Lee Lufkin Kaula

Lady with a Parasol

A wonderful large self portrait of the artist with a Russian model by American artist Pauline Lennards Palmer (1867-1938). Born in McHenry, Illinois, Palmer studied at the Art Institute of Chicago between 1893 and 1898, including a one-month session with William Merritt Chase in 1897, and further temporary instruction with Frank Duveneck. She became one of Chicago's early twentieth-century portrait and landscape painters and one of the Midwest's most active and energetic exponents of impressionism. After her career was well established, she moved to Provincetown and studied with Charles Hawthorne...

A wonderful three quarter portrait of a boy in a straw hat peeling a piece of fruit, probably an orange, by Italian artist Eugene Von Blaas (1843-1942). Von Blaas was born to Austria...

A beautiful portrait oil painting of Juliet by American artist Mary Rosamond Coolidge (1884-1978). Coolidge was a well-known portrait painter and a graduate of Massachusetts Normal A...

A finely detailed oil painting on canvas portrait of an unidentified Russian officer, dating to the 18th or 19th century, unsigned, and housed in a spectacular museum quality reprodu...

A finely detailed portrait of a beautiful young woman with a fan by Franco-German artist Carl Ernst Von Stetten (1857-1942). Stetten was a Franco-German portrait and genre painter who worked in France. He came from the wealthy Stetten banking family. He began his studies on October 16, 1876 in the class of antiquities at the Royal Academy of Arts in Munich. He then left for Paris in the 1880s to study under Jean-Léon Gérôme. He attended the Académie Julian with Gustave Boulanger, Gustave Courtois...

A fine oil portrait of a young girl with Donald Duck and other toys by American artist John Lavallee (1896-1971). Lavalle was born in Nahant, Massachusetts and earned an A.B. Degree from Harvard University and also studied at the Boston Museum of Fine Arts with Philip Hale and with Jean Auburtin in Paris at the Academie Julian. He painted in Boston early in his career and New York City by the late 1940s, becoming known for his landscape, portrait, street and market scene painting...

At Doug's Place by Lu Haskew Oil 12x10" image size Plein Air artists sit by a river discussing on break from the day of painting. ABOUT THE ARTIST: Lu considered it a must to work...

Suchitra Bhosle's "Romantic Spring" is an original, handmade oil painting that depicts a couple relaxing in dappled sun light. About the Artist: Suchitra Bhosle is an India-born artist based in California. Suchitra paints in a representational realistic style drawing inspiration from 20th century naturalist painters. She embraces impressionism to depict everyday representational scenes. Suchitra excels at capturing and expressing the mood of her subjects, often in contemplative classical settings. This lends a timeless yet intimate quality to her paintings. Though primarily a portrait and figurative painter, she has recently been painting urban and architectural subjects. Suchitra is represented in leading fine art galleries across USA including Santa Fe, Washington D.C., Carmel and Houston. Her paintings have won awards at international juried shows hosted by The Portrait Society of America, Oil Painters of America and American Impressionist Society.

An impressive and masterful depiction of a young woman with a fan. An American artist who studied and traveled in Europe and painted this painting before his return. It has its original frame which is magnificent. The frame has been regilded in th past 10 years. Vinton was abroad in the 1880s. The sitter gazes coyly over her fan in a gesture that ladies and gentleman of fin-de-siècle Europe would have understood to mean “wait for me,” and perhaps indicating her interest in a potential suitor. Vinton embarked on several trips to Europe—to Spain in 1882 with William Merritt Chase and Robert Blum, and to several different countries in 1888 following his marriage—which provided inspiration for a renewed style and subject matter. While in Spain with Chase and Blum, the three artists visited Madrid and Toledo; there, Vinton studied the masterfully tenebrous portraits of Velázquez, an influence that can be seen in Portrait with Yellow Shawl...

Carl Nordell (1885 - 1957) The Pensive Beauty Oil on canvas 40 x 32 inches Signed lower left Nordell was born in Copenhagen on 23 September 1885. In 1892 the Nordell family settled in Westerly, New Jersey, where Carl Johan, one of several children, received his education. Reportedly, a local gambler and art collector, Richard Canfield was so impressed with young Nordell's talent that he assisted him to gain admittance to the Rhode Island School of Design. Carl was a tireless student and serious in his studies of art, literature, and philosophy. Friends nicknamed him "The American Frans Hals," as a result of his study of that Dutch master. After graduating from the school in 1905, Nordell continued his training at the Art Students League in New York City for the following two years. There he received criticism and instruction from George Bridgman (1864-1943), a noted teacher of anatomy, and Frank Vincent DuMond (1865-1951), a landscapist associated with Old Lyme. The popularity of Impressionism in America at this time had reached its peak, and the style was of paramount influence in Nordell's advanced studies. Around 1906, Nordell visited an exhibition of paintings by the Ten, most of whom were American Impressionists. Moved by the work of Tarbell and Joseph R. De Camp, he sought instruction from them at the School of the Museum of Fine Arts, Boston. Nordell worked diligently under Tarbell and experimented with the genre of women in interiors, or Intimism. In 1909, Nordell received the Paige Traveling Scholarship, which provided for two years of continued study in Europe. He became one of the hundreds of Americans to receive criticism from Jean-Paul Laurens at the Académie Julian in Paris. From this base, he made study trips to visit major museums and galleries in Italy, Holland, Spain and Germany and during this period Nordell's style reached a level of uniqueness, though he definitely remained under the general influence of French Impressionism. By the time of his return to Boston in 1911, Nordell had successfully incorporated the use of broken color, a high-keyed palette, and the practice of working en plein air to achieve an accurate representation of light and atmosphere. In October of that year, the Boston Art Club presented eighty-seven of Nordell's watercolors and oils to the viewing public. Some of the watercolors seem revolutionary in their spontaneity. Nordell continued his career in Boston at Fenway Studios and exhibited in national competitions, including the annuals of the National Academy of Design, the Art Institute of Chicago; at the 1912 biennial of the Corcoran Gallery he won the fourth Clarke Prize. Nordell's finances were augmented by portrait commissions of some of Boston's affluent citizens. The artist was so intent on recording the sitter's likeness that in this genre, he deviated from his usual impressionist technique. In the women-in-interior genre, he frequently depicted a fully draped woman seated in profile or at an oblique angle to the picture plane. These pensive and attractive young ladies usually gaze into space and become an integral part of the pleasant ambiance of the scene. In this way, Nordell remained within the Genteel Tradition as it was manifest in Boston. The artist exhibited several such works in the Panama-Pacific International Exposition in San Francisco in 1915, and won a silver medal for his efforts. In 1918, a one-man exhibition of fifty works was presented at the Boston Art Club. Nordell remained active in the Boston area art clubs and societies through the early 1920s. In the winter of 1921 Babcock Art Galleries presented him with yet another one-man show. During this period, Nordell increased the production of prints and won the Salmagundi Club's Shaw Prize for etching in 1923. Sometime after 1927 he began taking summer sketching trips to Chautauqua Lake...

This painting dedicated to "Women" series is a special one since it is all about my strong deep personal transformation as an artist. This transformation was based on the expansion ...

Label verso: "Portrait of a Lady / Oil / MUC / Beatrice Whitney Van Ness / unsigned / size 30h x 25w ". From the estate of the artist. Beatrice Whit...