Oil Paintings
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Period: 18th Century and Earlier
Artist: Mary Beale
Medium: Oil
Portrait of a Lady in an Elaborate Stone Cartouche, Oil on canvas Painting
By Mary Beale
Located in London, GB
Portrait of a Lady in an Elaborate Stone Cartouche c.1675-80
Mary Beale (1632-1699)
Titan Fine Art present this superb portrait where the sitter has been portrayed wearing a low-cut white chemise under a gold silk robe with a draped light...
Category
17th Century Old Masters Oil Paintings
Materials
Canvas, Oil
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H 48 in W 58 in
Male and female portrait, both in silk kimono, possibly textile dealers
By Christoffel Lubieniecki
Located in Amsterdam, NL
CHRISTOFFEL LUBIENIECKI (1659-1729)
Pair of portraits of a gentleman and a lady, both in silk kimono, before a country house (circa 1680)
Indistinctly signed “C.......” on a box under the man’s left hand
Oil on canvas, 79.5 x 67 cm each
Both sitters are portrayed wearing a silk “Japanese” coat. During the second half of the seventeenth the Japanese silk coat, an adapted Japanese kimono, became a real vogue in the Dutch elite. The exclusive Dutch trade contacts with Japan can explain the popularity of the kimono-style silk coats in the Netherlands. Everybody who could afford one, dressed in such a fashionable and comfortable coat and, like the present sitters, some proud owners had themselves portrayed in a “Japanese” coat often together with an oriental carpet to underline their standing and international connections. These portraits are the work of the Polish-born portraitist Christoffel Lubieniecki (also known as Lubienitski, Lubinitski or Lubiniecki)
Lubieniecki was first trained in Hamburg under Julian Stuhr and after 1675 in Amsterdam under Adriaen Backer and Gerard de Lairesse. He specialized in landscapes, generally of an Italianate character, and in portraits. The loving execution of these contented burghers, enjoying the garden vistas of their country house, places him alongside Amsterdam portraitists such as Constantijn Netscher and Michiel van Musscher...
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1680s Old Masters Oil Paintings
Materials
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H 31.34 in W 26.38 in D 1.97 in
18th century portrait of the painter Nathaniel Dance
Located in London, GB
Collections:
Robert Gallon (1845-1925);
Private Collection, UK.
Oil on canvas laid down on panel
Framed dimensions: 11.5 x 10 inches
This highly engaging, previously unpublished portrait by Johan...
Category
18th Century Old Masters Oil Paintings
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Portrait of Lady Caroline Price
Located in Miami, FL
DESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be ...
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Italian Greyhound and Friends - Italian 17thC Old Master dog art oil painting
By Francesco Fieravino
Located in London, GB
This stunning Old Master 17th century oil portrait painting is attributed to Francesco Fieravino, an artist famous in his day for still lifes and carpets. This painting which dates t...
Category
17th Century Old Masters Oil Paintings
Materials
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19th century portrait painted in St Petersburg in 1819
Located in London, GB
Signed, inscribed and dated, lower right:
'Geo Dawe RA St Petersburgh 1819', also signed
with initials, lower centre: 'G D RA'; and signed and inscribed verso:
'Geo Dawe RA Pinxit 1819 St Petersburgh';
Also inscribed on the stretcher by Cornelius Varley with varnishing instructions.
Collections:
Private collection, UK, 2010
Literature:
Galina Andreeva Geniuses of War, Weal and Beauty: George Dawe...
Category
19th Century Old Masters Oil Paintings
Materials
Oil, Canvas
Portrait of a Lady with a Chiqueador
Located in New York, NY
Provenance: Torres Family Collection, Asunción, Paraguay, ca. 1967-2017
While the genre of portraiture flourished in the New World, very few examples of early Spanish colonial portraits have survived to the present day. This remarkable painting is a rare example of female portraiture, depicting a member of the highest echelons of society in Cuzco during the last quarter of the 17th century. Its most distinctive feature is the false beauty mark (called a chiqueador) that the sitter wears on her left temple. Chiqueadores served both a cosmetic and medicinal function. In addition to beautifying their wearers, these silk or velvet pouches often contained medicinal herbs thought to cure headaches.
This painting depicts an unidentified lady from the Creole elite in Cuzco. Her formal posture and black costume are both typical of the established conventions of period portraiture and in line with the severe fashion of the Spanish court under the reign of Charles II, which remained current until the 18th century. She is shown in three-quarter profile, her long braids tied with soft pink bows and decorated with quatrefoil flowers, likely made of silver. Her facial features are idealized and rendered with great subtly, particularly in the rosy cheeks.
While this portrait lacks the conventional coat of arms or cartouche that identifies the sitter, her high status is made clear by the wealth of jewels and luxury materials present in the painting. She is placed in an interior, set off against the red velvet curtain tied in the middle with a knot on her right, and the table covered with gold-trimmed red velvet cloth at the left. The sitter wears a four-tier pearl necklace with a knot in the center with matching three-tiered pearl bracelets and a cross-shaped earing with three increasingly large pearls. She also has several gold and silver rings on both hands—one holds a pair of silver gloves with red lining and the other is posed on a golden metal box, possibly a jewelry box. The materials of her costume are also of the highest quality, particularly the white lace trim of her wide neckline and circular cuffs.
The historical moment in which this painting was produced was particularly rich in commissions of this kind. Following his arrival in Cuzco from Spain in the early 1670’s, bishop Manuel de Mollinedo y Angulo actively promoted the emergence of a distinctive regional school of painting in the city. Additionally, with the increase of wealth and economic prosperity in the New World, portraits quickly became a way for the growing elite class to celebrate their place in society and to preserve their memory. Portraits like this one would have been prominently displayed in a family’s home, perhaps in a dynastic portrait gallery.
We are grateful to Professor Luis Eduardo Wuffarden for his assistance cataloguing this painting on the basis of high-resolution images. He has written that “the sober palette of the canvas, the quality of the pigments, the degree of aging, and the craquelure pattern on the painting layer confirm it to be an authentic and representative work of the Cuzco school of painting...
Category
17th Century Old Masters Oil Paintings
Materials
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H 66.25 in W 43.75 in
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Artist/ School: English School, circa 1740's
Title: Portrait of a Lady, traditionally identified as 'Anne of Chesterfield'.
Medium: oil painting on canvas, framed
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Frame available on request from our workshop.
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ALLEGORICAL SCENE - Giovanni Faliero - Italy Oil on Canvas Painting
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Allegorical Scene - Giovanni Faliero Italia 2009 - Oil on canvas cm. 90x110.
Gold leaf gilded wooden frame available on request
This beautiful oil on canvas is the personal reinterpretation of the magnificent painting “Bacchant playing the Cymbals” by Jean-Simon Berthélemy, a French painter of the 18th century. Here we admire a mythological scene showing a naked bacchant playing cymbals next to a wooded stream, with a small sleeping faun...
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Huge 1700's English Portrait Aristocratic Wigged Gentleman in Stately Landscape
By Jacobo Amigoni
Located in Cirencester, Gloucestershire
Portrait of an Aristocratic Gentleman in his landscape, circa 1730's
Standing, three quarter length, wearing a dark russet coat and holding a book and a cane,
circle of Jacopo Amigoni (Italian 1682-1752)
oil on canvas, unframed
50 x 40 inches
Condition: old lining; retouching, principally towards the edges and in the background; the canvas with slight unevenness where the lining is not secured at upper right.
Provenance: private collection, England
Jacopo Amigoni (ca. 1685 – September 1752), also named Giacomo Amiconi, was an Italian painter of the late-Baroque or Rococo period, who began his career in Venice, but traveled and was prolific throughout Europe, where his sumptuous portraits were much in demand.
He was born in Naples. Amigoni initially painted both mythological and religious scenes; but as the panoply of his patrons expanded northward, he began producing many parlour works depicting gods in sensuous languor or games. His style influenced Giuseppe Nogari. Among his pupils were Charles Joseph Flipart, Michelangelo Morlaiter, Pietro Antonio Novelli, Joseph Wagner, and Antonio Zucchi...
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H 33.5 in W 27 in
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By Mary Beale
Located in Bath, Somerset
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