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Nanno de Groot
Four Figures

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    Located in New York, NY
    An exciting watercolor of a New York City street scene done in 1974. The fast brushwork is noted with much attention directed to abstracting the depiction. Freiman's execution of thi...
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  • "Sailing at Dusk" Realist Oil Painting on Canvas Board of Sailboat in Open Sea
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    George Nemethy finds his inspiration in moments of quiet and solitude. Where he finds himself one with the sea and the sky and the tranquil world which he freely escapes to. Trained from an early age by his father Albert Nemethy, a world-renowned painter known best for his large scale steamer boats, George found...
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    Late 20th Century Realist Landscape Paintings

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    Canvas, Oil, Board

  • "A Summer Day at the Beach" Impressionistic Beach Scene Oil Painting on Canvas
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    This painting depicts an impressionistic scene at the beach with beautiful brushwork and whimsical colors. The work is a following of Whistler, capturing the beach and times of the e...
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    2010s Impressionist Landscape Paintings

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    Oil

  • "Rodeo Drive 1920" Impressionistic Street Scene Oil Painting on Canvas
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    2010s Impressionist Figurative Paintings

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    Canvas, Oil

  • "Parisian Scene by Pont Neuf with Notre Dam" French Impressionist Oil Painting
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    Located in New York, NY
    This painting depicts a landscape scene of a Parisian Scene by Pont Neuf with Notre Dam in the distance behind the bridge. The attractive perspective is what makes this painting so i...
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    20th Century Post-Impressionist Landscape Paintings

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  • "Mexican Landscape Scene of Mother with Children" Expressionistic Style Painting
    By Michael Baxte
    Located in New York, NY
    A strong modernist oil painting depicted in 1962 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his portraits in countryside landscapes with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. Art measures 21.25 x 25.5 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century, it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. For the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher, he encouraged individual expression. Baxte stated, “No pupil should ever be forced into the imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient's light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...
    Category

    1960s Expressionist Figurative Paintings

    Materials

    Oil, Masonite

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  • Ciao Bella, original 40x30 abstract expressionist figurative landscape
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