Painting 19th Century Portrait Renaissance
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Jose Miralles DarmaninPainting 19th Century Portrait Renaissance 1882
1882
About the Item
- Creator:Jose Miralles Darmanin (1850 - 1900, Spanish)
- Creation Year:1882
- Dimensions:Height: 22.05 in (56 cm)Width: 18.51 in (47 cm)Depth: 2.37 in (6 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint-Ouen, FR
- Reference Number:Seller: 228501stDibs: LU44731603903
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
1stDibs seller since 2016
51 sales on 1stDibs
Typical response time: 21 hours
More From This SellerView All
- Painting 19th Century Romantic Courtiers Genre SceneLocated in Saint-Ouen, FRCourtiers Party in the Park in 18th Century In the Taste of Nicolas Lancret (1690-1743) Oil on canvas Frame gilded with leaves Dim canvas : 73 X 59 cm Dim frame : 100 X 87 cmCategory
1850s Old Masters Portrait Paintings
MaterialsOil
- Painting 19th century old master rural daily lifeBy Henri-Joseph CastaingLocated in Saint-Ouen, FRCASTAING Henri Joseph (1860-1918) Young girl at the source Oil on canvas signed low left Frame gilded with gold leaves Dim canvas : 100 X 66 cm Dim frame : 121 X 86 cm CASTAING Henr...Category
1890s Old Masters Portrait Paintings
MaterialsOil
- 19th Century Painting Interior and Genre SceneBy Jean Alexandre Rémy CouderLocated in Saint-Ouen, FRCOUDER Alexandre Jean Rémy (1808-1879) Reading on the sofa Oil on canvas signed low left Old original frame gilded with leaves Dim canvas : 47 X 39 cm Di...Category
1860s Old Masters Interior Paintings
MaterialsOil
- The Declaration Of LoveLocated in Saint-Ouen, FRCOLIN François (1798-1864) The Declaration of love Oil on canves signed low left Old frame regilded with leaves Dim canvas : 41 X 57 - Dim frame : 56 X 71 cm COLIN François (1798-1...Category
Mid-19th Century Academic Portrait Paintings
MaterialsOil
- Young Lady and Cupid in The ParkLocated in Saint-Ouen, FRC.BRIAND Young Lady With Cupid in The Park Oil on canvas circa 1880 signed low right Old Frame gilded with leaves Size canvas : 65 X 55 cm Size frame : 93 X 82 cmCategory
1880s Academic Portrait Paintings
MaterialsOil
- The Swing - Romantic Scene in the GardenBy Antonio CervetoLocated in Saint-Ouen, FRCERVETO RIBA Antonio (1876-1938) "The swing" Oil on canvas signed low right Gault frame (Paris) Dim canvas : 60 X 80 cm Dim frame : 81 X 102 cm CERVETO RIB...Category
1920s Academic Landscape Paintings
MaterialsOil
You May Also Like
- Portrait of a Lady, After Sir Peter Lely (1610-1680) Oil PaintingBy After Sir Peter LelyLocated in Uppingham, GBOil Painting After Sir Peter Lely (1610-1680) Portrait of a Lady Housed in a Lely gold Leaf Frame. Peter Lely: In 1647 he became a member of the Pain...Category
17th Century Old Masters Portrait Paintings
MaterialsOil
- Oil Painting Portrait, attributed to John Vanderbank (1694-1739)By John VanderbankLocated in Uppingham, GBOil Painting Portrait of John Campbell, 4th Duke of Argyll,, att to John Vanderbank (1694-1739) Housed in a swept frame which has been restored after photo. Canvas Size 50" x 40", Fr...Category
1690s Old Masters Portrait Paintings
MaterialsCanvas, Oil
- 19th century portrait painted in St Petersburg in 1819Located in London, GBSigned, inscribed and dated, lower right: 'Geo Dawe RA St Petersburgh 1819', also signed with initials, lower centre: 'G D RA'; and signed and inscribed verso: 'Geo Dawe RA Pinxit 1819 St Petersburgh'; Also inscribed on the stretcher by Cornelius Varley with varnishing instructions. Collections: Private collection, UK, 2010 Literature: Galina Andreeva Geniuses of War, Weal and Beauty: George Dawe...Category
19th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
- Portrait of Jean-Baptiste Greuze, painted on linen by his daughter Anna GreuzeLocated in PARIS, FRThis replica of the last self-portrait of Jean-Baptiste Greuze painted in 1804, executed by his daughter Anna at her father's side and recently rediscovered, provides us with a poignant image of the great artist, represented with panache despite the disillusions of life. 1. Jean-Baptiste Greuze Jean-Baptiste Greuze was the sixth child of a roofer from Tournus and retained a certain rusticity in his behaviour from his provincial childhood, beyond his taste for describing picturesque scenes of the countryside. He initially started training with a little-known painter from Lyon, Charles Grandon, before his genius was recognised in Paris where he became a full-time student of the Académie (of Painting) in 1755. He exhibited his work for the first time at the Salon during the summer of 1755, before leaving on a trip to Italy in the company of Louis Gougenot, abbot of Chezal-Benoît. Upon his return to Paris, Greuze became a prolific painter, participating widely in the Salons held between 1759 and 1765, to which he sent no less than 63 paintings: numerous genre scenes (The Marriage Contract, The Beloved Mother), but also portraits of his family circle, of courtiers and art lovers, or of his colleagues. The Academy closed the doors of the Salons to him in 1767 for not having produced his reception piece within six months of his reception, as was the tradition. He worked actively on this painting (Emperor Severus rebukes Caracalla, his son, for trying to assassinate him ) until the summer of 1769, tackling historical and mythological subjects for the first time. Once this was completed, he was then fully admitted to the Academy, but as a genre painter, and not as an historical painter, which had been one of the greatest humiliations of his life. Greuze then refused any participation in events organised by the Academy or its successor, the Academy of Fine Arts until 1800. Abandoning history painting, he gave a new twist to genre scenes, bringing them closer to history painting, as in this pair of canvases which constitutes some of his masterpieces: The Paternal Curse: The Ungrateful Son and The Paternal Curse: The Punished Son . Married in 1759 to Anne-Gabrielle Babuti, the daughter of a Parisian bookseller, his marriage was unhappy and his wife probably frequently unfaithful. The institution of divorce enabled him to record their separation in 1793, keeping his two daughters Anna-Geneviève, born in April 1762, and Louise-Gabrielle, born in May 1764, with him. Little is known about his daughter Anna except that she was herself a painter and lived with her father until his death. It is likely that most of the paintings she produced up to that date were attributed to her father, whose technique she shared to a great extent, making it extremely difficult to establish an autonomous corpus of her paintings. Greuze died in his studio at the Louvre on March 21st 1805. The attention paid to the expressivity of his characters and the emotional charge they convey enabled Jean-Baptiste Greuze to enjoy immense popularity with the eighteenth-century public, and they still constitute Greuze's true modernity. As the artist said, "I dipped my brush in my heart". Greuze was also an exceptional draughtsman and a portraitist of immense talent and exceptional longevity who painted both the Dauphin (the son of Louis XV and father to Louis XVI) and the young Napoleon Bonaparte. 2. Greuze's self-portraits Greuze was very much influenced by Dutch paintings during all his life. While the source of his inspiration for genre scenes can be found in Gerard Dou...Category
Early 1800s Old Masters Portrait Paintings
MaterialsLinen, Oil
- William Wissing (follower) 19th Century Portrait Queen Mary IILocated in York, GBA 19th century oil on canvas, portrait of a young woman.This portrait is believed to be of Queen Mary II taken from an engraving of the painting, Halswell Park Sale, 1948, lot no.1323, Housed in a decorative gilt frame.Size overall being 70 x 86 cm high (27.5 x 33¾ inches approx) size of painting 54 x 68 cm (21 x 26 inches approx) To the rear of the portrait is a newspaper cutting of the engraving ,also a typed note regarding the provenance of the painting (see photo) Condition overall is very good, the Canvas has been relined, under UV there are areas of overpaint to bosom.Frame overall very good some minor self coloured losses Mary II (30 April 1662 – 28 December 1694) Mary, born at St James's Palace in London on 30 April 1662,eldest daughter of James, Duke of York (the future James II & VII) , and his first wife, Anne Hyde. Mary's uncle was King Charles II, her maternal grandfather, Edward Hyde, 1st Earl of Clarendon, served for a lengthy period as Charles's chief adviser. Mary married William of Orange. Willem Wissing, known in England as William Wissing...Category
19th Century Old Masters Portrait Paintings
MaterialsOil
- 17th/18th century Portrait studio Godfrey Kneller of George GranvilleLocated in York, GBA fine oval portrait of George Granville, PC, 1st Baron Lansdowne and "Duke of Albemarle" in the Jacobite peerage (1666-1735) Studio of Sir Godfrey ...Category
18th Century Old Masters Portrait Paintings
MaterialsOil
$8,644 Sale Price20% OffFree Shipping
Recently Viewed
View AllMore Ways To Browse
E Browning 56
19th Century American Oil Portraits
Portrait Woman Realist
19th Century American Portraits Oil Paintings
Peter Lely
Portrait Painting Young Boy
Portrait Earl Of
Queen Oil Portrait
Vintage Oil Canvas Portraits
18th Century Large Portrait
Portrait Neck
Supreme New York
Original Antique Oil Portrait
18th English Oil
Aristocratic Painting
18th Century English Oil
Antique Portraiture
Oval Portrait Paintings