Early 18th Century Interior Paintings
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Period: Early 18th Century
Baroque Italian painter - Set of four 18th century figure paintings - Evangelist
Located in Varmo, IT
Italian painter (early 18th century) - Four Evangelists.
25.5 x 19 cm without frame, 29 x 22.5 cm with frame.
Ancient oil painting on panel. in wooden frames.
Condition report: In...
Category
Old Masters Early 18th Century Interior Paintings
Materials
Oil, Panel
Very Large 1700's Dutch Old Master Oil Painting The Nativity Scene
Located in Cirencester, Gloucestershire
The Nativity
Dutch Old Master, early 1700's period
oil on canvas, unframed
canvas: 36 x 27.5 inches
provenance: private collection
condition: very good and sound condition, some scuf...
Category
Old Masters Early 18th Century Interior Paintings
Materials
Oil, Canvas
Rococò Venetian painter - 18th century figure painting - Virgin child - Italy
Located in Varmo, IT
Venetian painter (18th century) - Madonna with Child.
37.5 x 45.5 cm without frame, 55 x 63 cm with frame.
Antique oil painting on canvas, in a carved wooden frame.
Condition repo...
Category
Rococo Early 18th Century Interior Paintings
Materials
Canvas, Oil
Scholar Sharpening His Quill Penn Attributed to Justus Juncker, Oil on Panel
Located in Stockholm, SE
Justus Juncker (1703-1763, Germany) Attributed to
Scholar Sharpening His Quill Penn
Expertise: We would like to thank Dr. Fred G Meijer for his valuab...
Category
Old Masters Early 18th Century Interior Paintings
Materials
Oil, Oak, Panel
Italian painter (Copper plate) - 18th century figure painting - Flagellation
Located in Varmo, IT
Italian painter (18th century) - Flagellation.
17 x 15 cm without frame, 21 x 19 cm with frame.
Ancient alium painting on copper, in a gilded wooden frame.
Condition report: The m...
Category
Old Masters Early 18th Century Interior Paintings
Materials
Copper
Scholar Sharpening His Quill Penn Attributed to Justus Juncker, Oil on Panel
Located in Stockholm, SE
Justus Juncker (1703-1763, Germany) Attributed to
Scholar Sharpening His Quill Penn
Expertise: We would like to thank Dr. Fred G Meijer for his valuab...
Category
Old Masters Early 18th Century Interior Paintings
Materials
Oak, Oil, Panel
Antique oil painting, Boy Fleaing a Dog, Gerard ter Borch, Dutch golden age
Located in DEVENTER, NL
Gerard ter Borch (II) (1617-1681), copy after, around 1700
'Boy Fleaing a Dog'
Oil on canvas
Professionally restored (cleaned and relined)
In modern frame in 17th century style
Dimensions excl. frame: 33 x 27,5 cm.
Dimensions incl. frame: approx. 50 x 45,5 cm.
Depcited is a boy busy fleaing a dog. The boy sits on a chair with the dog on his lap. On a table on the right there is a book and a pen. On a wooden bench lies the boy's hat.
What is unique about this painting by Ter Borch, is the relationship that is depicted between human and animal. Mostly animals like dogs where depicted as an attribute in paintings in the 17th century, and sometimes used to symbolize certain character traits. This boy is lovingly caring for his dog, which he is giving his full attention.
Another interesting detail is that Ter Borch's brother Moses, was probably the model for this painting. Ter borch often used family members as models for his paintings. Moses was also a very talented painter and draughtsman.
Several copies of this work by Ter Borch are known. One of these copies is in the collection of the Dutch Rijksmuseum (Image included in the image gallery (last image)).
The original painting is in the collection of the Alte Pinakothek museum in Munich, Germany.
Gerard ter Borch, also known as Gerard Terburg, was a Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu...
Category
Old Masters Early 18th Century Interior Paintings
Materials
Oil, Canvas
Mary Magdalene - Faith transforms inner into outer beauty and conquers death -
Located in Berlin, DE
Balthasar Denner (1685 Hamburg - 1749 Rostock). Mary Magdalene. Oil on copper, 37 × 32 cm (visible size), 45 x 40 cm (frame), signed and indistinctly dated "Denner 17(...)" at centre...
Category
Old Masters Early 18th Century Interior Paintings
Materials
Copper
18th century portrait of the artist’s daughter, Catharina, playing the cello
Located in Bath, Somerset
The sitter, seated in a yellow silk gown trimmed with a pink bow playing the cello, is believed to be the artist Balthazar Denner's eldest daughter Catharina (1715-1744), after his marriage to Esther Winter in Hamburg in 1712. She is also recognisable in another portrait of the Denner family in the Hamburg Kunsthalle, painted circa 1740 by the artist's son, Jacob Denner (1722-1765). Oil on canvas in a period giltwood frame.
Provenance: Private collection, Northern Germany
Professor Helmut Borsch-Supan, Berlin, confirmed the authenticity of the painting after examining it in 2013. The painting will also be included in the forthcoming catalogue raisonnée of the artist, by Ute Mannhardt.
Balthasar Denner...
Category
Old Masters Early 18th Century Interior Paintings
Materials
Canvas, Oil
Giovanni Battista Pittoni, Holy Family with Cupids, Venetian Baroque, Christmas
By Giovanni Battista Pittoni
Located in Greven, DE
In 2001 the German art historian Art historian and Raphael Expert, Prof. Jürg Meyer zur Capellen, published the painting "Die Heilige Familie" in a monographic article, ascribing the present work to the Venetian painter Giovanni Battista Pittoni (1687 -Venice - 1767). (Newspaper "Weltkunst", October 2001, No 12, p. 1850 f. ill.)
He describes it as a typical work by this artist. Pittoni was one of the most influential and successful artists of the Venetian Settecento. He was a pupil of the Veronese Master Giovanni Balestra (1666-1740). His style is influenced by Sebastiano Ricci (1659-1734) and Giambattista Tiepolo (1696-1770).
Giovanni Battista Pittoni was already successful at a young age and soon lead his own workshop.
He created large-scale hitoria paintings, as well as large, religious altarpieces. In addition to Venetian and Upper Italian patrons, Pittoni also had many interested parties from Europe. His work is accordingly scattered in many different museums and private collections today. Pittoni - like other painter colleagues of his time - repeated his own compositions both by hand and with the help of his workshop. He repeatedly incorporated details into other pictures and contexts.
Prof. Meyer zur Capellen noted the very good condition of the present work and the high quality of the paint with fine graduations and the vivid brushstrokes.
Provenance: The panting has not been on the art market for at least 300 years. In the year 2000 the work was donated by the Münster-based, Noble Family Ketteler zu Harkotten to a private collection in Westphalia. Most probably the canon Nikolaus Hermann von Ketteler zu Harkotten bought the piece in Venice in 1750 together with the altarpiece of the Clemens Church in Münster.
On the reverse of the work is a fideicommissum number by Ketteler zu Harkotten.
As it belonged to the family commission, the painting was inalienable until 1919, when the corresponding law was repealed, and after that time it remained in the family's possession without interruption. Pittoni's only direct relationship to Münster is the commission for the high altar painting of the Baroque St. Clemens Church. It can be assumed that then canon von Ketteler saw this painting in the artist's workshop during his stay in Venice and acquired it for himself. This would also explain the discrepancy in dating. (ca. 1735/1750). However, it is also possible that the painting originated in the possession of Ferdinand von Plettenberg...
Category
Rococo Early 18th Century Interior Paintings
Materials
Canvas, Oil
18th century oil sketches for a Baroque interior - a pair
Located in London, GB
A FEAST OF THE GODS WITH VENUS AND BACCHUS
Collections:
With Appleby Brothers, London, June 1957;
Hazlitt, Gooden & Fox, London, 1961;
John and Eileen Harris, acquired from the above, to 2015.
Literature:
Jacob Simon and Ellis Hillman, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, cat. no.12 (as by Louis Laguerre);
Elizabeth Einberg (ed.), Manners and Morals: Hogarth and British Painting, 1700-1760, exh. cat., London (Tate Gallery), 1987, cat. no.10 (as by Louis Laguerre);
Tabitha Barber and Tim Bachelor, British Baroque: Power and Illusion, exh. cat., London (Tate Britain), 2020.
Exhibited:
Twickenham, Marble Hill House, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, no.12 (as by Louis Laguerre);
London, Tate Gallery, Manners and Morals: Hogarth and British Painting, 1700-1760, 1987, no.10 (as by Louis Laguerre);
London, Tate Britain, British Baroque: Power and Illusion, cat. no 92, 2020.
CUPID AND PSYCHE BEFORE JUPITER
Collections:
With Appleby Brothers, London, June 1957;
Hazlitt, Gooden & Fox, London, 1961;
Anthony Hobson, acquired from the above, to 2015.
These recently re-united paintings are the most ambitious surviving baroque ceiling sketches made in Britain in the early eighteenth century. From the Restoration until the rise of Palladianism in the 1720s decorative history painting formed the preeminent artistic discipline in Britain. It was a field dominated by Continental artists including the Italian Antonio Verrio and the Frenchmen Louis Laguerre and Louis Chéron...
Category
Baroque Early 18th Century Interior Paintings
Materials
Oil, Canvas
Fine Early 1700's French Oil Elegant Figures Lady being Dressed Rococo Interior
Located in Cirencester, Gloucestershire
French School, circa 1720's
circle of Nicolas Lancret (1690-1743)
oil painting on canvas
15 x 23 inches
provenance: private collection, UK
Fine depic...
Category
Rococo Early 18th Century Interior Paintings
Materials
Oil, Canvas
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