Javier Martin

Blindness Astraea

2016

Acrylic on canvas Carlos Sablòn Perez is a Cuban artist born in 1981 who lives & works in Châlons-en-Champagne, France. His talent is quickly recognized in the four corners of the C...

This piece titled "Bornholm" is an original artwork made from acrylic on canvas by KC Ortiz. This piece measures 38.5"h x 27.5"w. Born in Chicago, and currently residing in Copenhag...

2009, unique artwork  Oil on Canvas 78 7/10 × 63 in - 200 × 160 cm The artwork is signed by the Artist on verso of the canvas & stamped with the logo of the Artist's Studio on verso ...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

"Popeye" Painting 20" x 20" inch by Antonio Pelayo Medium: Acrylic Ink & Paint on Animation Acetate Image size: 13" x 13" inch Size framed: 20" x 20" inch Artist Antonio Pelayo, born in Glendale, California, and yet raised for most of his childhood in the Mexican countryside, has never had his own country. Moving from an American suburb to a tiny village has kept his world unstable, yet that very instability has made him an artist. Antonio was born in 1973 in a comfortable, quintessentially American suburb: close neighbors, picket fences, movie theatres, malls, and English all around. At nine, his family sent him back to his father’s village in Mexico, where the environment radically changed: old broken down adobe churches replaced galleries and the trappings of suburbia. Some adjustments were difficult, like dealing with outdoor plumbing and the transition to a Spanish-speaking environment. Teased and ostracized by other kids, and unable to communicate with the adults, Antonio looked elsewhere for, if not companionship, at least solace. He found it with a pencil and in the pews. He snuck into the village church and stared up at the murals of martyrdom. He hid in the dark corners and sketched the artwork that covered the walls and altars. Antonio sought out the work of other Mexican artists, making them his mentors; his friends. Diego Rivera, Frida Kahlo, and Orozco, all revealed to Antonio the depth of Mexican art and its movement from the shadows of the Catholic Church into the modern world. He learned Spanish. He strove to master it, hoping to communicate with the folks of the village. Still, there was a gap; the language barrier between poor farmers and the middle class kept him from meeting people on an intimate level. Nevertheless, he now had three languages: English, Spanish, and his drawings. Years later his family brought him back to Glendale, which he now saw through the lens of Mexico. It looked unreal; it did not look like home. Nothing looked like home anymore; not Mexico, not Southern California. The one home he had was his art. Though his mastery of pencil and paper began in the nave of an old country church in Mexico...