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Roman Chatov
The Pink Robe, Roman Chatov, Nude, Figural, Mid-Century

1967

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  • "By the Window, " Leon Kroll, oil, figurative art, nude, modernism
    By Leon Kroll
    Located in Wiscasset, ME
    Leon Kroll was a painter, lithographer, art critic and teacher who was born in 1884 in New York City. Living his professional life in New York City and Chicago, he summered in Rockpo...
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  • Nude by the Sea, Figure, Impressionist
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    Tomanek was born in Czechoslovakia in 1889 and studied at the School of Design in Prague. He immigrated to America around the turn of the century and settled in Chicago where he studied at the Art Institute of Chicago. Tomanek was a member of the Bohemian Artist Club, Association of Chicago Painters, and Sculptors, and the Chicago Gallery Association. His works were exhibited at the Art Institute of Chicago, the Bohemian Artist Club, the Chicago Gallery Association and the Palette and Chisel...
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  • "Seated Nude, " Norman Rubington, oil on paper, Mid-Century, Hirschhorn Museum
    By Norman Rubington
    Located in Wiscasset, ME
    Born in New Haven, Connecticut in 1921, artist Norman Rubington studied at the Yale School of Fine Arts and Ecole des Beaux Arts in Paris where he participated in a number of group exhibitions and his first solo show at the Salon d'Automne in 1948, which received high acclaim. Following his studies, he returned to the States and exhibited in a series of shows in Boston, New York and San Francisco. Rubington was awarded a grant from the Tiffany Foundation, a Guggenheim Fellowship, the Prix de Rome prize and was a fellow of the McDowell Art Colony in New Hampshire. Rubington exhibited at the Salon d'Automne, Paris, City Center, New York, Carl Siembab Gallery, Boston, Berman Museum of Art, Pennsylvania, American Academy, Rome, Museum of Fine Arts, San Francisco, Corcoran Gallery, Washington D.C., Art Institute of Chicago, American Art Gallery, Copenhagen, Rome Art Club, and Museo Berera, Milan. Rubington's work is held in numerous private and public collections including permanent collections of the J.H. Hirschhorn Museum, Washington, D.C., San Francisco Museum of Art, San Francisco, CA, Obelisk Gallery, London, Court Gallery, Copenhagen, Grace Cathedral...
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  • Reclining Nude, Impressionist, Early 20th Century, Figure, Interior
    Located in Wiscasset, ME
    "Reclining Nude" by Gustave Durand is a beautiful, classical French nude in the tradition of Carolus-Duran and the Académie Julian.
    Category

    Early 20th Century Impressionist Figurative Paintings

    Materials

    Oil, Panel

  • Spanish Gown, Standing Nude Figure, American Impressionist, 1920s, Oil on Board
    Located in Wiscasset, ME
    "Spanish Gown" is possibly signed lower right. A painterly American Impressionist work beautifully captures a nude woman stepping from a golden gown. The painting is reminiscent of t...
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    20th Century American Impressionist Figurative Paintings

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  • Nude, Figural, Watercolor and Gouache, Catalogued Rodin's Studio
    By Odilon Roche
    Located in Wiscasset, ME
    Odilon Roche was born in Chateauneuf-sur-Loire in 1868. He was a professional wine taster who traveled around Europe attending wine fairs. In 1902 he opened a shop selling artists'...
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    Early 20th Century Modern Figurative Paintings

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    Gouache, Watercolor

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    By René Magritte
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    René Magritte 1898-1967 Belgian Le carnaval du sage (The Sage’s Carnival) Signed “Magritte” (lower right); titled and dated "Le carnaval du sage 1947" (en verso) Oil on canvas The enigmatic paintings of René Magritte have become some of the most familiar and celebrated of the Surrealist movement. Among the most influential of the Surrealist painters of the 20th century, Magritte is an artist of international renown, as beloved for his popular appeal as he is for the psychological intensity of his works. The present oil on canvas, entitled Le carnaval du sage, was executed in 1947 at the height of his career, and it is a tour-de-force example of the haunting, mysterious scenes that comprise his oeuvre. Painted in the years following the Second World War, Le carnaval du sage showcases several recurring themes from Magritte’s oeuvre. Chiefly, a juxtaposition between the visible and the hidden is keenly felt. Throughout his career, Magritte explores the psychological obsession with revealing what is hidden, particularly with regard to the human face. In his Le fils de l’homme, he obscures the face of a man in a bowler hat with an apple, while his Les amants (Metropolitan Museum of Art) conceals the faces of two lovers with white sheets. In Le carnaval du sage, Magritte juxtaposes the blatant nudity of his central figure by masking her face, simultaneously revealing and concealing her from the viewer. The work also incorporates two of Magritte’s most common tropes – the glass of water and the baguette. Lending the scene a strange sense of domesticity, they appear infinitely familiar and distinctly out of place, and thus heighten the uncanny effect of Magritte’s composition. In the background hovers a ghost obscured by a sheet, a figure which was of particular fascination to Magritte beginning in 1946. He once wrote to his fellow Surrealist Paul Nougé: "I saw in a dream an answer to the problem of the ghost: the traditional ghost draped...
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  • Le Coucher - Post Impressionist Nude in Interior Oil Painting by Pierre de Belay
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  • 1970's FRENCH POST-IMPRESSIONIST OIL - NUDE LADY SUNBATHING BLUE BACKGROUND
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    Nu Assise by Ludovic-Rodo Pissarro (1878-1952) Oil on canvas
 55 x 47 cm (21 ⅝ x 18 ½ inches) 
Signed lower left, Ludovic Rodo
 Executed circa 1910 This work is accompanied by a cer...
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