Unknown

Persian Floral Still Life - Set of Two

1920

Vivid and dynamic painting of leopard skin Dr. Scholls spa sandals by Marc Foster Grant (American, b. 1947). Signed, titled and dated "Leopard Skin D...

Vibrant still life by Henri Georges Cheval (French, 1897-1987). Several pieces of fruit are arranged in a glass bowl, placed atop a white cloth on a table. Two pears are outside the bowl to the left, and there is a glass to the right. The glass pieces have a greenish tint, and there are teal shadows in the cloth. Signed in the lower right corner in pencil. Presented in a new cream mat with foamcore backing. "#0267" is written on verso Paper size: 12.25"H x 19.5"W Included with the sale is the backing cardboard from Atelier 68 Inc., stating artist's info with the reference to his listing in the Benezit, French Dictionary...

Wonderful art deco style still life of yellow and lavender tulips in vase with sugar bowl by Hamlin (American, 20th Century), circa 1935. Signed lower right "Hamlin" Condition: Good;...

"Pearl Studded Suction Soled Booties" - Fashion Pop Art on Handmade Paper Dynamic painting of pearl-studded boots on metallic bronze background by Marc Foster...

Still Life with with Bottle, Paintbrushes, and Book in Oil on Paper Bright still life by Louise L. Apthorp (American, 1878-1963). A wine bottle, vase full of brushes, pear, and large book sit on a table. The book is "Verve. The Ultimate Review of Art and Literature (1937-1960)". The tablecloth is bright, with a multicolor checker pattern, affixed to the wall to create a backdrop. The squares of color and folds in the cloth create the impression of cubism, even though the subject is not cubist. Signed "Apthorp" in the lower left corner. Shipped in a plastic frame for protection. Louise L. Apthorp (American, 1878-1963) was born in 1878 in New Jersey and lived in Massachusetts. In the mid-1940s, she moved to Monterey, CA. She was listed in “Who Was Who in American Art” (1985, 1999), “Dictionary of Woman Artists” (1985), and “Mallet’s Index of Artists” (1935). Memberships: Copley Society...

Floral Still Life with Blue Vase and Mirror in Acrylic on Paper Bright still life by acclaimed bluegrass musician Katherine "Kathy" Kallick (American, b. 1952). A dark blue vase with a flower arrangement sits on a trunk with a tablecloth. There is also a smaller yellow bottle alongside. A mirror leans in a corner, reflecting part of the scene. This composition has a cubist feel, with somewhat exaggerated angles and lines. Unsigned, but was acquired with a collection of the artist's work. Paper size: 22.5"H x 28.38"W Katherine Kallick...

Art Deco Movie Set 20th Century American Modernism Hollywood WPA Social Realism Arthur Rosenman Ross (1913 - 1981) Art Deco Movie Set, Probably MGM Studios, 1937 17 x 27 inches Gouache on illustration Board Signed Art Ross, ‘37 lower right Provenance: Estate of the artist. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...

Hand signed Irises (purple and yellow flowers) 30 X 37 framed. 20.5 X 26.5 sheet without frame. Bernard Chaet (born 1924, Boston, MA - 2012) was an American artist; Chaet is known for his colorful, dynamic modernist paintings and masterful draftsmanship, his association with the Boston Expressionists, and his 40-year career as a Professor of Painting at Yale University. His works also include watercolors and prints. In 1994, he was named a National Academician by the National Academy of Design. Chaet was instrumental in transforming Yale’s traditional art program into one with a more modernist approach that gained national prominence. Chaet melded landscape and abstraction in a traditional established by Vincent Van Gogh, Georges Seurat, Edvard Munch, Piet Mondrian, and Ferdinand Hodler. His own tenure began in 1951 at Yale, where he worked closely with Josef Albers to revamp Yale’s art program. Between 1959 and 1962 he was the chair of what was then called the Yale Department of Art of the School of Fine Arts — prior to becoming one of the independent professional schools at Yale in 1973. Chaet taught painting and drawing and mentored generations of emerging talents. Chaet was the author of the 1970 textbook “The Art of Drawing” and “An Artist’s Notebook 1979,” both of which have since been reissued several times. In the latter book, alongside examples of work by his favorite artists, are student drawings by Yale graduates such as Robert Birmelin, Michael Mazur and Eugene Baguskas. Born in Boston, Massachusetts, in 1924, Chaet studied at the School of the Museum of Fine Arts in Boston and then earned a B.A. at Tufts University. Known for his expressionist landscapes and still lifes, Chaet’s work has continuously been shown in galleries in his native Boston, in New York City, and around the country. In 2010, a retrospective of his seascapes was featured at the Cape Ann Historical Society in Gloucester, Massachusetts, where he had a home and a summer studio in nearby Rockport. His has also exhibited at David Findlay Gallery in New York and at Swarthmore College. Many of Chaet’s students went on to notable art careers, including Janet Fish, Chuck Close, and Richard Serra. His work is represented in the collections of the Brooklyn Museum, the Art Institute of Chicago, the Metropolitan Museum of Art in New York, the DeCordova Sculpture Park and Museum in Lincoln, Massachusetts, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the Museum of Fine Arts in Boston, the Yale University Art Gallery in New Haven, CT, and the Addison Gallery of American Art in Andover, MA. Chaet is the recipient of many awards including: the National Foundation of the Arts and Humanities, Sabbatical Grant in 1967-68, the National Academy of Fine Arts, Benjamin Altman Award in Painting in 1997, and the American Academy of Arts and Letters Jimmy Ernst Prize in 2001. Chaet was born and raised in the Dorchester neighborhood of Boston, MA. He completed a dual program at the Museum of Fine Arts, Boston—studying painting with Karl Zerbe—and Tufts University, graduating with a B.S. in 1949. Chaet is known for his association as a first generation Boston Expressionist. (along with Hyman Bloom and Jack Levine) Chaet was a contributing editor to Arts Magazine. In 1960 he published the book Artists At Work, which features in depths conversations with artists Pat Adams, Anni Albers, Josef Albers, Al Blaustein, Hyman Bloom, James Brooks, Robert Engman, Esther Geller, Seymour Lipton, Conrad Marca-Relli, Gabor Peterdi, Irwin Rubin, Elbert Weinberg...

Autumn gives us a lot of bright colors and shades, as well as unusual forms of gifts of nature. There is no more romantic season than autumn... The first month of autumn is my favori...

'Two Pools ' still life painting of a pair of women's heels on stripes by California artist Kim Frohsin, who employs mixed media, acrylic, Stabilo pencil, Prismacolour, watercolor, w...

Celebration of Life [2021] Original Still Life Gouache on Paper Paper Size: H:103 cm x W:71 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indication of how ...

'A Warm Disparity' still life painting of a simple pair of women's heels by California artist Kim Frohsin, who employs mixed media, acrylic, Stabilo pencil, Prismacolour, watercolor,...