Emma Sergeant

Portrait of Imran Khan

1984

Gilbert Lewis (b.1945). Influence of Red (male portrait), ca. 1990s. Oil on masonite panel, 16 x 20 inches. Signed upper right. Excellent condition. Measures 18 x 22 inches in custom gold leaf float frame. Original gallery labels affixed on verso. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig. While a student at PAFA he shares apartment [261 South 21st Street] with PAFA students, Jody Pinto and Barbara Sosson. In 1967 he receives PAFA’s: Bergman Prize in Painting; M. Herbert Syme Prize; and Samuel Cresson Memorial Travelling Scholarship. The latter award enables Lewis to travel to Europe during the summer of 1967 where he visits museums. “In 1967, after having seen the Italian master’s work while on scholarship from the Pennsylvania Academy, I was to realize my great influences and to discover the earlier Sienese masters whose clarity and energy still move me.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1968 Horizontal painting [of an interior with a seated woman and cat by a large window] reproduced in black and white in school catalog for Pennsylvania Academy of the Fine Arts 1968-1969, p. 24. Other students whose works are reproduced include Clayton Anderson, Barkley...

Edwin Kosarek (b.1929). Portrait, 1951. Oil on masonite panel, 20 x 24 inches; 25 x 29 inches in period frame. Signed and dated on verso. Edwin Kosarek...

Edwin Kosarek (b.1929). Reclining Nude, 1952. Oil on wood panel, 17 x 48 inches. Signed and dated on verso. Edwin Kosarek Born: 1929 Studied: The Cit...

Rosemarie Beck (1923-2003). Yaddo Portrait of a Man (possibly Larry Osgood). Oil on canvas, 18 x 22 inches. Without frame. Minor rippling of canvas with...

Fletcher Martin (1904-1979). Darkness, 1940. Oil on canvas, 18 x 22 inches; 28.5 x 32.5 inches framed. Signed and dated lower left. Presented in a carved chestnut Heydenryk custom frame of the period. Excellent condition with no damage or conservation. Biography: Birth place: Palisade, CO Death place: Guanajuato, Mexico Addresses: NYC; Woodstock, NY, 1947 and after; Guanajuato, Mexico in 1976 Profession: Painter, lithographer, block printer, muralist, illustrator, teacher Studied: Stickney Mem. Sch. Art Exhibited: Hatfield Gal., Los Angeles, 1932 (solo); LACMA, 1935 ( Van Rensselaer Wilbur Prize), 1939 (prize), 1944; FAP, 1937 (prize); PAFA Ann., 1939-54 frequently (prize 1947); 48 States Comp., 1939 (prize); WMAA, 1940-57; AIC, 1940-45; VMFA, 1941; CI, 1942-44; MoMA, 1942; NAD, 1943, 1949 (Altman Prize); Corcoran Gal. biennials, 1943-53 (6 times); Roberson Mem. Center, Binghamton, NY, 1968 (retrospective); Eve Loring Gal., Cedarhurst, NY & Rudolph Gals., Woodstock, NY, 1970s Member: A.N.A., 1969; Woodstock AA (chmn., 1953-55); Calif. WC Soc.; Am. Artists Cong.; Fnd. of Western Art; AEA (nat. committee,1949-55). Work: MMA; WMAA; MoMA; LOC; Cranbrook Acad. Art; William Rockhill Nelson Gal., Kansas City, KS; LACMA; Denver Art Mus.; Mus. FA, Houston; SFMA; PAFA. Commissions: true fresco, WPA, Hollywood H.S., 1935; oil on canvas, U.S. Secretary Fine Art, Fed. Bldg., San Pedro, CA, 1937; oil on canvas, U.S. Secretary Fine Art, Post Office Bldg., Lamesa, TX, 1938; bas relief sculpture, U.S. Secretary Fine Art, County Court House, Bonner's Ferry, ID, 1939; oil on canvas, U.S. Secretary Fine Art, Post Office Bldg., Kellogg, ID, 1940. Comments: Preferred media: oils, watercolors, print media. Specialty: Western subjects. Illustrator: Tales of the Gold Rush, 1944; Mutiny on the Bounty, 1947; The Sea Wolf, 1961; The Jungle, 1965; Of Mice and Men...

Elliot Barowitz (b.1937). Little Blue Head, 1965. Oil on canvas, 1965, signed 'E.O. Barowitz', titled and dated on the stretcher. 16 x 16 in., 16 3/4 x 16 3/...

"A Young Girl Reading a Book" is a captivating portrait by Swedish artist Gustaf Arnolds. Arnolds was a prolific painter whose roots began in Vingåker and later in Ronneby from his teenage years. His educational journey in art took him through prestigious institutions such as Althins målarskola and the Tallbergska grafikskolan in Stockholm, followed by a significant period at the Konstakademien, Stockholm, between 1904 and 1909. His talent and dedication were recognized early on, earning him a scholarship to Paris, a city that would deeply influence his artistic direction. This particular work, likely painted shortly after his return to Sweden, reveals a profound influence from his time in Paris. It portrays a young girl absorbed in reading a book, a simple yet profound subject that Arnolds imbues with a sense of tranquility and introspection. The background hints at a serene landscape, dotted with quaint houses, a nod to the everyday beauty surrounding us. What sets this piece apart is Arnolds’ technique, reminiscent of pointillism but distinguished by longer, more expressive brush strokes that add a vibrant texture and depth to the canvas. This method showcases Arnolds' unique adaptation of the techniques he encountered during his Parisian studies, particularly during his interactions with Nils Dardel...

We are delighted to offer a unique and evocative piece by the Swedish artist Ingeborg Westfelt-Eggertz. This small oil sketch captures a moment in time, portraying a young man seated...

An early 19th century, figural oil of a young woman with chestnut hair, shown wearing a headscarf and glancing towards the viewers left. A detail from a copy of 'Rebeca at the Well',...

Signed lower right, 'Zipin' for Martin Zipin (American, 1920-1991) and painted circa 1960. Displayed in the original, hand-carved giltwood frame. Framed ...

American school, Signed indistinctly lower right and dated 1988. A bravura, psychologically-penetrating oil study of a man, shown wearing a turban and contrasted against a scumbled ...

Scandinavian School, early twentieth century. Inscribed, verso, on stretcher bar, 'Anna Ancher' with indistinct inscription and painted circa 1910. A psychologically-penetrating portrait of a young woman shown in profile, wearing a gold earring and a polychrome silk headscarf...