Paper Paintings

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Boucles d'oreilles en corail (Coral Earrings) Signed “Erté” (lower right) Inscribed “n°3544 / Boucles d'oreilles en corail et tu...

Erté (Romain de Tirtoff) 1892-1990 Russian-French La valse Signed “Erté” (lower right) Inscribed "No. 4096 / La Traviata / Acte I / Scenes II et IV / La Valse / Composition origin...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Les travestis (The Transvestites) Signed “Erté” (lower right) Inscribed "No. 18.363 / Moi, j'aime le music-hall / Les Travestis" (en verso) Gouache on paper Erté’s costume...

Raoul Dufy (French, 1877-1953) Nu allongé sur canapé, circa 1939 China ink, gouache, and watercolor on paper laid on board Sight: 16 x 19.75 inches (40.6 x 50.2 cm) Signed lower righ...

Original Art Deco fashion drawing, ink, and wash on Vellum paper by French artist G. Ferro. The artwork features a stylish male model with a typical Art Deco overcoat. The piece is s...

Elegant and glamorous fashion illustration from the 1920's, Original signed gouache painting on paper. Monogrammed V.S. lower right. Site: 10"x 7.75" Frame: 19.25"x 17"

Pastel on paper, signed (lower left), 63cm x 49cm (framed 75cm x 60cm). Bouchéne was a Russian artist and costume and set designer for theatre, opera and ballet. Primarily working ...

The hair is made of actual gold leaf (imitation), so the hair shines and sparkles nicely in light. Original painting. Acrylic, oil, paper and gold leaf on high quality linen canvas s...

Authentic drawing from the early 20th century by the well-known French painter Gustave Guetant (1873-1953). Technique: pencil and charcoal on paper. Bottom right stamp: ATELIER GUET...

Troisemmè Dame from 1919 is a gouache painting on paper, 12 x 9.5 inches, framed in a custom, closed-corner, Art Deco frame to 20.25 x 18 inches. Signed recto 'Erté' mid lower right ...

Untitled (Fashion Design) was created for Harper's Bazar and appeared in the February, 1920 edition of the magazine. This is a gouache painting on tissue paper measuring approximately 10 x 6.5 inches and framed in a custom, closed-corner Art Deco...

Les Rois des Lègendes, Costume pour femme ésclave from 1919 is a gouache painting on black paper, 10.75 x 9 inches, framed in a custom, closed-corner, Art Deco frame, 24 x 20 inches....

La Pendule from Au Réveil de Passé was created in 1923 and is a gouache on paper measuring approximately 15 x 10.75 inches and framed in a custom, closed-corner Art Deco...

Martha, Act I (Chicago Opera) from 1925 is a gouache on paper measuring approximately 9 x 7 inches and framed in a custom, closed-corner frame. Signed recto 'Erté' mid-right and stamped with Erte's Villa Excelsior block stamp and 'Composition originale' verso. Annotated in fountain pen verso 'No 659 Martha I acte Pour Madame Ganna Walska...

The Treasures of Indo-China, created in 1922, is a gouache on paper, 15 x 11.25 inches and framed in a custom, closed-corner Art Deco frame. Signed rec...

Déméter from Les Idoles, Folies Bergère was created in 1924 and is a gouache on paper measuring approximately 14.75 x 10.5 inches. Framed in a custom, closed-corner Art Deco...

Optimism and Pessimism, created in 1927, was the cover design for Harper's Bazar in May 1929. This is a gouache painting on board, signed recto 'Erté' lower right in the image, and f...

Le Roi Yvetot (no. 227) from 1919 is a gouache painting on tissue paper mounted on board. The image size is 9.25 x 6 inches, framed in a gold-tone frame, 22.5 x 19 inches. Signed recto 'Erté' lower right, in the image and annotated verso, 'Les Rois des Lègendes, No 8, Le Roi Yvetot 227'. Erte name and 'Composition originale' stamps verso. Le Roi Yvetot is a design by Erte for the 1919 theater production of Les Rois des Lègendes. The King of Yvetot William Makepeace Thackeray: 1811 –1863 There was a king of Yvetot, Of whom renown hath little said, Who let all thoughts of glory go, And dawdled half his days a-bed; And every night, as night came round, By Jenny, with a nightcap crowned, Slept very sound: Sing ho, ho, ho! and he, he, he! That's the kind of king for me. And every day it came to pass, That four lusty meals made he; And, step by step, upon an ass, Rode abroad, his realms to see; And wherever he did stir, What think you was his escort, sir? Why, an old cur. Sing ho, ho, ho! and he, he, he! If e'er he went into excess, 'Twas from a somewhat lively thirst; But he who would his subjects bless, Odd's fish!—must wet his whistle first; And sofrom every cask they got, Our king did to himself allot, At least a pot. Sing ho, ho, ho! and he, he, he! To all the ladies of the land, A courteous king, and kind, was he; The reason why you'll understand, They named him Pater Patriae. Each year he called his fighting men, And marched a...

Erté (Romain de Tirtoff) 1892-1990 Russian-French La Veuve Rusée Signed “Erté” (lower right) Gouache on paper La Veuve Rusée, first performed in 1748 in Venice, is a comedy cente...

The paper in some of these photos looks overly textured due to the sharpness of the high-res digital camera. In person, with the human eye, the paper looks reasonably smooth with out blemishes. For this fashion illustration, Georges Lepape paints a stunning abstract pattern for the subject dress that is repeated in her hair. The work represents an early use of metallic paint, with silver metallic in the dress and bronze metallic in the blouse. Lepape's highly detailed drawing becomes more evident the closer you look. It's quite amazing how deftly he rendered facial feature on such a small scale. "Eva" 1918 Gouache, watercolor, and ink on paper Signed and dated, lower right: '1918' Inscribed, verso: "Costume for L'enfantement du mort, (miracle en pourpre, et or.). Devised by Marcel L'Herbier and performed at the Théatre Edouard VII and the Comédie des Champs-Elysées, 1919" Provenance: Ex-collection Lucien...

Davis Kemp Early 20th century Red Chalk drawing of Art Deco nude women with Bob hair style. Very well drawn nude study of two women from 1928 in t...

Davis Kemp Early 20th century Red Chalk drawing of Art Deco nude women with Bob hair style. Very well drawn nude study of two women from 1928 in t...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Les filles final (The Final Girls) Signed “Erté” (lower right) Inscribed No. 18.340 (en verso) Gouache on paper An elaborate de...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Arthémis Signed “Erté” (lower right) Inscribed No. 4.8 (en verso) Gouache on paper This original gouache from the creative mind...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Balthasar Signed "Erté" (lower right) Inscribed "Les Rois des Légendes / No. 15 / Costume pour Balthasar / 1919" (en verso) Gouach...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Salade de fleurs de lotus (Lotus Flower Salad) Inscribed “n°1.497” (en verso) Gouache on paper In 1929, Erté embarked on the cr...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Les Fleurs (The flowers) Signed "Erté" (lower right) Inscribed "No. 362" (en verso) Gouache on paper Erté masterfully designs an...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Costume Oriental Signed “Erté”(lower right) Inscribed "No. 19" (en verso) Gouache on paper Titled Costume Oriental, this ensemble epitomizes Erté's signature fusion of Eastern and Western aesthetic elements. The attire features grey pantaloons enveloped by a vivid red skirt adorned with intricate white Orientalist motifs. The bodice, a geometric tapestry of black and white stripes, is composed of narrow horizontal black bands juxtaposed with glittering gemstones. This visual harmony is accentuated by a trio of diamond shapes vertically aligned on the chest. The crowning element is a gem-encrusted turban, surmounted by three red fan shapes, lending the headpiece the appearance of a striking medallion. This sartorial masterpiece is an authentic Erté creation for the 1926 rendition of George White's Scandals, staged at the Heilig Theatre in Portland, Oregon. The revue initially debuted at the Apollo Theatre in New York City on June 30, 1924, enjoying a run of 196 performances before embarking on a tour. Orchestrated by George White from 1919 to 1939, the Scandals series distinguished itself through its timely comedy and exceptional choreography, a testament to White's expertise as a dancer. In contrast to the more lavish Ziegfeld Follies,Scandals offered a streamlined yet sophisticated experience. The Sixth Edition was particularly remarkable for its artistic collaborations: Erté designed the scenery and curtains, while George Gershwin composed the musical score, which included the classic "Somebody Loves Me." The production featured an ensemble of notable performers, including Nyra Brown and the Leeland Sisters. The artist, Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art. Painted 1926 Paper: 12“ high x 9 wide Frame: 19 1/4“ high x 16 1/8” wide x 5/8" deep Exhibitions: M.S. Rau, New Orleans, Erté and the Era of Art Deco, October 14, 2023 - January 3, 2024 Provenance: Private collection, Paris Christie's South Kensington: Sale, 2014 Bouret Gonzalez Collection Sydney and Sibyl Colefax...

Erté (Romain de Tirtoff) 1892-1990 Russian-French L'Esclave porteuse d'éventailThe fan-carrying slave Signed "Erté" (lower right) Inscribed "Les Rois des Légendes / N°23 / L'Esclav...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Costume tailleur(Tailored suit) Signed "Erté"(lower right) Inscribed "No. 55"(en verso) Gouache on paper This striking gouache on...

Erté (Romain de Tirtoff) 1892-1990 Russian-French La Prêtresse - Danseuse sacréeThe Priestess - Sacred Dancer Signed "Erté" (lower right) Inscribed "Les Rois des Légendes / N°3 / L...

Erté (Romain de Tirtoff) 1892-1990 Russian-French L'hiver (The winter) Signed "Erté" (lower right) Inscribed "No. 356" (en verso) Gouache and gold on paper Erté crafts an elegant...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Fleurs du Mal(The Flowers of Evil) Signed "Erté" (lower right) Inscribed 114.6 (en verso) Gouache on paper Captivating and vibrant, this colorful gouache entitledFleurs du Mal showcases Erté's masterful creativity and keen eye. Inspired by Les Fleurs du mal, the famed volume of poems by French writer Charles Baudelaire, this ensemble marries light purple and green floral motifs with the suggestive form of red lips poised for a smooch. This daring yet feminine appearance encapsulates the Art Deco allure for which the artist's creations are cherished. The sophisticated arrangement emanates the fundamental richness and theatricality that can only be accomplished by Erté, often hailed as the "Father of Art Deco." First published in 1857, Baudelaire's Les Fleurs du mal was controversial for its suggestive content and themes of decadence and eroticism. The volume provided a wealth of inspiration for Erté and he drew from several themes to create original fashion sketches...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Gysie Signed "Erté"(lower right) Inscribed "No. 5442" (en verso) Gouache on paper An enthralling pink gown by Erté is namedGysie,...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Etude de décor (Study of decor) Signed “Erté”(lower right) Inscribed "Don Pasquale" (en verso) Gouache on paper Erté reimagines...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Ailerons de Requin(Shark Fins) Inscribed "n°1.491" (en verso) Gouache on paper In 1928, Erté undertook the creation of stage desi...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Les Dragons (The dragons) Signed "Erté" (lower right) Inscribed "No. 358" (en verso) Gouache and gold on paper Erté masterfully ...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Le roi de Lahore (The King of Lahore) Signed “Erté” (lower right) Inscribed "Les Rois des Légendes / No. 11 / Le Roi de Lahore /...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Conte Hindou en noir Signed “Erté”(middle right) Inscribed "Inscribed 1922" (en verso) Gouache on paper Designed for a 1922 show at the Folies Bergère, Erté draws inspiration from the splendors of India in Conte Hindou (Hindu Story). The central bare-chested figure, adorned with a resplendent jewel-encrusted headpiece and draped in cascading pearl...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Les Bambous Signed "Erté" (lower right) Inscribed "No. 361" (en verso) Gouache and gold on paper Erté renders a stylish gold an...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Couronne de laurier The Laurel Wreath Signed "Erté"(lower right) Inscribed "No. 34.3" (en verso) Gouache on paper Erté conceive...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Mah-Jongg Signed "Erté" (lower right) Inscribed "No. 363" (en verso) Gouache and gold on paper Erté's artful depiction in gold...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Mistinguett Signed "Erté" (lower right) Stamped "Composition originale" (en verso) Gouache on paper Erté designed this costume fo...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Le Roi Mage Gaspard Mage King Gaspard Signed “Erté” (lower right) Inscribed "Les Rois des Légendes / N°3 / Roi Mage Gaspard / Date : 28 Février 1919 / No. 222" (en verso) Ink and gouache on paper A testament to Erté's pioneering creativity, this elaborate costume design was created for a 1919 production of Les Rois des Légendes, a performance that showcased a variety of legendary kings from throughout history. One of the three Magi, Gaspard or Gaspar (also known as Casper), was a legendary Magi who, alongside Melchior and Balthasar, paid homage to the baby Jesus. Gaspard is often depicted as an Indian king...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Princesse d'Asie Signed "Erté" (lower right) Watercolor and ink on paper Erté reinvigorated the Orientalist imagery of 19th-centu...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Eros Signed "Erté" (lower right) Gouache and silver on paper Eros is historically portrayed as a mischievous, winged youth armed ...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Eunuque Signed "Erté"(lower right) Inscribed "No. 13" (en verso) Gouache and silver on paper < br>This costume was designed for th...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Dame d'Honneur de la princessl(Maid of Honor to the princess) Inscribed "n°1.529" (en verso) Gouache on paper In 1929, Erté maste...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Le fiancé Signed “Erté” (lower right) Inscribed "Les Rois des Légendes / No. 13 / Le Fiancé / 28 févr...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Betty Signed "Erté" (lower right) Stamped "Erté, Romain de Tirtoff" (en verso) Inscribed N°114.4 (en verso) Gouache on paper This...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Conte Hindou en blanc Signed “Erté”(middle right) Inscribed "No. 76 / Conte Hindou 1922" (en verso) Gouache on paper Designed f...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Petit Chinois Signed “Erté”(lower right) Inscribed "No. 19" (en verso) Gouache on paper This costume was designed for a charact...

A rare original signed Art Deco gouache on paper by Erte (Romain de Tirtoff) . This stunning theatrical costume design is signed Erte at the lower right. The piece is 20 by 18 fram...

A French art deco pastel portrait by Louis-Jean Beaupuy. The work is signed and dated bottom right. Presented in carved and gilded wood frame. Beaupuy has captured all the charm and...

This is a contemporary botanical cyanotype print made using natural sunlight. The technique is combined with a Suminagashi marbling (a traditional japanese technique), that was previ...

French artist Georges Lucien Guyot (1885 - 1972) signed this charming woman nude study. This painting features a lovely design of a woman getting out of the bath and wiping with a towel. Only a few lines in charcoal and red chalk or sanguine mark the silhouette and posture and capture the model's expression. The red color emphasizes the color of the skin and imbues the lascivious movement. The sketches of the bath towel are only suggested, but it gives the whole thing a lot of softness and an incredible illusion of movement. Signed on the bottom left corner: Georges Lucien Guyot. The artist used a technique named "sanguine," or red chalk or crayon. The drawing has a blood-red, reddish, or flesh coloration. It has been popular for centuries for drawing employed by 15th and 16th Century artists such as the great masters like Leonardo da Vinci, Michelangelo, and Raphael. The drawing is ornate with a contemporary wood frame with a red and yellow deep-textured pattern and an off-white matte with acrylic glass protection. Measurements: With Frame: 20.87 in. wide (53 cm) x 28.35 in. high (72 cm) x 1 in. deep (2.5 cm). View alone: 11.44 in. wide (29 cm) x 18.94 in. high (48 cm). About: Georges Lucien Guyot (born December 10, 1885, in Paris, where he died December 31, 1972) is a French artist, sculptor, and painter. From an early age, Georges Guyot showed artistic abilities, but the modest conditions of his parents did not allow him to study art. So he did his apprenticeship with a wood sculptor. Guyot excelled in copying works from the 15th, 16th, and 17th Centuries but rapidly showed an attraction for nature. This attraction led him to the Jardin des Plantes in Paris, where he could study wild animals and translate his observations into sculptures and paintings. A familiar figure of Montmartre, Georges Guyot was the guest of the Bateau-Lavoir from the time of Cubism. In 1931, he joined the group of Twelve, created by François Pompon and Jane Poupelet...

Beautiful flower vase painting with bright colors to brighten your space

This poster from the 1930s draws from a well known Chinese opera scene. It melds the meticulous detail of traditional Chinese painting with the craft of color lithography. These advertisements, influenced by the Art Deco movement in the west, recall the economic boom of early 20th century Shanghai, an international center of business and trade. Layered with imagery of traditional Chinese life, the poster is nonetheless an advertisement for the modern cigarette industry, with several tobacco brands displayed in the top left corner, including Lan Ting, Hong Chun, and Jade Rabbit...