enamel and acrylic using the action motion technique, evoking the unmistakable style of Jackson Po...

Sand game 1. 2023, canvas, oil, collage, 50x40 cm Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona graduated Riga art school, Latvian University, receiving a visual...

"Santa Fe: Blue Red Yellow Abstract Oil Painting" Step into the enchanting realm of "Santa Fe," a captivating abstract oil painting that ...

Tango Passion, is an abstracted art work, multi layered and impasto textured with elements of printmaking. It is oil and acrylic on canvas. Discover beautiful artwork by Maggie LaPor...

"Architectural Fantasies" is a 40" x 30" gouache on paper, abstract painting of geometric shapes and forms, giving the illusion of a three dimensional, architectural structure. Born...

About "Bubble Boogie!": Small in Size; Big on Impact: Discover the Charm of this fabulous petite original art piece. This vibrant small beauty bursts with energy, as dazzling re...

Red tango. 2018, oil on canvas, 100x120 cm Abstract composition in red colors Igor Leontiev (1957) - one of the leading independent painters in Latvia ...

In this vibrant fusion of acrylic, oil, and colored pencil, I embraced the chaos and harmony of urban life. The abstract strokes and impressionist touches express the city's pulsatin...

Diamonds. 2024. Linen canvas, oil, modular artwork 4 pcs. - 80x80 cm; total size 160x160 cm Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona graduated Riga art scho...

This painting evokes a mysterious and captivating atmosphere with a whit background that envelops the scene in intriguing shadow. The lines, skillfully drawn, traverse the compositio...

Psychedelic Abstract Interior in Oil on Paper Moody abstract by Jennie T. Rafton (American, b. 1925). There is a figure in the upper left corner of this piece, looking out over the scene. There appear to be architectural elements such as windows, doors, and stairs, but the composition is highly abstracted, bordering on psychedelic. Of particular note are the symbols inscribed into the yellow shape in the lower left corner. Inscribed in the lower right corner and acquired with a collection of the artist's work. Presented in a new white mat. Mat size: 20"H x 16"W Jennie T. Rafton (American, b. 1925) is a well-known California artist, primarily for her abstract compositions. She and her husband Michael were ardent supporters of the arts, especially the Oakland Symphony Guild. Exh: 1982 - Magnin Gallery (solo), Walnut Creek...

Charles Green Shaw (American, 1892-1974) By the Dawn's Early Light, 1955 Oil on masonite Signed lower left, dated and titled verso 35.5 x 23.75 inches 38 x 26.25 inches, framed Provenance: The estate of the artist to Charles H. Carpenter Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...

Wonderful English Abstract scene of an interior with still life, landscape and table top. William Yates painted exciting colorful vibrant scenes often of interiors and abstract fig...

Artist: Kera Geometric abstraction, contemporary painting in yellow, pink, blue Medium: Acrylics and spraypaint on wood, framed in thin wood frame. Size: 90 x 180 cm Original p...

Copper Abstract Heavy Textured Painting on Canvas 36x48", Radiance From Within Acrylic, Modeling Paste, Stucco - Heavy Textured 2016 in Los A...

Sand game 2 2023, canvas, oil, collage, 50x30 cm Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona graduated Riga art school, Latvian University, receiving a visual ...

This painting carries a sense of hope and optimism, suggesting that after a period of difficulty or challenge, there will be a brighter, more positive future. In a more abstract sen...

In crafting this artwork, I channeled a swirling tempest of emotions, using thick strokes of acrylic to embody a dynamic interplay of chaos and serenity. The vibrant splashes of crim...

Contemporary Interior Perspective Abstract with Purple & Yellow Stunning interior with and abstracted sense of perspective by San Francisco artist Michael William Eggleston (Americ...

"Autumn is coming" abstract on linen canvas 2017 83x54cm send in wooden crate ambiance of autumn colours

The dance of colors generates a scene of great beauty. The strength of the movement and the shapes created with its colors convey a dream towards realities that touch the deepest fee...

"Floral" Abstract Mixed Media Painting 59" x 59" inch by Ibrahim Khatab Ibrahim Khatab was born in Cairo 1984, works as a co-teacher in Cairo University, he mixes between painting, ...

Sunny Summer Vibes invites you into a world of color, energy, and joyful movement. This large-scale artwork on 100% linen canvas (155x155 cm / 61x61 inches, on the stretcher 145x145 ...

"Nothing superfluous." The painting is inspired by spring, when everything is just beginning to awaken, like man and his awakening, when everything superfluous is cut off.

Amit Kalla - Untitled - 48 x 72 inches (unframed size) Acrylic on Canvas, 2021 ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented by h...

Annamarie Dzendrowskyj Fleeting Moments IV Original oil painting, Abstract art, Contemporary monochrome painting. Oil on Linen Canvas size 23.5cm x 41cm x1 Sold as stretched canvas. ...

⭐ARTIST : Alex Senchenko © Title : Abstract 2530 . Technique: Acrylic & structure on canvas 100cm. x 100cm. Original Painting on a 1.5cm Deep Canvas ⭐Ready to hang 2025 Very o...

Sip on the Vibrant Vibes of 'Margarita Time!' This fun, wild and crazy piece is a fiesta for the eyes. Transport yourself to a tropical paradise and feel the rhythm as you indulge ...

This painting evokes a mysterious and captivating atmosphere with a blue background that envelops the scene in intriguing shadow. The lines, skillfully drawn, traverse the compositio...

ABOUT THE ARTIST KLAUDIA LATA (born in 1993) Graduate of painting at the Academy of Fine Arts in Katowice. Diploma in 2017 in the studio of prof. Ireneusz Walczak. Scholarship hold...

In this piece, I sought to capture the essence of dawn's first light—soft yet stirring, gentle yet awakening. Through the delicate application of acrylics, I layered colors to evoke ...

Gold Pink Silver Abstract Heavy Textured Painting on Canvas 36 x 48" Pink Golden Fog Acrylic, Modeling Paste, Stucco, Glitter, Gold Leaf - ...

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Abstract painting in the main color deep green with elements in white, black, yellow, orange and red. This abstract painting is lively and expressive. Abstract minimalism paired with...