Amy Hill

Young Woman with Cat

2018

Morning Vine, 2017, oil on traditional gesso primed canvas mounted on wood panel with incised line drawing, 54 x 40 inches Morning Vine is painted on a traditional gesso primed surf...

A great cormorant bird sits atop a bend wood chair, with a clear glass pitcher with a single white calla lily resting along beside. This oil pain...

36"x36" oil on wood panel. This painting fuses figure and pattern, with a contemporary Pop Art feel. Emily Roz depicts a red with white polka dot bikini clad torso, against a ground...

56"x96" watercolor on paper, signed on reverse. New York artist, Thomas Broadbent, well know for his contemporary naturalist depictions of the intersection of nature and man, presen...

78” x 42” ink and watercolor on paper, signed on reverse by the artist, Jesse Lambert. The abstract ground of washes of green, blue, orange and rose tones over white create an active field of color. The imagery of hummingbirds and bird feeders amongst graphic representation of trees, leaves and branches are created with defined black inkwork lines. Pattern and repetition with the vertical tree trunks, are intersected with cross sections of lumber with beautiful wood grain. This large scale painting is featured in "Shelter, Scatter, Feed" a solo show of new works by Jesse Lambert. Front Room Gallery is proud to present a solo exhibition of new works on paper by Jesse Lambert, titled, "Shelter, Scatter, Feed". This is Jesse Lambert’s second solo show at Front Room Gallery. In this exhibition, Lambert continues to explore themes of shelter, safety, and the passing of time. His ink and watercolor paintings on paper depict abandoned scenes in an abstracted rural space. In previous works, Lambert combined the spaces of domesticity and the natural world, with an occasional appearance of the human figure. His new work contemplates the new reality under COVID-19, and continues to evoke the universal need for shelter and protection. In these paintings Lambert imagines the world abandoned by human inhabitants, reclaimed by nature- as if the world has moved on, without us. In this series, 
Lambert’s familiar color washes have taken on a more natural hue. Lambert presents a grouping of medium sized paintings which explore the theme of birdhouses as a metaphor for human needs. The birdhouses are falling apart or incomplete, dysfunctional structures failing to meet their stated function. In his larger paintings, remnants of built structures of unknown use are scattered across a forested setting. Strips or planks of wood are nailed to tree trunks. A broken ladder promises ascent, but falls apart. Fragments of wood and string hint at former use, yet all vestiges of functionality have disappeared. Abandoned bird feeders swing precariously. Within the chaos of darting birds, falling leaves and flowers, and remnants of built space, a pattern almost emerges. These paintings emote a feeling of webbed interconnectedness that reveals the beauty of decayed things, and an allure of the poignancy of impermanence. In a series of smaller black and white drawings...

40"x60" watercolor on paper, signed on reverse by the artist. In this contemporary surrealist painting, an anteater is foraging through cast off items from domestic life. The anima...

The prayer of the Indian. - Animal figurative magic. A moment to remember when we were connected to the magical and invisible, when animals were gods. Painting 23" x 20" inch by Ion ...

Signed on reverse Born in Turkmenistan, in the sunny city of Ashkhabad. From his youth was into artistic activities, currently the earlier works are kept in the family archives. In ...

Moreno PINCAS depicts life. Noisy, agitated. With a critical and tender eye, he sketches existence as if it were a play and each time tells us a new story made up of meetings and liv...

Moreno PINCAS depicts life. Noisy, agitated. With a critical and tender eye, he sketches existence as if it were a play and each time tells us a new story made up of meetings and liv...

The artist Tomasz Bielak loves animals, but especially monkeys. He often portrays her. Old photos serve as templates. Tomasz Bielak born in Lublin in 1967. He graduated of The Acade...

Tomasz Bielak born in Lublin in 1967. He graduated of The Academy of Fine Arts, Painting and Graphics Design Department in Gdańsk, in 1994. He realized installation art, graphics ...