Robert Marchessault

Trachili

2021

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

"Over Here" is an original acrylic painting on canvas panel by Reginald K. Gee. The artist initialed the piece on the back. This artwork features an abstracted figure in pink waving ...

Peter Durieux In the near of Belvès 18 x 51 cm * (Framed in silver metallic wooden frame, included, 23 x 56 cm) This painting is made by Dutch artist Peter Durieux. Painting in his studio in Groningen he feels like he is back in the Ardèche in France. There, sitting on a tiny chair...

Peter Durieux Overgrown Tree 27 x 60 cm * (Framed in silver metallic wooden frame, included, 34 x 67 cm) This painting is made by Dutch artist Peter Durieux. Painting in his studio in Groningen he feels like he is back in the Ardèche in France. There, sitting on a tiny chair...

Peter Durieux The road to Maij 28 x 45 cm *( Framed in silver metallic wooden frame, included, 32,5 x 49,5cm) This painting is made by Dutch artist Peter Durieux. Painting in his studio in Groningen he feels like he is back in the Ardèche in France. There, sitting on a tiny chair...

Snow in the Fields by Margaret Crutchley [2021] original and hand signed by the artist Acrylic on cradled wood panel Image size: H:25 cm x W:25 cm Complete Size of Unframed Work: H:...

Wood for the trees by Rebecca Tucker [2021] original and hand signed by the artist Acrylic on wooden panel Image size: H:51 cm x W:51 cm Complete Size ...