after Andrea del Sarto circa 1863. Portrait of Baccio Bandinelli. Uffizi Gallery

Self-Portrait of Leonardo da Vinci 1452 - 1519 after & of Leonardo da Vinci Italian, dated 1863 Signed Gianni Oil on Panel. Oval Image size 8.3 inches x 6.5 inches ( 21cm x 16.5cm ) ...

Between the Wars Portrait Oil Painting Bust Portrait of a Gentleman circa 1920 – 1940 Signed S. Sassoon Oil on Canvas. Image size 20.9 inches x 17.3 inches ( 53cm x 44cm ). Frame siz...

Peter Ross. English (b.1941) The Young Richard Burton and his father. Welsh Coal Mining Community. Oil on Board. Signed. Image size 24 inches x 24 inches ( 61cm x 61cm ). Frame size 25.2inches x 25.2inches (64cm x 64cm ). Available for sale; this original painting is by Peter Ross and dates from 2013. The painting is presented and supplied in a contrasting contemporary floating frame (which is shown in these photographs). This painting is in superb condition. It wants for nothing and is supplied ready to hang and display. The painting is signed lower left. Peter Ross is a Welsh artist living in England and currently producing paintings about his childhood in South Wales in the 1950’s and 60’s. Peter was born in Llanfrechfa, South Wales in 1941. He grew up in Newport and studied at Newport Art College from 1958-62 and then at Bristol Art College from 1962-63. For most of his working life he worked as an art teacher in secondary schools and before retiring in 2007, as an art technician. He now teaches life drawing to adults and exhibits his work in galleries in England and Wales. Since his time as an art student Peter has continued to paint for himself. He has always chosen themes which appealed to him at specific times such as conflict, journeys, faces and cultural/literary figures. Each phase of interest and painting usually lasting one to two years and resulting in an exhibition before starting on the next subject of interest. Peter’s work has been mostly narrative-based or representational, with one abstract phase immediately after leaving art college. In recent years his interest has returned to his childhood and his memories of Newport, South Wales. These paintings are based on family and archive photographs, memories, research and other influences like Dylan Thomas. Peter has had numerous one person and joint shows. His has also taken part in the Royal Academy Summer Show, The Arts Council of Wales, South Wales Group and Welsh Artist of the Year Show 2008. He has recently exhibited at the Riverfront Gallery in Newport, the Ardent Gallery, Brecon and the Nick Holly...

Howard Barron. English/Australian ( b.1900 - d.1991 ). Portrait of Katherine Joan Merry nee Horstmann b.1914 - d.1973. Director of Horstmann Gear Company of Bath, 1946. Oil on Canva...

Unknown School. Second half of the mid-20th Century. Charcoal, Oil Paint & Spray Paint on Plywood Panel. Signed Indistinctly. Image size 26.8 inches x 21.7 inches ( 68cm x 55cm ). ...

Arthur William Devis. English ( b.1762 - d.1822 ). Portrait of Charlotte Shore, Daughter of the 1st Lord Teignmouth 1790 - 1864. Oil on Canvas. Oval Image size 26.2 inches x 20.5 in...

Provenance: Private Collection, New Jersey The present painting depicts Saint Vincent Ferrer preaching from a raised pulpit to a group of seven peopl...

15th century, Italian Circle of Antonio del Pollaiuolo (1429-1498) Portrait of an Italian Noblewoman Oil and tempura on poplar panel With partial inscription: ALZETAPIN Provenance:...

Figurative Group Roman Catholic Saints Italian School, late 17th century/ early 1700's sketch of a lamb showing verso to panel oil painting on panel, framed framed: 20 x 24 inches bo...

A portrait of courtier and politician John Poyntz, after Hans Holbein, circa 1644 - 1674. This painting is based on a drawing by Hans Holbein, part of the drawings collection of the ...

Gillis Claeissens Portrait of a Lady, probably "Anne Joigny-de Pamele" Oil on wood, 35,5 x 28 cm Gillis Claeissens has only recently been rediscovered as an important portrait painter of the 16th century. He received his training in the studio of his father, Pieter I Claeissens. Gillis became a freemaster of the St Luke's Guild in Brussels in 1566 and worked at the court of Alexander Farnese in Brussels between 1589 and 1592. Later he was also court painter to the Archdukes Albert and Isabella. After his return to Bruges, he created portraits of high Bruges society. It was only through the Forgotten Masters exhibition in Bruges in 2018 that the work of Gillis Claeissens was rediscovered. The present painting recently turned up in a private collection and was confirmed as a typical work by Claeissens by Mrs Oosterwijk at the Museum Groeninghe in Bruges. Gillis Claeissens or Egidius Claeissens (Bruges, 1526 – Bruges, 17 December 1605) was a Flemish painter of portraits and altarpieces and a member of a prominent family of artists originating in Bruges. It has only been possible to distinguish Gillis Claeissens' work from that of his father and siblings after scholars discovered a contract with the artist for the painting of a tryptich. It was further discovered in 2015 that he artist can be identified with the Monogrammist G.E.C. These discoveries have allowed to recognise Gillis Claeissens as an important portraitist alongside Pieter Pourbus in 16th century Bruges. Portrait Paintung, Old Master, Bruges School, Bruges Painting...

These exceptionally rare early Renaissance panels of Saint Cosmas and Saint Damian are an extraordinary new discovery. It is believed, thanks to the research of art historians Marco Tanzi and Andrea de Marchi, that these represent the missing panels from the famed polyptych that was formerly displayed on the altar of the Chapel of San Nicola da Tolentino in the Church of Sant’Agostino in Cremona, Italy. To find two matching early Renaissance panels outside of a museum or church, particularly in such remarkable condition, is an extraordinary rarity. The central and left-sided panels of the original five-part polyptych are currently in the collection of the Museo Civico Ala Ponzone in Cremona. These panels have luckily remained intact, and respectively portray the Madonna and Child Enthroned with Angels and Donor, Saint Nicholas of Tolentino (the chapel’s namesake) and Saint George. While the present panels have since been reduced, that they belong to the Cremonese altarpiece is confirmed by a number of stylistic elements. All five panels contain the same rich decorative arabesque pattern on their stamped gold background, while the figures’ knurled haloes are identical in both their fineness of line and use of perspective. The proportions of the figures coincide perfectly; Saints Cosmas and Damian would have originally also been depicted as full-length figures, fitting into the vertical, Gothic style of the altarpiece. According to the Christian religion, Saint Cosmas and Saint Damian were 3rd century physicians born in Arabia. Little is known about their lives except that they were reputedly twin brothers and that they were martyred in Syria during the persecution of Emperor Diocletian. It was believed that the saints were skilled in healing, and when their medicines failed, their faith and prayers could always perform miracles. Thus, the saints are often depicted with their medical equipment while wearing the traditional medieval doctor’s garb of crimson robes and distinctive round red hats. The saints are similarly depicted in the present panels, though considering the manner in which they have been cut, their medical tools are not immediately evident. The saints were highly popular as patrons of wealthy families during the Gothic and Renaissance eras, particularly the Medici, and thus they occur frequently in art from the era. The twins, for instance, are found in the famed San Marco Altarpiece by Fra Angelico in the San Marco Museum (Florence), as well as in a set of Medici panels crafted by Filippo Lippi...