Eugenio De Blasi

AUTUMN'S ALLEGORY - Eugenio De Blasi - Italian Portrait Italian Oil on Canvas

2007

Lady's portrait - Giovanni Santaniello Italia 2002 - Oil on canvas cm. 100 x 80 The painting by Giovanni Santaniello depicts a portrait of a beautiful pensive woman in elegant clothe...

Scene with Minstrel - Oil on canvas painting, Eugenio De Blasi, Italy, 2005 This is his reinterpretation of a greatest old master painting by Giovanni Boldini.

PORTRAIT OF YOUNG WOMAN - Oil on canvas painting cm.95x65, Eugenio De Blasi, Italy, 2008 The painting by Eugenio De Blasi is inspired by the work of the Venetian painter and portrai...

LADY IN BLACK - Oil on canvas painting, Eugenio De Blasi, Italy, 2011 This is his reinterpretation of a greatest old master painting by Giovanni Boldini. Gold leaf gilded and mohogan...

SPRING BEAUTY - Oil on canvas painting by Angelo Granati, Italy 2011 Gold leaf gilded, pleated silk and mirror wooden frame ext. mis. cm. 164x106. This is his reinterpretation of pa...

Cherubim with flowers - Oil on canvas cm.80x100 by Giulio Di Sotto, Italy, 2002. Gold leaf gilded wooden frame available on request This wonderful oil on canvas represents two putti...

Attilio MANGANARO (c.1865 – c.1890) Portrait of Gabriele d'Annunzio in 1887 Oil on canvas H. 52 cm; L. 42 cm Signed and dated lower right 1887 On the...

Giovanni Maria DELLE PIANE, known as IL MULINARETTO (Genoa, 1660 – Monticelli d'Ongina, 1745) Portrait of a man Oil on oval canvas H. 108 cm; L. 83 cm Provenance: Nino Ferrari Colle...

Mid 20th Century Italian portrait of a seated lady signed Battionni bottom left. Presented in a white and gilt wood frame. A characterful stylised...

Madonna with the book. XVIIth century. Oil on Canvas. Antique painted wooden frame, in need of restoration. Reintel. Baroque Era. Interesting painting of the Genoese school, with ch...

Provenance: Charles H. and Virginia Baldwin, Claremont, Colorado Springs, Colorado ca. 1907-1934; thence by descent until sold in 1949 to: Charles Blevins Davis, Claremont (renamed Trianon), Colorado Springs 1949 -until gifted in 1952 to: The Poor Sisters of Saint Francis, Trianon, Colorado Springs, 1952 until acquired, 1960, by: John W. Metzger, Trianon, renamed as the Trianon School of Fine Arts, Colorado Springs, 1960-1967; when transferred to: The Metzger Family Foundation, Trianon Art Museum, Denver, 1967 - 2004; thence by descent in the Metzger Family until 2015 Exhibited: Trianon Art Museum, Denver (until 2004) The present work is a spectacular jewel-like canvas by Amigoni, rich in delicate pastel colors, most likely a modello for an altarpiece either lost or never painted. In it the Madonna stands firmly upon a cloud in the heavens, her Child resting on a delicate veil further supported by a cloud, as he gently wraps his arm around his mother’s neck. From above angels prepare to lower flowers and a wreath, while other angels and seraphim surrounding the two joyfully cavort. Dr. Annalisa Scarpa, author of the forthcoming monograph on Jacopo Amigoni...

ERWIN BINDEWALD (1897-1950) Two men playing draughts, a girl with the red book standing behind them Signed and dated E. Bindewald d.j., 27 Oil on canvas, 140.5 x 90.5 cm In black and gilt gesso frame. Note: Bindewald was born in Charlottenburg. He moved to Berlin in 1914 where he studied till 1924 at the Berliner Kunst Akademie. Bindewald travelled in Europe, but mainly stayed in Germany and certainly never was in China. This painting was made in Europe, presumably in the China Town of Berlin. Bindewald received several commisions in Germany from factory owners who wanted their factories painted inside, usually with workers, as well as outside. In the present painting the sitter on the right seems to be a man with a Manchurian background, wearing the brown coat reserved for the highest aristocracy in China. In China the black sleeve-ends completely cover the hands, indicating that the high aristocracy does not have to do any manuel labour. This man clearly is not a factory worker but he possibly is the (co)- owner of the factory in the background and as such might need his hands to do at least some writing. The man on the left in the modern Western suit...