John Rankine Barclay

Portrait of Bradnock Principal Worcester College in Car, Malvern, oil painting

Circa 1940

This beautiful oil painting on canvas dates to circa 1840 and is by British Victorian artist William Edward Frost who was noted for his depiction of nudes and feminine beauty. The ov...

This superb Scottish Glasgow Girl 1930's portrait oil painting is by noted female artist Jessie M. McGeehan. McGeehan studied at the Glasgow School of art, enrolling at the age of 15 in 1888 and her last recorded attendance was in 1895. While at Glasgow School of Art, Jessie associated with prominent Scottish artists including Margaret Macdonald and Frances MacDonald of the Glasgow Four. She also later studied in Paris. This gorgeous vibrant Scottish School style portrait is just superb. The composition is of a young girl in a blue dress, her sleeves rolled up to her elbows. She has little gold hoops in each ear and a bow in her dark hair. She is gazing at the artist/viewer with dark eyes. She is sat in the foreground with a large wicker basket of purple plums and a couple of heads of garlic clasped on her lap. Above her are branches of a tree, laden with fruit. A line of slender silver tree trunks lead past a bed of orange pumpkins to a whitewashed cottage with a woman standing in the doorway. The sunshine is illuminating the scene and casting strong shadows. The brushwork is bold, the colours vibrant and the dark outlines typical of the Scottish School artists. This is a really charming oil painting by a noted female Scottish artist and one of the best examples of her work. Signed and dated (19)32 upper right. Provenance. Yorkshire estate. Condition. Oil on canvas, 21 inches by 18 inches and in good condition. Frame. Housed in a light ornate frame, 28 inches by 25 inches, in good condition. Jessie Mary McGeehan (1872–1950) was a Scottish artist renowned for her painting and mosaic work, often depicting genre scenes, landscapes and figures. McGeehan was born in Airdrie and her father Patrick was a carriage hirer. An artistic family, Patrick exhibited a painting Royal Scottish Academy in 1879 and the artist Aniza McGeehan (1874–1962) was Jessie's younger sister. Both sisters studied at the Glasgow School of Art, Jessie being enrolled at the age of 15 in 1888 and last recorded as attending in 1895. Their younger sister Mary Catherine (1877–1960), later known as Sister Callista, also attended Glasgow School of Art from the age of nine. Jessie McGeehan also studied in Paris after leaving Glasgow School of Art. McGeehan's work included paintings, pastels, stained glass, mosaics and tapestry designs. She was active from 1892 and exhibited at the Royal Scottish Academy from 1895 with the work Sweet Idleness until 1916. From 1897 McGeehan lived and had a studio at 134 Bath Street, Glasgow, which was shared with Aniza until 1899. By 1936 she had moved to 152A Renfrew Street as advertised in the 'Glasgow Observer'. In 1901 McGeehan exhibited the work The Victorian Era at the Royal Academy in London. McGeehan's 1929 oil portrait of her sister Aniza is in the North Lanarkshire Museums collections. This was one of two oil paintings exhibited in the 1929 Walker Art Gallery Autumn Exhibition. Jessie McGeehan created a glass mosaic panel for St Augustine’s Church in Langloan, Coatbridge. She also created a glass mosaic in fourteen panels depicting the Stations of the Cross for St Aloysius...

This lovely Edwardian exhibited portrait landscape oil painting is by noted Scottish artist James Riddel. It was exhibited at the Royal Scottish Academy in 1909 and again in Glasgow ...

A superb portrait oil painting by noted British Newlyn school artist Harold Harvey. Painted in 1922 the sitter is Clara Matthews. A full length portrait, Clara is set in a landscape and holding a rose. In several of Harvey's portraits his female sitters...

This stunning romantic exhibited Scottish Edwardian Impressionist portrait oil painting is by noted Scottish artist James Wallace. Painted in 1908 with excellent provenance, the brus...

This absolutely lovely British Victorian oil painting is by noted Birmingham born artist James John Hill and has some excellent provenance below. The painting actually stayed in Birmingham for many years, hanging in Heathfield Hall, the former residence of inventor and engineer James Watt, but owned at that time by Thomas Pemberton. It then moved to Berwick House in Shropshire. Entitled The Gleaner and painted in1863, it is a charming half length portrait of a young woman with a sheaf of wheat under her arm. She is stood beneath trees and the wheat field is beyond. She is dressed in a lovely pink garment and wearing a brown felt hat, to shade her face from the sun, her dark hair cascading down her shoulder, The hat is decorated with a poppy. The soft tones and sympathetic rendering of the young woman make this a stunning 19th century oil painting with excellent provenance. The painting is housed in its original gilt frame with a beautiful oak leaf motif. Signed and dated 1863 lower left. Provenance. Thomas Pemberton, Heathfield Hall, Handsworth, Birmingham. (Heathfield Hall was the former residence of the inventor and engineer James Watt. Following his death the house had several occupiers including local luminaries Thomas Pemberton and George Tangye). His sale, Christie's, 30 April 1874, lot 95 (69gns to James Watson) Berwick House, Shropshire. (James Watson (1817-1895) was an English merchant, dairy herdsman and Conservative politician who sat in the House of Commons from 1885 to 1892) Condition. Oil on canvas, 34 inches by 28 inches unframed, in good condition. Frame. Housed in its original gilt frame with oak leaf motif, 42 inches by 36 inches and in good condition. James John Hill RBA (1811 – 27 January 1882), known also by his alias J. J. Hill, was an English landscape and portrait painter, known for his many rustic paintings and portraits of Lady Burdett-Coutts. James John Hill was born sometime in 1811 in Broad Street, Birmingham to Daniel Hill, plater, and Elizabeth Rowlinson, the daughter of a brass founder. He was educated at Hazelwood School, a school founded by the educational reformer Rowland Hill...

John Berry is a well-known English artist who painted portraits of the royal family. During his career, he discovered Edward Curtis's photographs of Native Americans and became awestruck by the strength and power each portrait held. He studied them in-depth and became an expert in depicting the Native American lifestyle and portraits. This painting entitled "Yellow Hair Sioux" is an original oil on canvas painting measuring 60x36 in. This is a portrait of chief Yellow Hair of the Sioux Tribe. Chief Yellow Hair, a Native American Rosebud Sioux is holding a sword, with a feathered headdress, a leather and fringe shirt...

Antique French town view with a young handsome butcher. Amazingly framed. Oil on canvas. Framed. Signed.

Bennet received his artistic education during a trip to Italy from 1829-to 1832, where he stayed in Rome and Naples. His closest contact in Rome was with the sculptors Bengt Erland Fogelberg and Bertel Thorvaldsen and the French painter Horace Vernet. After returning to Sweden, he divided his time between military service and art. In 1838, after advancing to captain, he resigned from the military and conducted preparatory studies in the field of art in Sweden. He then mainly painted Italian landscape motifs, Stockholm views and views of larger mansions, portraits, animal pictures...

Meyer-Waldeck Kunz Mitau 1859 –1953 Neuburg Fishermen Boats in Harbour of Cascais, Portugal German Painter Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image s...

The image of Hutsul girls on a clear summer day. Conveying the positive mood and character of each person depicted in the picture. The study of folk clothes and the use of traditional colors characteristic of the Transcarpathian school of painting.

Santa Duran This painting was heavily influenced by Jose Arpa's prize winning painting "Picking Cotton" The last photo I posted was the painting by J...