Bob Pollack

KEN GRIFFEY JR

Pollack, Bob (American, born 1936). LEBRON JAMES. Original painting in acrylics on paper, 2022. Signed and dated within the image. 11 X 14 inches. In exce...

Pollack, Bob (American, born 1936). JERRY RICE (San Francisco 49ers, 1997). Original painting in acrylics on paper, 1996. Signed and dated within the image....

Pollack, Bob (American, born 1936). STEVE YOUNG (San Francisco 49ers, 1997). Original painting in acrylics on paper, 1996. Signed and dated within...

Pollack, Bob (American, born 1936). MICHAEL JORDAN. Original painting in acrylics on paper, 1997. Signed and dated within the image. 11 x 14 inches. In ...

Pollack, Bob (American, born 1936). ARNOLD PALMER. Original painting in acrylics on paper, 2003. Signed and dated within the image. 16 X 12 inches. In ex...

Pollack, Bob (American, born 1936). TIGER WOODS. Original painting in acrylics on paper, 1997. Signed and dated within the image. 19 x 14 inches. In excelle...

Painting by Noche Crist (1909 - 2004). Work is untitled and signed. Measures 22" x 12". Painting is casein paint and plaster on board. Catalogue of an exhibition in 2008 at the...

The Menthol Mood, 2009, Nancy Lamb, Oil on canvas, 48 x 85" Nancy Lamb (American, born 1956), sculptor and painter. Formally trained at Texas Christian Un...

"I IDENTIFY AS YOU AND I'M OBSESSED WITH MYSELF" 2024 Paris, France A commentary on narcism and vanity, identity and obsession. The viewer is presented with two figures, sexually a...

AN URGENT MAN 2020 Paris, France Oil and acrylic on canvas portray a ‘derbyed’ man attempting to shed the weighted armor of his obligations and persona. A very loose nod to the char...

CONGRATULATORY 2020 Paris, France Subtle, black & white, figurative portrait in chalk on antique wood. Wood itself has a lot of character, with a beautiful, grey patina. Evidence o...

SET US IN STONE I 2022 Paris, France Originally created as part of Nicholas' solo exhibition "This, and Thereafter (Plumes)," December 10, 2022 - January 7, 2023. The theme illustrated the enigmatic uncertainty around what might happen after life. A range of paintings were presented – vibrant and ethereal – touching on different aspects of this notion. Each painting had a different point of view, oftentimes focusing around the inevitability of what is to come, and if and how it influences the present. This particular piece centers around personal legacy, how you will be remembered, and how your life vanishes into an abstraction as time goes by. This notion is visualized with a bust set in stone. The technique Evans used was a mixing of water-based ink with a hint of blue, that he knew would react when overlaid with white acrylic, pulling out a lighter hue of the blue ink. The white silhouette of a portrait set in stone creates a ghostly continuation of the underlaid pattern. Option to create a pair alongside "Set Us In Stone II" (as pictured). Price and size are per painting. Evans Deventer...