Janet Adebayo

Thought I Wasn't Enough

2021

The title itself, "ÌLÒRÍ," holds a special meaning, as the artist reveals it is a name given to a child who finds its way into their mother's belly while she is still breastfeeding another child. This unique and touching term encapsulates the interconnectedness of life, illustrating how love and new beginnings can emerge even in the midst of existing responsibilities. Adebayo's artwork appears to be a reflection on her personal journey and the story of her birth. She shares how her mother affectionately calls her "ÌLÒRÍ" and playfully recounts the amusing moments when she questions her conception. The artist playfully suggests that she jokingly implores her mother to use protection, a humorous remark that adds a light-hearted touch to the piece. The openness and candor with which Adebayo communicates her personal story add authenticity and vulnerability to the artwork, drawing viewers into her emotional world. The central theme of the artwork revolves around family, particularly the artist's late brother who was just nine months old at the time of her conception. Through her words, "I Miss you bro and happy mother's month. Your struggle is noticed," Adebayo honors her sibling's memory and acknowledges the sacrifices her mother made as a parent. The metaphorical use of the phrase "coconut head" suggests a sense of stubbornness, perhaps referring to the artist's own determination to enter this world despite the odds. This resilient spirit symbolizes the strength of the human will and the innate desire to live, even against all odds. It is a testament to the power of life and the profound connection between siblings, even those who have never met. "ÌLÒRÍ" is more than just a visual artwork; it is a story of life, love, and the unbreakable ties that bind families together. Janet Adebayo...

I’m not proud of some things I’ve done I cannot summon Jesus to die again for this sin. I’m not yet 60 but Karma is after me. Take it easy on me, let me get some grey hair first. Hunt me later or forgive me. Yea, don’t gimme that look karma, You know I had the longing to do what’s right. (Written by the Artist) Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Janet Adenike Adebayo (b. 1997) is a self-taught Nigerian artist, born in Lagos and based in Lagos as an artist. She began her journey as a painter in 2017. She refers to herself as a “confessional” artist, as her art is an expression of intimate moments and openness of truths and feelings others may be otherwise shy to confront. Adebayo expresses herself using acrylic and mixed media on canvas, employing techniques such as her signature “mosaic skin” tones, fusing a collage of colors to create humanoid figures, made obvious by exaggerated features. Janet Adebayo...

The title itself, "ÌLÒRÍ," holds a special meaning, as the artist reveals it is a name given to a child who finds its way into their mother's belly while she is still breastfeeding another child. This unique and touching term encapsulates the interconnectedness of life, illustrating how love and new beginnings can emerge even in the midst of existing responsibilities. Adebayo's artwork appears to be a reflection of her personal journey and the story of her birth. She shares how her mother affectionately calls her "ÌLÒRÍ" and playfully recounts the amusing moments when she questions her conception. The artist playfully suggests that she jokingly implores her mother to use protection, a humorous remark that adds a light-hearted touch to the piece. The openness and candor with which Adebayo communicates her personal story add authenticity and vulnerability to the artwork, drawing viewers into her emotional world. The central theme of the artwork revolves around family, particularly the artist's late brother who was just nine months old at the time of her conception. Through her words, "I Miss you bro, and happy Mother's month. Your struggle is noticed," Adebayo honors her sibling's memory and acknowledges the sacrifices her mother made as a parent. The metaphorical use of the phrase "coconut head" suggests a sense of stubbornness, perhaps referring to the artist's own determination to enter this world despite the odds. This resilient spirit symbolizes the strength of the human will and the innate desire to live, even against all odds. It is a testament to the power of life and the profound connection between siblings, even those who have never met. "ÌLÒRÍ" is more than just a visual artwork; it is a story of life, love, and the unbreakable ties that bind families together. Janet Adebayo...

The title itself, "ÌLÒRÍ," holds a special meaning, as the artist reveals it is a name given to a child who finds its way into their mother's belly while she is still breastfeeding a...

Janet Adebayo's exquisite artwork, "Hiding the Emotions," captivates viewers with its poignant portrayal of a young woman holding a rose-like flower. This evocative piece transcends ...

The painting titled "Desires 1" is a beautiful work of art that depicts two women sitting across from each other, engaged in what seems to be a deep and meaningful conversation. The painting, created by Esinulo Chiamaka Praise, features an older woman and a younger woman, each holding a white flower, which adds a sense of purity and serenity to the scene. The older woman, who appears to be in his 50s, and the younger woman, who looks to be in his 20s, are both dressed in a more simple dress. Both women are seated on chairs, with their faces turned towards each other in a relaxed yet focused manner. The title of the painting, "Desires 1," adds an element of intrigue and mystery to the scene, as it hints at the possibility of underlying desires and motivations between the two women. However, the painting does not provide any clear answers or indications of what those desires might be, leaving the interpretation up to the viewer. Wisdom is gathered from lessons learned from experiences. Time and age guide a man through life as regards choices or wants... One possible interpretation of the painting is that it represents the passing of knowledge and wisdom from one generation to the next. The older woman appears to be sharing something with the younger woman, who listens intently and respectfully. The white flowers that both women are holding could be seen as symbols of purity and innocence, representing the purity of the knowledge and wisdom being shared. What you want today may not be what you would want tomorrow, wants change with time. Experiences and age have an influence on choices. Responsibilities are given with time. What is your desire now? Another interpretation of the painting is that it represents a deep and meaningful conversation between two people who share a close and intimate relationship. The fact that both women are holding white flowers suggests a sense of purity and love between them, while their relaxed and focused expressions indicate a sense of comfort and ease in each other's presence. In terms of technique, the painting is expertly executed, with rich colors and intricate details that bring the scene to life. Keating's use of light and shadow creates a sense of depth and dimensionality, while the placement of the two men in the center of the painting draws the viewer's attention to their faces and the emotions that are portrayed in them. Overall, "Desires 3" is a beautiful and thought-provoking painting that captures the essence of a deep and meaningful conversation between two people. It is a testament to the power of art to evoke emotion and inspire reflection, leaving the viewer with a sense of curiosity and wonder about the motivations and desires of the two women in the painting. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Esinulo Chiamaka Praise is a comtemporary Nigerian painter.She hails from Mbaitoli, Imo state. A graduate of Fine and applied arts (painting), Imo State University, Owerri. Her painting “power tussle” was featured on the cover page of Mbari issue VI Magazine 2020. Another of her painting “black kink” was featured in Polemicalzine (an online magazine) for Black history...

"Crosses" Acrylic Painting 49" x 33" inch by Ahmed Gaafary Born In Cairo 1987 Where He Currently Lives And Works. He Received His Bachelor’s Degree In Information Systems In 2008 From The Higher Institute Of Advanced Studies And Followed The Evening Classes (Painting Department)Of Fine Arts Faculty, Helwan University From 2005 To 2007. After His Graduation as an Information System Engineer, He Gave Up His Engineer Practices And Decided To Be An Independent Visual Artist. He Participated In Many Solo And Collaborative Exhibitions,Among Which; Nabokov Signs Exhibition In Etejah Gallery, Palace Of Arts In Cairo Opera House In 2016, Kamal Khalifa Gallery At The Gezira Art Center In 2012. Beit El Umma Gallery At Saad Zaghloul Center In 2012, Engy Aflaton Gallery In Cairo Atelier at 2010, Ahmed Nagy Gallery In Cairo Atelier In 2009, Tahya Halim Gallery In Cairo Atelier In 2008, Salon Of Youth Exhibition In Palace Of Arts From 2008 To 2015, The Mediterranean Symposium In 2010. He Also Participated In The Following Workshops In Cairo In 2008 At The Cairo Opera House, The Fine Arts Sector Cultural Workshop And In The Mahmoud Mukhtar...

"Geography" Acrylic Painting 59"x59"inch by Ahmed Gaafary Nabokov’s Signs Ahmed Gaafary takes Vladimir Nabokov’s phenomenal short story “On Signs and Symbols” as an instigator to s...

"Location" Acrylic Painting 51"x82"inch by Ahmed Gaafary Nabokov’s Signs Ahmed Gaafary takes Vladimir Nabokov’s phenomenal short story “On Signs and Symbols” as an instigator to ser...

Original painting on canvas. Hand signed and dated on front; Signed, titled and dated on verso by the artist. Artwork is in excellent condition. Certificate of authenticity included...

Caroline de Piedoue is a French artist born in 1954 who lives & works in Berchères-sur-Vesgre, Eure-et-Loire, France. Her theme of her paintings is largely urban but also beach scene...

Caroline de Piedoue is a French artist born in 1954 who lives & works in Berchères-sur-Vesgre, Eure-et-Loire, France. Her theme of her paintings is largely urban but also beach scene...