Matt Flint

Living in the Colors

2022

My paintings are of animals, plants, and landscapes seen through a moment of shifting focus. I paint the way I explore the rugged mountains by my house, always pushing to see what is over the next hill, searching for the unexpected. I begin my paintings without a plan. No preliminary sketches are made; every thought is worked out directly on the canvas. Artifacts of the creative process can be seen in the rich textures, worked surfaces, and veiled light qualities created by working and reworking the piece. As one image comes into focus another is fading away, retaining a piece of the previous while hinting at what might come next. The result of my search...

My paintings are of animals, plants, and landscapes seen through a moment of shifting focus. I paint the way I explore the rugged mountains by my house, always pushing to see what is over the next hill, searching for the unexpected. I begin my paintings without a plan. No preliminary sketches are made; every thought is worked out directly on the canvas. Artifacts of the creative process can be seen in the rich textures, worked surfaces, and veiled light qualities created by working and reworking the piece. As one image comes into focus another is fading away, retaining a piece of the previous while hinting at what might come next. The result of my search...

My paintings are of animals, plants, and landscapes seen through a moment of shifting focus. I paint the way I explore the rugged mountains by my house, always pushing to see what is over the next hill, searching for the unexpected. I begin my paintings without a plan. No preliminary sketches are made; every thought is worked out directly on the canvas. Artifacts of the creative process can be seen in the rich textures, worked surfaces, and veiled light qualities created by working and reworking the piece. As one image comes into focus another is fading away, retaining a piece of the previous while hinting at what might come next. The result of my search...

My paintings are of animals, plants, and landscapes seen through a moment of shifting focus. I paint the way I explore the rugged mountains by my house, always pushing to see what is over the next hill, searching for the unexpected. I begin my paintings without a plan. No preliminary sketches are made; every thought is worked out directly on the canvas. Artifacts of the creative process can be seen in the rich textures, worked surfaces, and veiled light qualities created by working and reworking the piece. As one image comes into focus another is fading away, retaining a piece of the previous while hinting at what might come next. The result of my search...

acrylic, latex, gel medium, sand, spray paint, oil on canvas

acrylic, latex, gel medium, sand, ash on canvas

Mixed media abstracted landscape composition on handmade paper of a town on the edge of a lake, in monochromatic orange tones with white accents, by Grace Eichholz (American, b. 1927...

This highly innovated Bob Peak Race Track painting is a perfect synthesis of art and commerce. Designed with a radical composition where two-thirds of the picture plane is an alm...

Signed lower right. Mixed Media

This painting is in excellent condition and has only been shown in a gallery setting. A hardbound book on Piccoli's works are included with your purchase. Pietro Piccoli was born i...

Artwork size: 30"h x 22"w

HOMO SAPIENS Mixed Media . 90 X130 cm. Acrylic Painting Rafel Egea no other training than the natural impulse, he works looking for the final result of the work. He likes to search for a parallel world in known reality, to create "my world". He began looking for lights, edges of color, reflections on the surface of the water, shine in the shadows. Now it directly affects the matter and manages to extract its transparency and luminosity. Consequently, it obtains the energy of Nature itself, the "natural light", alive and magical, that emanates from these natural sources of inspiration. his expression is a genre in which photography and painting come together. He likes to delve between colors and textures to obtain images, finished works, as if he were painting with new and unimaginable brushes that have nothing to do with those already known. Feeling and desire go first, then look for the goal and enter the pleasure of observing the result. Color and darkness merge into a world of endless new shapes. A very important point in the creative process is to keep the level of perception as clean as possible, and to do this he implements a philosophy of life based on physical exercise, which makes him feel like a Pegasus, like a horse...