Angela Smith

Secret Moon Garden (The Shepherdess), Girl, Bird, Portrait

2023

Single hummingbird, oil on panel by Angela Smith Hummingbird on a green background, perfectly painted with lots of detail.  ADDITIONAL INFORMATION: Singl...

Original painting by Angela Smith showing back of girl's head. A portrayal of young girl with brown hair tied back by pink flowers.  Surrounded by a vib...

Nude in Lime by Gabrielle Moulding [2020] original oil on linen Image size: H:65 cm x W:45 cm Complete Size of Unframed Work: H:65 cm x W:45 cm x D:1cm Sold Unframed Please note...

One Queen (4) By Agent X [2020] original and hand signed by the artist Digitally produced painting on canvas Image size: H:106 cm x W:72 cm Complete Size of Unframed Work: H:106 cm ...

One Queen (2) Black is an Original on Canvas by Agent. ’One Queen (2) Black’ depicts silhouette of the Queen. As snipped from the pure black background, Agent X creates the illusion of a cut-out to reveal a Baroque, floral painting underneath. With its bold composition of the antique with the contemporary, the artwork is a powerful transference of street to Canvas. Agent X, painter, is available for sale online and in our art gallery at Wychwood Art. Agent X, cultural explorer and agent of the unknown, creates experimental, multimedia collages, paintings, and 2D artwork. Described as ‘Pop Art with thought,’ Agent X juxtaposes pop culture, technology, fashion, and music in visually complex amalgamations expressing the anxieties of the global, post-modern world and the dark side of consumerist, media-obsessed culture. His work occupies a unique intersection between the aesthetics and philosophy of Futurism, the social critique of the Dada movement...

One Queen (02) is an Original on Canvas by Agent. ’One Queen (02)depicts silhouette of the Queen. Agent X creates the illusion of a cut-out to reveal a Baroque, floral painting under...

The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...

The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...

The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...

Figurative painting that explores the invisible bond that connects us with all other living beings. Against a background of natural shadow earth, a suspended dance that is infinite. ...

Blue Moon, by Sergio Bazan From the Musica Nocturna series. Oil on canvas Image Size: 63 H x 47 W inches Unframed 2007 Signed by artist _______ The paintings of Sergio Bazán have a ...

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Ber...