Adrien SCHULZ

L'automne en forêt

You meet the Spanish artist Alexandro Santana and you think, cripes, can he be for real? So handsome, so flamboyant, so seductive, so amusing -- you’...

In Thornton Dial's assemblage, masklike faces with staring eyes and open mouths emerge from a dense maze of layers streaked in red, white, blue, and black. Ropes painted brown snake over the surface, twisting into bodies that stretch from one side of the painting to the other. Additional objects have been attached to the surface—a paint-covered metal grill at the top and a wire rack on the right edge, for example—which accentuate the artwork's sculptural appearance. The resulting lattice of colors, forms, and objects gives the impression that, if the artwork's strata were excavated, much more could be discovered. In many respects, "excavation" is an appropriate way to approach Top of the Line (Steel).By layering paint and objects that Dial collects from around his home in Bessemer, Alabama, a suburb of Birmingham, the artist creates a series of evocative relationships. Dial encourages viewers to look closely at the artwork, excavating meaning from the interplay of forms and even from the title, which has several interpretations. For example, "top of the line" refers both to a position in an assembly line...

Danny McCaw's (US based) "San Francisco" is an oil painting with impasto brushstrokes that depicts a vague and abstracted city street bordered by towering skyscrapers with cars in mo...

I believe I share with the majority of painters a tremendous love of the abstract stuff of the world that painting addresses: edges, planes, masses, forms, lines, passages, light and shadow. My inspiration for painting comes from direct observation of this “stuff.” The subject for a painting can be anything, but it helps to love the subject and to spend a lot of time with it. Even more important than the choice of subject is to find a relatively quiet, secure, solitary place to work. I have always loved looking out of windows...