Julia Moniewski

In Bed

2021

NEUTRAL PERSONA - (Reflection Rainbow - ABBA)

Rain Garden Original Painting

Awony

Abba in stripes

Abba-cubic

Golden coats & birds

James Lahey is a Canadian artist living in Toronto where he maintains his studio. He completed his BFA at York University in 1984 with studies in Art and Architecture in Italy (1982) through a joint programme with York University, Toronto and Lowell University, Massachusetts. In 1986 he obtained a certificate from the O.M.A. in the preservation of Art and Artefacts. Upon graduation, James negotiated career and vocation, including positions at The Art Gallery at Harbourfront, The Power Plant, The Art Gallery of Ontario and Bruce Mau Design. Since 1998 James has concentrated exclusively on his painting practice. In 2001 James was elected to the Royal Canadian Academy. James has been a Member of the Board of Directors at the Power Plant Contemporary Art Gallery in Toronto 2009 through to 2012, and a past Member of the Board of Directors for Dancemakers. Currently, James is a Member of the Acquisitions Committee for the Photography Drawings Department of the Art Gallery of Ontario, a past member of the Acquisitions Committee for Prints and Drawings at The Art Gallery of Ontario, and a current member the Advisory Board of PEN Canada. James Lahey is represented in galleries across Canada, in Britain and the United States where his work can be found in numerous private and public collections. In 2005 the MacLaren Museum installed his “Index” exhibition and published a catalogue of the same name with contributions by Ihor Holubizky and Mark Kingwell. In 2007 “Index” was installed at The University of Toronto Art Centre. In 2008 James opened one person shows in New York and London where “your imperfect history” was published in conjunction with the exhibition by Flowers U.K. His project, “Guido’s Rhombus” opened at Museum London in the fall of 2009. In 2011 “Eight Days” opened at the Nicholas Metivier Gallery. A publication produced in collaboration with Toronto writer and poet Lynn Crosbie accompanied that exhibition. James’ most recent exhibition “Made in Canada...

With roots in classical Greek art, architecture and mythology, Malcolm Rains explores balance and harmony and even an austerity in his elegant paintings. Inspired by the Baroque pain...

With roots in classical Greek art, architecture and mythology, Malcolm Rains explores balance and harmony and even an austerity in his elegant paintings. Inspired by the Baroque pain...

"I am an experimental painter. I have been working on my craft since 1996. I start work with a conceptual point of entry and then work intuitively, in dialogue with the work. The art...

With roots in classical Greek art, architecture and mythology, Malcolm Rains explores balance and harmony and even an austerity in his elegant paintings. Inspired by the Baroque pain...

Childhood, a reoccurring theme in Darlene Cole’s work, is represented by prepubescent girls and boys, engaged in some type of action. Without adult supervision, these activities confer on Cole’s children an adult-like aura, empowering them. The artist cites Neil Postman’s 1982 book about the decline in innocence in American culture The Disappearance of Childhood as a text that informs her work. In it, Postman argues that communications technology, such as the invention of the television and later, the Internet, contributed to children losing their innocence, thus transforming them into young adults. A source of inspiration for Cole are the works of the Pre-Raphaelite Brotherhood, a group of English painters, poets and critics, founded in 1848. They studied nature attentively, employed vivid colours and depicted unconventional-looking women. Just like in Pre-Raphaelite works, the girls in Cole’s paintings embody enigma, distance, and beauty. The past, in general, is a great source of inspiration for the artist. Cole’s cottage, or ‘artist’s retreat’ as she calls it, was built at the beginning of the 20th century. Since she kept all the original furniture and linens intact, the cottage, on the side of a lake, seems to belong to the past. Nature, another omnipresent theme in Cole’s work, is in many works represented by flowers, such as pink David Austin roses...