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Cristian Mesa Velazquez
Kiss Me, Besame, oil painting, Realist Art, young Cuban artist in Barcelona

2020

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    Located in Houston, TX
    Originally offered at $2000. Giovanni Monaco is a realistic portrait of a monastic monk that Angel Ramiro Sanchez know in Florence where he teaches at the Florence Academy...
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    2010s Realist Portrait Paintings

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  • Virtue of Knowledge, oil painting, Texas artist, Realistic painting
    Located in Houston, TX
    Virtue of Knowledge reexamines portraits of individuals throughout history to illustrate the premise that history flows into the present in an ever-changing state. And, with each new context, we view people and events through a contemporary lens specific to that moment. Virtue of Knowledge appropriates and contextualizes original portrait elements to create reinvented portraits using technique and patterning that brings a contemporary context and perspective to these historically inspired portraits STATEMENT History flows into the present in an ever-changing state. And, with each new context, we view people and events through a contemporary lens specific to that moment. My current body of work, Contemporary Histories, explores this phenomena by re-interpreting historical portraiture using a contemporary visual language. It is my intent to create a modern visual lens through which to view these individuals and their legacies, as they continue to flow into the present in ever-changing states. As a keen example of how history changes and morphs over time, I have selected portraits of women who chose an alternate path from the traditional ones prescribed in their times. Some of these individuals overtly stepped outside the traditional roles prescribed for women to realize their goals. Others astutely maneuvered within the social system they lived in to obtain their aspirations. Whether altruistic or nefarious, these women and their actions altered the future cultural landscape. Through a 21st century lens, we view them as women with minds of their own, who made choices to control their own lives and futures. Often, in stark contrast to how they were viewed and how their actions were recorded in their own times. For a modern visual language, a combination of fine and decorative arts has inspired my approach to this subject. Employing several formal contemporary tenets, most notably, rather than place the figure in a 3-dimensional space, as in the originals, the figures reside in flat graphic picture planes of damask designs, repetitive patterns or botanical grounds as modern settings for their modern legacies. These graphic backgrounds symbolize what was historically considered a woman’s proper domain, in particular, gardening and needle crafts, such as; quilting, embroidery and sewing. Formally, unlike the originals, I am working alla prima, rather than with a base grisaille and delicate layers of glazing. While, the patterned and botanical environments, along with gold leaf applications, contemporary compositions and color palettes are formally influenced by a spectrum of 19th - 21st century artists and artisans; from Gustav Klimt and the Wiener Werkstatte to Henri Rousseau, Tamara de Lempicka and Will Cotton. BIO Honora Jacob...
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  • Give-Me-A-Smile Oil/ Canvas Nigerian Artist 2023 Portrait Art Realism
    Located in Houston, TX
    Give Me A Smile Close your eyes, Don't say a word; Give me a smile, And stay and weave me your part of tenderness, Give me a little smile while I lie by your side; And give me you...
    Category

    2010s Realist Portrait Paintings

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    Canvas, Oil

  • After Kupta, Portrait, Realism, Oil Painting, Texas Artist, Sawyer Yards
    Located in Houston, TX
    "After Kupta" 7 x 5 Framed 12 x 10 One of my favorite paintings is the Yellow Scales, a self portrait by Frantisek Kupka hanging in my home city museum, Houston Fine Arts, and whe...
    Category

    2010s Realist Portrait Paintings

    Materials

    Canvas, Oil

  • Skull, Portrait, Realism, Oil Painting, Texas Artist, Sawyer Yards
    Located in Houston, TX
    "Skull" 7 x 5 Framed 12 x 10 Skull: Small oil on canvas panel of my own backyard, with hint of West Texas. Why are we interested in skulls? Does it br...
    Category

    2010s Realist Portrait Paintings

    Materials

    Canvas, Oil

  • Stupendous Beauty 2 Oil/ Canvas Nigerian Artist 2023 Portrait Art Realism
    Located in Houston, TX
    Description: This painting "Stupendous Beauty 2 " conveys the confidence and the very impressive beauty of a black woman that is painted in bold colors in the style of Realism. It is oil on canvas. Stupendous Beauty 2 is a unique work of art, not a print or other type of copy. Joshua Salami...
    Category

    2010s Realist Portrait Paintings

    Materials

    Canvas, Oil

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    By Beth de Loiselle
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    Beth de Loiselle's , "Schnauzer", is a beautifully detailed realistic dog painting of a loving Schnauzer. Beth de Loiselle's dog/animal paintings always amaze with her fine detail. As an animal portraitist Beth’s keen observations of this Schnauzer capture that particular expression, compassion and familiarity to its breed. Beth was taught the classical old masters style at the esteemed Schuler School of Fine Art. Now viewed as an expert she is an instructor of old master techniques at the school. Beth de Loiselle is a member of The National Oil and Acrylic Painter’s Society, Oil Painters of America, Audubon Artists and the International Guild of Realism. Signed upper left hand with full name. The painting is framed in a simple gold frame...
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  • Portrait of Hope G. Simpson - British 1952 art female portrait oil painting
    By Gerald Leslie Brockhurst
    Located in London, GB
    This superb British realist portrait oil painting is by noted artist Gerald Leslie Brockhurst. It was painted in 1952 when Brockhurst was in his sixties and living in America since 1939. The sitter is Hope G. Simpson. The painting is a half length portrait of a striking blonde woman in a blue buttoned up Chinese style garment. It is a strong portrait with bold colours and confident brushwork and an excellent example of his work. Signed and dated 1952 lower right. Provenance. Hiram Hoelzer New York label verso. Portraits Inc. East Street new York. Label verso. Condition. Oil on canvas, 30 inches by 25 inches and in good condition. Frame. Housed in its original wooded frame, 37 inches by 32 inches and in good condition. Gerald Leslie Brockhurst (1890-1978) was a British painter and etcher. Brockhurst was born in the Edgbaston district of Birmingham on 31 October 1890, son of a coal merchant called Arthur Brockhurst, he soon showed precocious drawing skills and entered the Birmingham School of Art at the age of twelve. A pupil at the Royal Academy Schools in 1907, he won the gold medal and a travelling scholarship in 1913, enabling him to visit both France and Italy. This led to a closer study of such 15th-century artists as Piero della Francesca, Botticelli and Leonardo da Vinci, whose work had an abiding influence on him. In 1914 he married for the first time to a Frenchwoman, Anaïs Folin, whom he used as the model for most of his early etchings of young womanhood (especially from 1920 till 1934). From 1915 to 1919 Brockhurst and his wife Anaïs lived in Ireland, where they were friendly with the artist Augustus John and his circle. Though he tried his hand at etching in 1914, it was not until 1920 that he began his career as an etcher in earnest, eventually achieving success as both a printmaker and society portraitist. Brockhurst held his first important exhibition in 1919, in London, and after it was well received returned to live there. In 1921 he was one of the early members of the newly-formed Society of Graphic Art and exhibited with them. Throughout the 1930s he continued an increasingly successful career as a portrait artist, with notable sitters including the film stars Merle Oberon and Marlene Dietrich, as well as the Duchess of Windsor, whose husband commissioned her portrait. In 1937 Brockhurst was elected to the Royal Academy and was able to command a price of 1,000 guineas for a portrait. In the same year however details of his relationship with his young model Kathleen Woodward, whom he had renamed Dorette, were made public after she gave an interview to the Sunday Express. Brockhurst's marriage had previously come under strain in 1922 when his wife discovered his adultery with her sister, Marguerite, and now broke down acrimoniously, with Brockhurst counter-suing on the grounds of his wife's adultery. In August 1939 Brockhurst and Dorette moved to the United States, and he was eventually divorced from his first wife in 1940. He married Kathleen in 1947. In New York City, Brockhurst became both famous and rich with a series of society portraits but his printmaking output diminished, especially his etchings. He produced a few lithographs at the end of his career (around 1945). In 1951, he was elected into the National Academy of Design as an Associate member. In 1958, he appeared as a guest challenger on the TV panel...
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