Alea Pinar Du Pre

Arnolfini Portrait

2019

The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...

Sensational paintings of glass vessels come to life in this dynamic exhibition featuring new works by Korean artist Inkyeong Baek. Demonstrating an uncanny ability to capture her sub...

Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all ...

The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...

Sensational paintings of glass vessels come to life in this dynamic exhibition featuring new works by Korean artist Inkyeong Baek. Demonstrating an uncanny ability to capture her sub...

Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all ...

“Tired and Brazilian” 2022 35 1/2 x 39 1/2 in Acrylic on canvas $3000 ------ Camila Rosa is a Brazilian Artist and Illustrator based in Sao Paulo, Brazil. She started her life as a...

“The Sun That Never Goes Out” 2023 30x40 in Acrylic on canvas $3000 ------ Camila Rosa is a Brazilian Artist and Illustrator based in Sao Paulo, Brazil. She started her life as an a...

“As One” 2023 30x40 in Acrylic on canvas $3000 ------ Camila Rosa is a Brazilian Artist and Illustrator based in Sao Paulo, Brazil. She started her life as an artist in 2010 with a ...

Dana Coleman is a contemporary Gullah artist who captures the dynamic, awe-inspiring beauty of the Lowcountry in each of his paintings. His realistic depictions of his Gullah heritage, lowcountry lifestyle, architecture and landscapes draw in the viewer, creating a one-on-one experience that lasts a lifetime. He uses natural and bright colors to execute his contrasting and harmonious work. After earning an associate degree in graphic design at Trident Technical College in Charleston, South Carolina, Dana studied civil engineering at the University of South Carolina in Columbia, where he refined his innate ability to recognize and execute the fine detail that can be found in his paintings. Dana, who has earned several awards for his artistic talent, always has believed that “You can paint anything you set your mind to.” His artwork captures the most vivid and fond memories he has collected since his childhood “in the country,” just outside of Charleston. He shares those experiences with viewers so they can enjoy the diverse and vibrant culture that is unique to Charleston. His architectural background has helped Dana reproduce the history and beauty found in the Charleston area, from its weathered houses and structures to its beautiful beaches and marshland. ​ With an ever-changing palette, Dana paints with various techniques, depending on the subject matter – and his emotional attachment to the subject matter. Applying paint with purpose and patience, he applies the strengths of each specific medium to achieve smooth, rich surfaces and crystal clear, vibrant hues. Dana’s artwork can be found in numerous private art collections around the world and has been displayed at the Metropolitan Museum of Art in New York. His work is a permanent fixture at the Sierra Leone National Museum and the Fort Sumter...

Dana Coleman is a contemporary Gullah artist who captures the dynamic, awe-inspiring beauty of the Lowcountry in each of his paintings. His realistic depictions of his Gullah heritage, lowcountry lifestyle, architecture and landscapes draw in the viewer, creating a one-on-one experience that lasts a lifetime. He uses natural and bright colors to execute his contrasting and harmonious work. After earning an associate degree in graphic design at Trident Technical College in Charleston, South Carolina, Dana studied civil engineering at the University of South Carolina in Columbia, where he refined his innate ability to recognize and execute the fine detail that can be found in his paintings. Dana, who has earned several awards for his artistic talent, always has believed that “You can paint anything you set your mind to.” His artwork captures the most vivid and fond memories he has collected since his childhood “in the country,” just outside of Charleston. He shares those experiences with viewers so they can enjoy the diverse and vibrant culture that is unique to Charleston. His architectural background has helped Dana reproduce the history and beauty found in the Charleston area, from its weathered houses and structures to its beautiful beaches and marshland. ​ With an ever-changing palette, Dana paints with various techniques, depending on the subject matter – and his emotional attachment to the subject matter. Applying paint with purpose and patience, he applies the strengths of each specific medium to achieve smooth, rich surfaces and crystal clear, vibrant hues. Dana’s artwork can be found in numerous private art collections around the world and has been displayed at the Metropolitan Museum of Art in New York. His work is a permanent fixture at the Sierra Leone National Museum and the Fort Sumter...

Hand-signed by artist, Signed at the lower right corner of the painting.